Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
The fact that they record for Dubmission Records tells you much of what you'll need to know about this electro-acoustic avant-dub collective, and if it doesn't, then the first two tracks on their debut album will: the first is a relatively brief and thoroughly abstract soundscape titled "Softly Spoken Spell." The second, clocking in at nearly ten minutes, is a masterpiece of freak-out space dub: it opens by defining a rich, dark, and spacious sound space, where the bassline provides the center of gravity and light percussion and wispy keyboards float in from the outer reaches. Gradually the sound thickens, becomes more complex, and then coagulates into a rich dance beat that chugs along in an explicitly reggae fashion. Yes, you've heard this kind of thing before, but for some of us, it just never gets old. "Make Animals Happy" and "History of Dreams" both bustle along somewhat grimly but very effectively, while "Whale Salt Dog" is just plain crazy: chords and echo effects ebb and flow like an ocean tide in fast motion while disembodied voices chuckle and a wryly simplistic beat holds everything together. "Nightbreak" and "Arab Star" explore a less interesting house mode, but "Solid State" takes Martin Luther King, Jr.'s "I've Been to the Mountaintop" speech and sets it, pretty thrillingly, to Tackhead-style dub-funk. Here's hoping for much more like this in the future.
© Rick Anderson /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de CHF 14,99/mois
Warp Technique, MainArtist - Bill Fuller, Composer, Writer - Tom Burrows, Composer, Writer
Dubmission Records 2008 Dubmission Records 2008
Warp Technique, MainArtist - Bill Fuller, Composer, Writer - Tom Burrows, Composer, Writer
Dubmission Records 2008 Dubmission Records 2008
Warp Technique, MainArtist - Bill Fuller, Composer, Writer - Tom Burrows, Composer, Writer
Dubmission Records 2008 Dubmission Records 2008
Warp Technique, MainArtist - Bill Fuller, Composer, Writer - Tom Burrows, Composer, Writer
Dubmission Records 2008 Dubmission Records 2008
Warp Technique, MainArtist - Bill Fuller, Composer, Writer - Tom Burrows, Composer, Writer
Dubmission Records 2008 Dubmission Records 2008
Warp Technique, MainArtist - Bill Fuller, Composer, Writer - Tom Burrows, Composer, Writer
Dubmission Records 2008 Dubmission Records 2008
Warp Technique, MainArtist - Bill Fuller, Composer, Writer - Tom Burrows, Composer, Writer
Dubmission Records 2008 Dubmission Records 2008
Warp Technique, MainArtist - Bill Fuller, Composer, Writer - Tom Burrows, Composer, Writer
Dubmission Records 2008 Dubmission Records 2008
Warp Technique, MainArtist - Bill Fuller, Composer, Writer - Tom Burrows, Composer, Writer
Dubmission Records 2008 Dubmission Records 2008
Warp Technique, MainArtist - Bill Fuller, Composer, Writer - Tom Burrows, Composer, Writer
Dubmission Records 2008 Dubmission Records 2008
Warp Technique, MainArtist - Bill Fuller, Composer, Writer - Tom Burrows, Composer, Writer
Dubmission Records 2008 Dubmission Records 2008
Chronique
The fact that they record for Dubmission Records tells you much of what you'll need to know about this electro-acoustic avant-dub collective, and if it doesn't, then the first two tracks on their debut album will: the first is a relatively brief and thoroughly abstract soundscape titled "Softly Spoken Spell." The second, clocking in at nearly ten minutes, is a masterpiece of freak-out space dub: it opens by defining a rich, dark, and spacious sound space, where the bassline provides the center of gravity and light percussion and wispy keyboards float in from the outer reaches. Gradually the sound thickens, becomes more complex, and then coagulates into a rich dance beat that chugs along in an explicitly reggae fashion. Yes, you've heard this kind of thing before, but for some of us, it just never gets old. "Make Animals Happy" and "History of Dreams" both bustle along somewhat grimly but very effectively, while "Whale Salt Dog" is just plain crazy: chords and echo effects ebb and flow like an ocean tide in fast motion while disembodied voices chuckle and a wryly simplistic beat holds everything together. "Nightbreak" and "Arab Star" explore a less interesting house mode, but "Solid State" takes Martin Luther King, Jr.'s "I've Been to the Mountaintop" speech and sets it, pretty thrillingly, to Tackhead-style dub-funk. Here's hoping for much more like this in the future.
© Rick Anderson /TiVo
À propos
- 1 disque(s) - 11 piste(s)
- Durée totale : 01:16:14
- Artistes principaux : Warp Technique
- Compositeur : Various Composers
- Label : Dubmission Records
- Genre : Électronique Downtempo
Dubmission Records 2008 Dubmission Records 2008
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.