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Dead Boys|Night Of The Living Dead Boys

Night Of The Living Dead Boys

Dead Boys

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Langue disponible : anglais

Like the Sex Pistols and N.W.A, the Dead Boys seemed built to self-destruct. The Cleveland punk rockers were so combustible, so reckless, so nihilistic that you figured they couldn't stay together for more than a few years -- and sure enough, the band broke up after only two studio albums. Apart from Young, Loud and Snotty and We Have Come for Your Children, the only other legal Dead Boys album is Night of the Living Dead Boys, which was recorded live at CBGB in New York in March 1979 but didn't come out until 1981 (the year after their breakup). In 1979, CBGB was considered the Village Vanguard of punk and new wave, and it was the perfect venue for the Dead Boys when they played New York. Stiv Bators and friends are as crude and obnoxious as they are inspired on material from Young, Loud and Snotty (including "Sonic Reducer," "Caught With the Meat in Your Mouth" and "What Love Is") and We Have Come for Your Children (most notably, "Son of Sam," "Catholic Boy" and "3rd Generation Nation"). While the Sex Pistols and the Dead Kennedys combined their nihilistic rage, anger and crudeness with strong sociopolitical concerns, the Dead Boys were never really political -- they were a band that thrived on nihilism for its own sake. And if you don't have delicate sensibilities and are blessed with a robust sense of humor, this recording points to the fact that they were also a lot of fun.

© Alex Henderson /TiVo

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Night Of The Living Dead Boys

Dead Boys

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1
Detention Home
00:03:40

Dead Boys, Composer, MainArtist, MusicPublisher

1999 Bomp! Records 1981 Dead Boys

2
3rd Generation Nation
00:02:58

Dead Boys, Composer, MainArtist, MusicPublisher

1999 Bomp! Records 1981 Dead Boys

3
All This & More
00:03:04

Dead Boys, Composer, MainArtist, MusicPublisher

1999 Bomp! Records 1981 Dead Boys

4
Caught With The Meat In Your Mouth
00:02:26

Dead Boys, Composer, MainArtist, MusicPublisher

1999 Bomp! Records 1981 Dead Boys

5
Tell Me
00:02:42

Dead Boys, Composer, MainArtist, MusicPublisher

1999 Bomp! Records 1981 Dead Boys

6
Catholic Boy
00:03:05

Dead Boys, Composer, MainArtist, MusicPublisher

1999 Bomp! Records 1981 Dead Boys

7
I Won't Look Back
00:02:52

Dead Boys, Composer, MainArtist, MusicPublisher

1999 Bomp! Records 1981 Dead Boys

8
Ain't It Fun
00:04:21

Dead Boys, Composer, MainArtist, MusicPublisher

1999 Bomp! Records 1981 Dead Boys

9
What Love Is
00:02:18

Dead Boys, Composer, MainArtist, MusicPublisher

1999 Bomp! Records 1981 Dead Boys

10
Ain't Nothing To Do
00:02:45

Dead Boys, Composer, MainArtist, MusicPublisher

1999 Bomp! Records 1981 Dead Boys

11
I Need Lunch
00:03:43

Dead Boys, Composer, MainArtist, MusicPublisher

1999 Bomp! Records 1981 Dead Boys

12
Son Of Sam
00:05:39

Dead Boys, Composer, MainArtist, MusicPublisher

1999 Bomp! Records 1981 Dead Boys

13
Sonic Reducer
00:03:01

Dead Boys, Composer, MainArtist, MusicPublisher

1999 Bomp! Records 1981 Dead Boys

Chronique

Like the Sex Pistols and N.W.A, the Dead Boys seemed built to self-destruct. The Cleveland punk rockers were so combustible, so reckless, so nihilistic that you figured they couldn't stay together for more than a few years -- and sure enough, the band broke up after only two studio albums. Apart from Young, Loud and Snotty and We Have Come for Your Children, the only other legal Dead Boys album is Night of the Living Dead Boys, which was recorded live at CBGB in New York in March 1979 but didn't come out until 1981 (the year after their breakup). In 1979, CBGB was considered the Village Vanguard of punk and new wave, and it was the perfect venue for the Dead Boys when they played New York. Stiv Bators and friends are as crude and obnoxious as they are inspired on material from Young, Loud and Snotty (including "Sonic Reducer," "Caught With the Meat in Your Mouth" and "What Love Is") and We Have Come for Your Children (most notably, "Son of Sam," "Catholic Boy" and "3rd Generation Nation"). While the Sex Pistols and the Dead Kennedys combined their nihilistic rage, anger and crudeness with strong sociopolitical concerns, the Dead Boys were never really political -- they were a band that thrived on nihilism for its own sake. And if you don't have delicate sensibilities and are blessed with a robust sense of humor, this recording points to the fact that they were also a lot of fun.

© Alex Henderson /TiVo

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