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Purcell Choir|Michael Haydn: Kaiser Constantin I "Feldzug und Sieg"

Michael Haydn: Kaiser Constantin I "Feldzug und Sieg"

György Vashegyi, Orfeo Orchestra

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Langue disponible : anglais

Several factors contributed to the appearance of this release on classical charts in early 2023. The music had been only recently rediscovered in a Budapest library, and the album was issued as part of a series covering forgotten compositions associated with the Esterházy family. Additionally, Michael Haydn is generally underrepresented on recordings, even though he was greatly admired in his own time, even by the usually hyper-critical Mozart, but the biggest reason is that the music is highly listenable. This oratorio could easily be taken for one of Mozart's Salzburg compositions. The title Kaiser Constantin I.: Feldzug und Sieg ("Emperor Constantine I; Campaign and victory") refers to an episode in Roman history that modern listeners may have forgotten, although those of Haydn's time would have known it. The text deals with Roman emperor Constantine's victory over his rival Maxentius in the year 312 C.E., which among other things, ushered in an era of tolerance for Christianity. Constantine is said to have received a divine sign in the form of a burning cross in the air, but mostly the text is allegorical; the five solo parts are for Theology, Faintheartedness, Philosophy, Belief, and Bravery. All are sopranos; an additional alto part, here sung by a countertenor, appears at the end. Hungary's Purcell Choir gets top billing on this release by the Orfeo Orchestra and conductor György Vashegyi, but it actually has little to do. Most of the music is given over to soprano arias and duets, many of them of an extremely athletic character. Vashegyi picks his singers well, and the effect is one of a procession of contrasts. The music is strong enough that one might wish to hear it performed by true A-listers, but really, it is hard to fault the singing here. The work can certainly be recommended to music programs that have a surfeit of soprano talent in a given year. Beyond that, it belongs on shelves and hard drives with good collections of Classical-period music.
© James Manheim /TiVo

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Michael Haydn: Kaiser Constantin I "Feldzug und Sieg"

Purcell Choir

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Kaiser Constantin I "Feldzug und Sieg" (Michael Haydn)

1
Introduzione
Orfeo Orchestra
00:04:10

Michael Haydn, Composer - Orfeo Orchestra, Orchestra, MainArtist - György Vashegyi, Conductor, MainArtist

(C) 2022 Accent (P) 2022 Accent

2
Vielleicht ist Constantin, der große Held
Katalin Szutrély
00:01:06

Michael Haydn, Composer - Orfeo Orchestra, Orchestra, MainArtist - György Vashegyi, Conductor, MainArtist - Katalin Szutrély, Artist, MainArtist

(C) 2022 Accent (P) 2022 Accent

3
Jubilieret, triumphieret, gesegnete Christen
Katalin Szutrély
00:06:42

Michael Haydn, Composer - Orfeo Orchestra, Orchestra, MainArtist - György Vashegyi, Conductor, MainArtist - Katalin Szutrély, Artist, MainArtist

(C) 2022 Accent (P) 2022 Accent

4
Es müssten mir auch viele von den Heiden
Klara Kolonits
00:04:19

Michael Haydn, Composer - Emoke Baräth, Artist, MainArtist - Klára Kolonits, Artist, MainArtist - Orfeo Orchestra, Orchestra, MainArtist - György Vashegyi, Conductor, MainArtist - Chantal Santon-Jeffery, Artist, MainArtist - Theodora Raftis, Artist, MainArtist

(C) 2022 Accent (P) 2022 Accent

5
Rom ist mir zu stille worden
Klara Kolonits
00:06:06

Michael Haydn, Composer - Klára Kolonits, Artist, MainArtist - Orfeo Orchestra, Orchestra, MainArtist - György Vashegyi, Conductor, MainArtist - Theodora Raftis, Artist, MainArtist

(C) 2022 Accent (P) 2022 Accent

6
Vernehmet auch von mir
Chantal Santon-Jeffery
00:02:52

Michael Haydn, Composer - Orfeo Orchestra, Orchestra, MainArtist - György Vashegyi, Conductor, MainArtist - Chantal Santon-Jeffery, Artist, MainArtist

(C) 2022 Accent (P) 2022 Accent

7
O du zentnerschwere Last
Chantal Santon-Jeffery
00:12:44

Michael Haydn, Composer - Orfeo Orchestra, Orchestra, MainArtist - György Vashegyi, Conductor, MainArtist - Chantal Santon-Jeffery, Artist, MainArtist

(C) 2022 Accent (P) 2022 Accent

8
Für mich betrübt, und für die Christenheit
Chantal Santon-Jeffery
00:04:04

Michael Haydn, Composer - Emoke Baräth, Artist, MainArtist - Orfeo Orchestra, Orchestra, MainArtist - György Vashegyi, Conductor, MainArtist - Chantal Santon-Jeffery, Artist, MainArtist

(C) 2022 Accent (P) 2022 Accent

9
Herr, dein Wort ist Recht und Licht
Emöke Baráth
00:08:46

Michael Haydn, Composer - Emoke Baräth, Artist, MainArtist - Orfeo Orchestra, Orchestra, MainArtist - György Vashegyi, Conductor, MainArtist

