Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
Essentially, John Zorn's O'o (named for an extinct Hawaiian bird) is a sequel to his brilliant and wonderfully breezy Dreamers set issued in March of 2008. The band is exactly the same: guitarist Marc Ribot, keyboardist Jamie Saft, drummer Joey Baron, bassist Trevor Dunn, percussionist Cyro Baptista, and vibraphonist Kenny Wollesen. Given that this is a thematic musical sequel, it holds the same potential trap as a cinematic one: that the constraints of the first chapter become so stultifying that they end up deeming themselves unnecessary as a seamless footnote to the original. A first listen to Zorn's ease with this meld of sounds-from surf to exotica, from cinema cues to grooving soul-jazz and '60s blues and rock themes -- makes this seem to be so, as well. That said, first impressions are completely deceptive. If anything, this is an intricately sequenced, impeccably performed series of tunes that meld together in a cycle that is seamless yet wildly diverse and more detailed than Dreamers. Careful attention reveals a wealth of musics on display. On the aptly titled "Mysterious Starling," the repetitive theme played by Saft offers diminished minors before the shimmering drums of Baron, the understated atmospherics of Ribot's guitar, and lushness of Wollesen's vibes enter. This is a jazz tune recalling both the precision of Bill Evans and the gentle lyricism of Erroll Garner. Its expansive harmonics are combined with lithe melodic cues; the other instruments accent and embellish what's happening rhythmically and texturally. Elsewhere, on "Little Bittern," it's Ribot who guides the band with his knotty solo work, sharp chord voicings, and effortless glide between blues, surf, and garage rock. Saft's Rhodes and the rhythm section begin playing a slow shuffle, then Ribot's out front tearing it up with jagged, distorted blues bleeding into one another. "Archaeopteryx," sounds like a film noir theme. Ribot plays all bluesy atop Baptista's hand drums and gorgeous percussive colorings, with dissonant background touches from Saft, and minimal arco work from Dunn. The vibes become the constant backdrop on which the entire track turns. There are far lighter modes, too: the sprightly exotic flavors of "Laughing Owl," is where samba and South African township music meet and groove in a beach blanket dance number. "The Zapata Rail," though brief, is a B-3 and vibes duel that becomes a travel suite; the key and tempo change, and everything moves up a few notches, creating a groove intensity that is as tough as it is lush. Ribot eventually blows it up in an explosion of guitar heroics. Ultimately, O'o is not only a worthy successor to Dreamers, it also goes deeper. The band has been together longer, and has gelled as a unit in the studio. The compositions may be tighter but they are also more exploratory, requiring more individuality among the various players. They make this sound easy; it's a testament to their strength. It seems obvious that Zorn had this band in mind when he was composing these pieces; the adventure is in the rich detail work like a fine Polynesian tattoo. O'o is every bit as accessible and fun to listen to as Dreamers is, but in many ways, it's even more satisfying because it feels like a work rather than a collection of tunes. In fact, the only thing more pleasing than listening to this album would be hearing it performed live.
© Thom Jurek /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de CHF 14,99/mois
John Zorn, Composer, MainArtist
2009 Tzadik 2009 Tzadik
John Zorn, Composer, MainArtist
2009 Tzadik 2009 Tzadik
John Zorn, Composer, MainArtist
2009 Tzadik 2009 Tzadik
John Zorn, Composer, MainArtist
2009 Tzadik 2009 Tzadik
John Zorn, Composer, MainArtist
2009 Tzadik 2009 Tzadik
John Zorn, Composer, MainArtist
2009 Tzadik 2009 Tzadik
John Zorn, Composer, MainArtist
2009 Tzadik 2009 Tzadik
John Zorn, Composer, MainArtist
2009 Tzadik 2009 Tzadik
John Zorn, Composer, MainArtist
2009 Tzadik 2009 Tzadik
John Zorn, Composer, MainArtist
2009 Tzadik 2009 Tzadik
John Zorn, Composer, MainArtist
2009 Tzadik 2009 Tzadik
John Zorn, Composer, MainArtist
2009 Tzadik 2009 Tzadik
Chronique
Essentially, John Zorn's O'o (named for an extinct Hawaiian bird) is a sequel to his brilliant and wonderfully breezy Dreamers set issued in March of 2008. The band is exactly the same: guitarist Marc Ribot, keyboardist Jamie Saft, drummer Joey Baron, bassist Trevor Dunn, percussionist Cyro Baptista, and vibraphonist Kenny Wollesen. Given that this is a thematic musical sequel, it holds the same potential trap as a cinematic one: that the constraints of the first chapter become so stultifying that they end up deeming themselves unnecessary as a seamless footnote to the original. A first listen to Zorn's ease with this meld of sounds-from surf to exotica, from cinema cues to grooving soul-jazz and '60s blues and rock themes -- makes this seem to be so, as well. That said, first impressions are completely deceptive. If anything, this is an intricately sequenced, impeccably performed series of tunes that meld together in a cycle that is seamless yet wildly diverse and more detailed than Dreamers. Careful attention reveals a wealth of musics on display. On the aptly titled "Mysterious Starling," the repetitive theme played by Saft offers diminished minors before the shimmering drums of Baron, the understated atmospherics of Ribot's guitar, and lushness of Wollesen's vibes enter. This is a jazz tune recalling both the precision of Bill Evans and the gentle lyricism of Erroll Garner. Its expansive harmonics are combined with lithe melodic cues; the other instruments accent and embellish what's happening rhythmically and texturally. Elsewhere, on "Little Bittern," it's Ribot who guides the band with his knotty solo work, sharp chord voicings, and effortless glide between blues, surf, and garage rock. Saft's Rhodes and the rhythm section begin playing a slow shuffle, then Ribot's out front tearing it up with jagged, distorted blues bleeding into one another. "Archaeopteryx," sounds like a film noir theme. Ribot plays all bluesy atop Baptista's hand drums and gorgeous percussive colorings, with dissonant background touches from Saft, and minimal arco work from Dunn. The vibes become the constant backdrop on which the entire track turns. There are far lighter modes, too: the sprightly exotic flavors of "Laughing Owl," is where samba and South African township music meet and groove in a beach blanket dance number. "The Zapata Rail," though brief, is a B-3 and vibes duel that becomes a travel suite; the key and tempo change, and everything moves up a few notches, creating a groove intensity that is as tough as it is lush. Ribot eventually blows it up in an explosion of guitar heroics. Ultimately, O'o is not only a worthy successor to Dreamers, it also goes deeper. The band has been together longer, and has gelled as a unit in the studio. The compositions may be tighter but they are also more exploratory, requiring more individuality among the various players. They make this sound easy; it's a testament to their strength. It seems obvious that Zorn had this band in mind when he was composing these pieces; the adventure is in the rich detail work like a fine Polynesian tattoo. O'o is every bit as accessible and fun to listen to as Dreamers is, but in many ways, it's even more satisfying because it feels like a work rather than a collection of tunes. In fact, the only thing more pleasing than listening to this album would be hearing it performed live.
© Thom Jurek /TiVo
À propos
- 1 disque(s) - 12 piste(s)
- Durée totale : 00:55:09
- Artistes principaux : John Zorn
- Compositeur : John Zorn
- Label : Tzadik
- Genre : Jazz
2009 Tzadik 2009 Tzadik
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.