Catégories :
Panier 0

Votre panier est vide

Helen Merrill|Merrill At Midnight

Merrill At Midnight

Helen Merrill

Disponible en
16-Bit/44.1 kHz Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

Langue disponible : anglais

Helen Merrill recorded this lushly orchestrated album in conjunction with arranger/conductor Hal Mooney, with whom she'd previously cut a single, in early 1957. Opening with the moody and gorgeous "I'll Be Around," she moves into almost an art-song mode on "Soft as Spring," and her sound on "If I Forget You" veers perilously close to pop, complete with rippling harp arpeggios, as does "It's a Lazy Afternoon." But Merrill is so beguilingly subtle and hauntingly beautiful in her intonation, and maintains just enough of a blues base to her delivery here, that these songs remain consistent with the rest of the material and with her other output of the era. Actually, the whole album works by straddling all of this territory -- it's simply Helen Merrill and Hal Mooney bending a few genres in a more sophisticated musical setting than usual on her records. All of these elements get pulled together, and wound as tight and powerfully as possible, on the final track, "Black Is the Color of My True Love's Hair" -- that had to be the finish, because nothing else here could top it for sheer, understated power and impact. Merrill at Midnight was also stunningly recorded, an attribute that one hopes will not be lost when and if the album ever gets reissued on CD. (As it is, the only way to get this album on CD, as of 2006, is as part of the four-CD The Complete Helen Merrill on Mercury which, itself, is out-of-print). For anyone who has it, or the old LP, this one's a keeper and in a class by itself, with lots and lots of class.

© Bruce Eder /TiVo

Plus d'informations

Merrill At Midnight

Helen Merrill

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 100 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.

À partir de CHF 14,99/mois

1
Soft As Spring
00:03:14

Billy Mure, Guitar, AssociatedPerformer - Cole Porter, ComposerLyricist - Milt Hinton, Bass Guitar, AssociatedPerformer - Harold Mooney, Conductor - Helen Merrill, MainArtist - Marian McPartland, Piano, AssociatedPerformer

℗ 1957 UMG Recordings, Inc.

2
Black Is The Color Of My True Love's Hair
00:02:51

Billy Mure, Guitar, AssociatedPerformer - Traditional, ComposerLyricist - Milt Hinton, Bass Guitar, AssociatedPerformer - Harold Mooney, Conductor, Recording Arranger, AssociatedPerformer - Nina Simone, Arranger, Work Arranger - Helen Merrill, MainArtist - Marian McPartland, Piano, AssociatedPerformer

℗ 1978 UMG Recordings, Inc.

3
It's A Lazy Afternoon
00:03:07

Billy Mure, Guitar, AssociatedPerformer - Milt Hinton, Bass Guitar, AssociatedPerformer - Jerome Moross, ComposerLyricist - John Latouche, ComposerLyricist - Harold Mooney, Conductor - Helen Merrill, MainArtist - Marian McPartland, Piano, AssociatedPerformer

℗ 1957 UMG Recordings, Inc.

4
The Things We Did Last Summer
00:03:06

Billy Mure, Guitar, AssociatedPerformer - Jule Styne, Composer - Milt Hinton, Bass Guitar, AssociatedPerformer - Sammy Cahn, Author - Harold Mooney, Conductor, Recording Arranger, AssociatedPerformer - Helen Merrill, MainArtist - Marian McPartland, Piano, AssociatedPerformer

℗ 1957 UMG Recordings, Inc.

5
After You
00:03:03

Billy Mure, Guitar, AssociatedPerformer - Cole Porter, ComposerLyricist - Milt Hinton, Bass Guitar, AssociatedPerformer - Harold Mooney, Conductor - Helen Merrill, MainArtist - Marian McPartland, Piano, AssociatedPerformer

℗ 1957 UMG Recordings, Inc.

6
If You Go
00:03:11

Billy Mure, Guitar, AssociatedPerformer - Milt Hinton, Bass Guitar, AssociatedPerformer - Michel Emer, ComposerLyricist - Geoffrey Parsons, Arranger, Work Arranger - Harold Mooney, Conductor, Recording Arranger, AssociatedPerformer - Helen Merrill, MainArtist - Marian McPartland, Piano, AssociatedPerformer

℗ 1957 UMG Recordings, Inc.

