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Warp Technique - Make Animals Happy

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Make Animals Happy

Warp Technique

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Langue disponible : anglais

The fact that they record for Dubmission Records tells you much of what you'll need to know about this electro-acoustic avant-dub collective, and if it doesn't, then the first two tracks on their debut album will: the first is a relatively brief and thoroughly abstract soundscape titled "Softly Spoken Spell." The second, clocking in at nearly ten minutes, is a masterpiece of freak-out space dub: it opens by defining a rich, dark, and spacious sound space, where the bassline provides the center of gravity and light percussion and wispy keyboards float in from the outer reaches. Gradually the sound thickens, becomes more complex, and then coagulates into a rich dance beat that chugs along in an explicitly reggae fashion. Yes, you've heard this kind of thing before, but for some of us, it just never gets old. "Make Animals Happy" and "History of Dreams" both bustle along somewhat grimly but very effectively, while "Whale Salt Dog" is just plain crazy: chords and echo effects ebb and flow like an ocean tide in fast motion while disembodied voices chuckle and a wryly simplistic beat holds everything together. "Nightbreak" and "Arab Star" explore a less interesting house mode, but "Solid State" takes Martin Luther King, Jr.'s "I've Been to the Mountaintop" speech and sets it, pretty thrillingly, to Tackhead-style dub-funk. Here's hoping for much more like this in the future.
© Rick Anderson /TiVo

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Make Animals Happy

Warp Technique

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1
Softly Spoken Spell
00:01:59

Warp Technique, MainArtist - Bill Fuller, Composer, Writer - Tom Burrows, Composer, Writer

Dubmission Records 2008 Dubmission Records 2008

2
Nowhere Dub
00:09:56

Warp Technique, MainArtist - Bill Fuller, Composer, Writer - Tom Burrows, Composer, Writer

Dubmission Records 2008 Dubmission Records 2008

3
Make Animals Happy
00:06:39

Warp Technique, MainArtist - Bill Fuller, Composer, Writer - Tom Burrows, Composer, Writer

Dubmission Records 2008 Dubmission Records 2008

4
Nightbreak
00:10:02

Warp Technique, MainArtist - Bill Fuller, Composer, Writer - Tom Burrows, Composer, Writer

Dubmission Records 2008 Dubmission Records 2008

5
Wonderland
00:08:07

Warp Technique, MainArtist - Bill Fuller, Composer, Writer - Tom Burrows, Composer, Writer

Dubmission Records 2008 Dubmission Records 2008

6
History of Dreams
00:08:40

Warp Technique, MainArtist - Bill Fuller, Composer, Writer - Tom Burrows, Composer, Writer

Dubmission Records 2008 Dubmission Records 2008

7
Whale Salt Dog
00:04:43

Warp Technique, MainArtist - Bill Fuller, Composer, Writer - Tom Burrows, Composer, Writer

Dubmission Records 2008 Dubmission Records 2008

8
Arab Star
00:10:45

Warp Technique, MainArtist - Bill Fuller, Composer, Writer - Tom Burrows, Composer, Writer

Dubmission Records 2008 Dubmission Records 2008

9
Solid State
00:08:01

Warp Technique, MainArtist - Bill Fuller, Composer, Writer - Tom Burrows, Composer, Writer

Dubmission Records 2008 Dubmission Records 2008

10
Warp Dub 5
00:04:59

Warp Technique, MainArtist - Bill Fuller, Composer, Writer - Tom Burrows, Composer, Writer

Dubmission Records 2008 Dubmission Records 2008

11
Valley of Kodama
00:02:23

Warp Technique, MainArtist - Bill Fuller, Composer, Writer - Tom Burrows, Composer, Writer

Dubmission Records 2008 Dubmission Records 2008

Descriptif de l'album

The fact that they record for Dubmission Records tells you much of what you'll need to know about this electro-acoustic avant-dub collective, and if it doesn't, then the first two tracks on their debut album will: the first is a relatively brief and thoroughly abstract soundscape titled "Softly Spoken Spell." The second, clocking in at nearly ten minutes, is a masterpiece of freak-out space dub: it opens by defining a rich, dark, and spacious sound space, where the bassline provides the center of gravity and light percussion and wispy keyboards float in from the outer reaches. Gradually the sound thickens, becomes more complex, and then coagulates into a rich dance beat that chugs along in an explicitly reggae fashion. Yes, you've heard this kind of thing before, but for some of us, it just never gets old. "Make Animals Happy" and "History of Dreams" both bustle along somewhat grimly but very effectively, while "Whale Salt Dog" is just plain crazy: chords and echo effects ebb and flow like an ocean tide in fast motion while disembodied voices chuckle and a wryly simplistic beat holds everything together. "Nightbreak" and "Arab Star" explore a less interesting house mode, but "Solid State" takes Martin Luther King, Jr.'s "I've Been to the Mountaintop" speech and sets it, pretty thrillingly, to Tackhead-style dub-funk. Here's hoping for much more like this in the future.
© Rick Anderson /TiVo

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