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Thomas Newman|Meet Joe Black

Meet Joe Black

Thomas Newman

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Langue disponible : anglais

As modern soundtrack scores go, the quality can be hit or miss, but Thomas Newman's work is almost always something to get excited about, as evidenced in the Oscar-nominated The Shawshank Redemption, Road to Perdition, and the title theme for Six Feet Under. His score for Meet Joe Black contains the seeds of beauty that would fully flower on his score for American Beauty, the next film he scored and a high point of his career. "Whisper of a Thrill," the soaring romantic theme, is a perfect distillation of the film's emotional plot, its yearning melody shadowing Joe Black's (Brad Pitt) love for the beautiful Susan (played by Claire Forlani) and its ultimate futility. As romantic themes go, Newman's ranks as a recent classic that captures both the initial rush of love and also the devastating crush of its leaving. Newman skillfully weaves this theme into the rest of the score, and its sweeping sentimentality is flexible enough to be incorporated into other melodic themes, such as the denouement of "Someone Else." For the most part, gentle strings and woodwinds dominate, with gentle piano work reserved for special, heart-tugging moments. But the score is also quite playful, as on "Peanut Butter Man," where a flute meanders over bouncing strings, and also in the quick, percussive staccato of the middle-eight. This is an excellent score, an achievement from any composer, and something that ranks up near the top of Thomas Newman's work.

© James Mason /TiVo

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Meet Joe Black

Thomas Newman

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1
Yes
Thomas Newman
00:02:04

Bill Bernstein, Producer - Thomas Newman, Composer, Producer, MainArtist

℗ 1998 UMG Recordings, Inc.

2
Everywhere Freesia
Thomas Newman
00:01:45

Bill Bernstein, Producer - Thomas Newman, Composer, Producer, MainArtist

℗ 1998 UMG Recordings, Inc.

3
Walkaway
Thomas Newman
00:01:52

Bill Bernstein, Producer - Thomas Newman, Composer, Producer, MainArtist

℗ 1998 UMG Recordings, Inc.

4
Meet Joe Black
Thomas Newman
00:01:44

Bill Bernstein, Producer - Thomas Newman, Composer, Producer, MainArtist

℗ 1998 UMG Recordings, Inc.

5
Peanut Butter Man
Thomas Newman
00:01:43

Bill Bernstein, Producer - Thomas Newman, Composer, Producer, MainArtist

℗ 1998 UMG Recordings, Inc.

6
Whisper Of A Thrill
Thomas Newman
00:05:42

Bill Bernstein, Producer - Thomas Newman, Composer, Producer, MainArtist

℗ 1998 UMG Recordings, Inc.

7
Cheek To Cheek
Chris Boardman
00:01:25

Bill Bernstein, Producer - Irving Berlin, ComposerLyricist - Thomas Newman, Producer, MainArtist - Chris Boardman, Conductor

℗ 1998 UMG Recordings, Inc.

8
Cold Lamb Sandwich
Thomas Newman
00:01:44

Bill Bernstein, Producer - Thomas Newman, Composer, Producer, MainArtist

℗ 1998 UMG Recordings, Inc.

9
Fifth Ave
Thomas Newman
00:01:12

Bill Bernstein, Producer - Thomas Newman, Composer, Producer, MainArtist

℗ 1998 UMG Recordings, Inc.

10
A Frequent Thing
Thomas Newman
00:00:55

Bill Bernstein, Producer - Thomas Newman, Composer, Producer, MainArtist

℗ 1998 UMG Recordings, Inc.

11
Death And Taxes
Thomas Newman
00:01:17

Bill Bernstein, Producer - Thomas Newman, Composer, Producer, MainArtist

℗ 1998 UMG Recordings, Inc.

12
Served It's Purpose
Thomas Newman
00:01:24

Bill Bernstein, Producer - Thomas Newman, Composer, Producer, MainArtist

℗ 1998 UMG Recordings, Inc.

13
Sorry For Nothing
Thomas Newman
00:00:47

Bill Bernstein, Producer - Thomas Newman, Composer, Producer, MainArtist

℗ 1998 UMG Recordings, Inc.

14
Mr. Bad News
Thomas Newman
00:01:36

Bill Bernstein, Producer - Thomas Newman, Composer, Producer, MainArtist

℗ 1998 UMG Recordings, Inc.

15
Let's Face The Music And Dance
Chris Boardman
00:01:23

Bill Bernstein, Producer - Irving Berlin, ComposerLyricist - Thomas Newman, Producer, MainArtist - Chris Boardman, Conductor

℗ 1998 UMG Recordings, Inc.

16
The Question
Thomas Newman
00:01:25

Bill Bernstein, Producer - Thomas Newman, Composer, Producer, MainArtist

℗ 1998 UMG Recordings, Inc.

17
Someone Else
Thomas Newman
00:05:19

Bill Bernstein, Producer - Thomas Newman, Composer, Producer, MainArtist

℗ 1998 UMG Recordings, Inc.

18
What A Wonderful World
Thomas Newman
00:03:29

Bill Bernstein, Producer - GEORGE DAVID WEISS, ComposerLyricist - Thomas Newman, Producer, MainArtist - George Douglas, ComposerLyricist

℗ 1998 UMG Recordings, Inc.

19
That Next Place
Thomas Newman
00:10:10

Bill Bernstein, Producer - Thomas Newman, Composer, Producer, MainArtist

℗ 1998 UMG Recordings, Inc.

20
Over The Rainbow / What A Wonderful World (Medley)
Iz
00:04:55

Harold Arlen, ComposerLyricist - GEORGE DAVID WEISS, ComposerLyricist - E.Y. HARBURG, ComposerLyricist - George Douglas, ComposerLyricist - Israel Kamakawiwo'ole, MainArtist

℗ 1993 Big Boy Records And The Mopuntain Apple

Chronique

As modern soundtrack scores go, the quality can be hit or miss, but Thomas Newman's work is almost always something to get excited about, as evidenced in the Oscar-nominated The Shawshank Redemption, Road to Perdition, and the title theme for Six Feet Under. His score for Meet Joe Black contains the seeds of beauty that would fully flower on his score for American Beauty, the next film he scored and a high point of his career. "Whisper of a Thrill," the soaring romantic theme, is a perfect distillation of the film's emotional plot, its yearning melody shadowing Joe Black's (Brad Pitt) love for the beautiful Susan (played by Claire Forlani) and its ultimate futility. As romantic themes go, Newman's ranks as a recent classic that captures both the initial rush of love and also the devastating crush of its leaving. Newman skillfully weaves this theme into the rest of the score, and its sweeping sentimentality is flexible enough to be incorporated into other melodic themes, such as the denouement of "Someone Else." For the most part, gentle strings and woodwinds dominate, with gentle piano work reserved for special, heart-tugging moments. But the score is also quite playful, as on "Peanut Butter Man," where a flute meanders over bouncing strings, and also in the quick, percussive staccato of the middle-eight. This is an excellent score, an achievement from any composer, and something that ranks up near the top of Thomas Newman's work.

© James Mason /TiVo

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