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Anita O'Day|Pick Yourself Up

Pick Yourself Up

Anita O' Day

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For this well-rounded CD reissue that adds nine cuts to the original program, Anita O'Day, in her prime period, is mostly heard accompanied by Buddy Bregman & His Orchestra, but there are also a few tracks on which she is joined by a jazz combo featuring trumpeter Harry "Sweets" Edison. Highlights include "Don't Be That Way," "Stompin' at the Savoy," "Pick Yourself Up," "Sweet Georgia Brown," and "I Won't Dance." Virtually all of Anita O'Day's 1950s recordings are recommended, for her drug use had not yet affected her voice and her creativity was generally at its height.

© Scott Yanow /TiVo

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Pick Yourself Up

Anita O'Day

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1
Don't Be That Way
00:02:30

Anita O' Day, MainArtist

2011 PnR 2011 PnR

2
Let's Face The Music And Dance
00:03:11

Anita O' Day, MainArtist

2011 PnR 2011 PnR

3
I Never Had A Chance
00:04:21

Anita O' Day, MainArtist

2011 PnR 2011 PnR

4
Stompin' At The Savoy
00:03:17

Anita O' Day, MainArtist

2011 PnR 2011 PnR

5
Pick Yourself Up
00:03:02

Anita O' Day, MainArtist

2011 PnR 2011 PnR

6
Stars Fell On Alabama
00:02:50

Anita O' Day, MainArtist

2011 PnR 2011 PnR

7
Sweet Georgia Brown
00:04:12

Anita O' Day, MainArtist

2011 PnR 2011 PnR

8
I Won't Dance
00:03:24

Anita O' Day, MainArtist

2011 PnR 2011 PnR

9
Man With A Horn
00:03:54

Anita O' Day, MainArtist

2011 PnR 2011 PnR

10
I Used To Be Colour Blind
00:03:08

Anita O' Day, MainArtist

2011 PnR 2011 PnR

11
There's A Lull In My Life
00:03:17

Anita O' Day, MainArtist

2011 PnR 2011 PnR

12
Let's Begin
00:02:18

Anita O' Day, MainArtist

2011 PnR 2011 PnR

Chronique

For this well-rounded CD reissue that adds nine cuts to the original program, Anita O'Day, in her prime period, is mostly heard accompanied by Buddy Bregman & His Orchestra, but there are also a few tracks on which she is joined by a jazz combo featuring trumpeter Harry "Sweets" Edison. Highlights include "Don't Be That Way," "Stompin' at the Savoy," "Pick Yourself Up," "Sweet Georgia Brown," and "I Won't Dance." Virtually all of Anita O'Day's 1950s recordings are recommended, for her drug use had not yet affected her voice and her creativity was generally at its height.

© Scott Yanow /TiVo

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