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The Seldom Scene|Like We Used To Be

Like We Used To Be

The Seldom Scene

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Langue disponible : anglais

John Starling re-joined the Seldom Scene in 1994 to record an album that recalled the groups first lineup from 1971-1977 (minus bass player Tom Gray). Starling's vocals on "Grandpa Get Your Guitar" and "Almost Threw Your Love Away" carry the same solid smoothness of the early years. He also sings his share of sad songs of love lost and lives wasted as in "Like I Used to Do" and "Cheap Whiskey." the Seldom Scene have always shown a willingness to choose material from folk, country, and rock. The difference here is that the songs are quieter, drawing equally from folk and traditional bluegrass. The biggest difference though between Like We Used to Be and an earlier effort like Act 1 is that the former seems conservative in comparison, and conservative was never a word associated with the Seldom Scene. Perhaps this is due to the quieter material chosen for Like We Used to Be; but it is also due to how much bluegrass has changed because of the influence of groups like the Seldom Scene. Duffey's lead vocals also seems weaker and less resonant than on past efforts. Little of this will matter for fans of the original line-up: Starling's return after 17 years has been greatly awaited. They will hear the sweet harmony of a uniquely structured song like "Some Morning Soon" and know that it sounds a whole lot like old times. For fans of the Seldom Scene as well as fans of good bluegrass, this recording will represent a solid, pleasing effort.

© Ronnie Lankford /TiVo

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Like We Used To Be

The Seldom Scene

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1
Grandpa Getcha Guitar
00:02:56

Unknown, Composer - The Seldom Scene, MainArtist

℗ 1994 Sugar Hill Records

2
Let Me Be Your Friend
00:02:46

Unknown, Composer - The Seldom Scene, MainArtist

℗ 1994 Sugar Hill Records

3
Like I Used To Do
00:04:08

Unknown, Composer - The Seldom Scene, MainArtist

℗ 1994 Sugar Hill Records

4
Highway Of Pain
00:03:46

Unknown, Composer - The Seldom Scene, MainArtist

℗ 1994 Sugar Hill Records

5
Cheap Whiskey
00:03:48

Unknown, Composer - The Seldom Scene, MainArtist

℗ 1994 Sugar Hill Records

6
Philadelphia Lawyer
00:03:26

Unknown, Composer - The Seldom Scene, MainArtist

℗ 1994 Sugar Hill Records

7
Almost Threw Your Love Away
00:03:56

Unknown, Composer - The Seldom Scene, MainArtist

℗ 1994 Sugar Hill Records

8
The Other Side Of Town
00:03:00

Unknown, Composer - The Seldom Scene, MainArtist

℗ 1994 Sugar Hill Records

9
She's More To Be Pitied
00:03:01

Unknown, Composer - The Seldom Scene, MainArtist

℗ 1994 Sugar Hill Records

10
Heaven's Green Fields
00:02:49

Unknown, Composer - The Seldom Scene, MainArtist

℗ 1994 Sugar Hill Records

11
I've Come To Take You Home
00:03:09

Unknown, Composer - The Seldom Scene, MainArtist

℗ 1994 Sugar Hill Records

12
I'll Remember You Love In My Prayers
00:03:04

Unknown, Composer - The Seldom Scene, MainArtist

℗ 1994 Sugar Hill Records

13
Some Morning Soon
00:03:46

Unknown, Composer - The Seldom Scene, MainArtist

℗ 1994 Sugar Hill Records

Chronique

John Starling re-joined the Seldom Scene in 1994 to record an album that recalled the groups first lineup from 1971-1977 (minus bass player Tom Gray). Starling's vocals on "Grandpa Get Your Guitar" and "Almost Threw Your Love Away" carry the same solid smoothness of the early years. He also sings his share of sad songs of love lost and lives wasted as in "Like I Used to Do" and "Cheap Whiskey." the Seldom Scene have always shown a willingness to choose material from folk, country, and rock. The difference here is that the songs are quieter, drawing equally from folk and traditional bluegrass. The biggest difference though between Like We Used to Be and an earlier effort like Act 1 is that the former seems conservative in comparison, and conservative was never a word associated with the Seldom Scene. Perhaps this is due to the quieter material chosen for Like We Used to Be; but it is also due to how much bluegrass has changed because of the influence of groups like the Seldom Scene. Duffey's lead vocals also seems weaker and less resonant than on past efforts. Little of this will matter for fans of the original line-up: Starling's return after 17 years has been greatly awaited. They will hear the sweet harmony of a uniquely structured song like "Some Morning Soon" and know that it sounds a whole lot like old times. For fans of the Seldom Scene as well as fans of good bluegrass, this recording will represent a solid, pleasing effort.

© Ronnie Lankford /TiVo

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