(C) 2022 Accent (P) 2022 Accent

DISQUE 2

1
Wann aber wir deswegen uns betrüben
Klara Kolonits
00:04:00

Michael Haydn, Composer - Emoke Baräth, Artist, MainArtist - Klára Kolonits, Artist, MainArtist - Orfeo Orchestra, Orchestra, MainArtist - György Vashegyi, Conductor, MainArtist - Katalin Szutrély, Artist, MainArtist - Theodora Raftis, Artist, MainArtist

(C) 2022 Accent (P) 2022 Accent

2
Du stirbst, o Held
Theodora Raftis
00:05:01

Michael Haydn, Composer - Orfeo Orchestra, Orchestra, MainArtist - György Vashegyi, Conductor, MainArtist - Katalin Szutrély, Artist, MainArtist - Theodora Raftis, Artist, MainArtist

(C) 2022 Accent (P) 2022 Accent

3
Ein wahrer Vater ist dir Rom entgangen
Klara Kolonits
00:02:28

Michael Haydn, Composer - Emoke Baräth, Artist, MainArtist - Klára Kolonits, Artist, MainArtist - Orfeo Orchestra, Orchestra, MainArtist - György Vashegyi, Conductor, MainArtist - Theodora Raftis, Artist, MainArtist

(C) 2022 Accent (P) 2022 Accent

4
Einem Mann von dieser Art
Chantal Santon-Jeffery
00:03:43

Michael Haydn, Composer - Purcell Choir, Choir, MainArtist - Orfeo Orchestra, Orchestra, MainArtist - György Vashegyi, Conductor, MainArtist - Chantal Santon-Jeffery, Artist, MainArtist

(C) 2022 Accent (P) 2022 Accent

5
O Der Gläubige muss sich...
Klara Kolonits
00:03:44

Michael Haydn, Composer - Emoke Baräth, Artist, MainArtist - Klára Kolonits, Artist, MainArtist - Orfeo Orchestra, Orchestra, MainArtist - György Vashegyi, Conductor, MainArtist - Chantal Santon-Jeffery, Artist, MainArtist - Katalin Szutrély, Artist, MainArtist

(C) 2022 Accent (P) 2022 Accent

6
Stille, stille, Gottes Wille
Klara Kolonits
00:10:07

Michael Haydn, Composer - Klára Kolonits, Artist, MainArtist - Orfeo Orchestra, Orchestra, MainArtist - György Vashegyi, Conductor, MainArtist

(C) 2022 Accent (P) 2022 Accent

7
Durch welchen Zufall ist Rufin geblieben
Klara Kolonits
00:06:20

Michael Haydn, Composer - Emoke Baräth, Artist, MainArtist - Klára Kolonits, Artist, MainArtist - Orfeo Orchestra, Orchestra, MainArtist - György Vashegyi, Conductor, MainArtist - Chantal Santon-Jeffery, Artist, MainArtist - Katalin Szutrély, Artist, MainArtist

(C) 2022 Accent (P) 2022 Accent

8
Ihr Christen, streuet Palmen
Purcell Choir
00:05:16

Michael Haydn, Composer - Purcell Choir, Choir, MainArtist - Orfeo Orchestra, Orchestra, MainArtist - György Vashegyi, Conductor, MainArtist

(C) 2022 Accent (P) 2022 Accent

Chronique

Several factors contributed to the appearance of this release on classical charts in early 2023. The music had been only recently rediscovered in a Budapest library, and the album was issued as part of a series covering forgotten compositions associated with the Esterházy family. Additionally, Michael Haydn is generally underrepresented on recordings, even though he was greatly admired in his own time, even by the usually hyper-critical Mozart, but the biggest reason is that the music is highly listenable. This oratorio could easily be taken for one of Mozart's Salzburg compositions. The title Kaiser Constantin I.: Feldzug und Sieg ("Emperor Constantine I; Campaign and victory") refers to an episode in Roman history that modern listeners may have forgotten, although those of Haydn's time would have known it. The text deals with Roman emperor Constantine's victory over his rival Maxentius in the year 312 C.E., which among other things, ushered in an era of tolerance for Christianity. Constantine is said to have received a divine sign in the form of a burning cross in the air, but mostly the text is allegorical; the five solo parts are for Theology, Faintheartedness, Philosophy, Belief, and Bravery. All are sopranos; an additional alto part, here sung by a countertenor, appears at the end. Hungary's Purcell Choir gets top billing on this release by the Orfeo Orchestra and conductor György Vashegyi, but it actually has little to do. Most of the music is given over to soprano arias and duets, many of them of an extremely athletic character. Vashegyi picks his singers well, and the effect is one of a procession of contrasts. The music is strong enough that one might wish to hear it performed by true A-listers, but really, it is hard to fault the singing here. The work can certainly be recommended to music programs that have a surfeit of soprano talent in a given year. Beyond that, it belongs on shelves and hard drives with good collections of Classical-period music.
© James Manheim /TiVo

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