7
If I Forget You
00:03:20

Billy Mure, Guitar, AssociatedPerformer - Irving Caesar, ComposerLyricist - Milt Hinton, Bass Guitar, AssociatedPerformer - Harold Mooney, Conductor - Helen Merrill, MainArtist - Marian McPartland, Piano, AssociatedPerformer

℗ 1957 UMG Recordings, Inc.

8
If Love Were All
00:02:58

Noel Coward, ComposerLyricist - Helen Merrill, MainArtist

℗ 1957 The Verve Music Group, a Division of UMG Recordings, Inc.

9
Easy Come, Easy Go
00:03:43

Billy Mure, Guitar, AssociatedPerformer - Milt Hinton, Bass Guitar, AssociatedPerformer - Edward Heyman, ComposerLyricist - Harold Mooney, Conductor, Recording Arranger, AssociatedPerformer - John W. Green, ComposerLyricist - Helen Merrill, MainArtist - Marian McPartland, Piano, AssociatedPerformer

℗ 1957 UMG Recordings, Inc.

10
I'll Be Around
00:02:43

ALEC WILDER, ComposerLyricist - Helen Merrill, MainArtist

℗ 1957 The Verve Music Group, a Division of UMG Recordings, Inc.

11
If Love Were All
00:03:06

Billy Mure, Guitar, AssociatedPerformer - Milt Hinton, Bass Guitar, AssociatedPerformer - Noel Coward, ComposerLyricist - Harold Mooney, Conductor, Recording Arranger, AssociatedPerformer - Helen Merrill, MainArtist - Marian McPartland, Piano, AssociatedPerformer

℗ 1957 UMG Recordings, Inc.

Chronique

Helen Merrill recorded this lushly orchestrated album in conjunction with arranger/conductor Hal Mooney, with whom she'd previously cut a single, in early 1957. Opening with the moody and gorgeous "I'll Be Around," she moves into almost an art-song mode on "Soft as Spring," and her sound on "If I Forget You" veers perilously close to pop, complete with rippling harp arpeggios, as does "It's a Lazy Afternoon." But Merrill is so beguilingly subtle and hauntingly beautiful in her intonation, and maintains just enough of a blues base to her delivery here, that these songs remain consistent with the rest of the material and with her other output of the era. Actually, the whole album works by straddling all of this territory -- it's simply Helen Merrill and Hal Mooney bending a few genres in a more sophisticated musical setting than usual on her records. All of these elements get pulled together, and wound as tight and powerfully as possible, on the final track, "Black Is the Color of My True Love's Hair" -- that had to be the finish, because nothing else here could top it for sheer, understated power and impact. Merrill at Midnight was also stunningly recorded, an attribute that one hopes will not be lost when and if the album ever gets reissued on CD. (As it is, the only way to get this album on CD, as of 2006, is as part of the four-CD The Complete Helen Merrill on Mercury which, itself, is out-of-print). For anyone who has it, or the old LP, this one's a keeper and in a class by itself, with lots and lots of class.

© Bruce Eder /TiVo

À propos

Améliorer les informations de l'album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

Tutu

Miles Davis

Tutu Miles Davis

Your Mother Should Know: Brad Mehldau Plays The Beatles

Brad Mehldau

LongGone

Joshua Redman

LongGone Joshua Redman

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits
À découvrir également
Par Helen Merrill

Born To Be Blue

Helen Merrill

Born To Be Blue Helen Merrill

No Tears... No Goodbyes

Helen Merrill

No Tears... No Goodbyes Helen Merrill

BD Music Presents Helen Merrill

Helen Merrill

Helen Merill

Helen Merrill

Helen Merill Helen Merrill

Dream of You

Helen Merrill

Dream of You Helen Merrill

Playlists

Dans la même thématique...

The Köln Concert (Live at the Opera, Köln, 1975)

Keith Jarrett

Getz/Gilberto

Stan Getz

Getz/Gilberto Stan Getz

We Get Requests

Oscar Peterson

We Get Requests Oscar Peterson

Kind Of Blue

Miles Davis

Kind Of Blue Miles Davis

The Carnegie Hall Concert

Alice Coltrane

The Carnegie Hall Concert Alice Coltrane