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Yeah Yeah Noh|Leicester Square

Leicester Square

Yeah Yeah Noh

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The 20 tracks here were taken from EPs, LPs, and BBC radio sessions, with a couple of unreleased songs added. There's a complete discography with song listings in the liner notes. But could it really have been that much trouble to indicate the date and source of each song on the actual track list, instead of necessitating cumbersome scanning of the whole discography to match each tune with its point of origination? Anyway, this is a sufficient overview of the Leicester band's nonchalant brand of British post-punk. There have been comparisons of this group to the Fall elsewhere, but really this lot were much more melodic and less abrasive. Any similarity would arise in a generally downbeat stream-of-consciousness outlook, though Yeah Yeah Noh's melancholy was far less bleaker than that of the Fall (or numerous other British groups from the same school). Indeed some of these cuts are rather poppy, with creepy reverberant guitar lines and chirpy female backup vocals. "Pink Green" has enough of a circular folk-rock ring to widen its appeal beyond the British post-punk audience, while there's an occasional fetching folkiness in offerings like "Zoological Gardens." It's above-average mid-1980s British indie rock in diversity and quality, but one wishes for more passion and originality in the songwriting and reserved, slightly bummed-out vocals.

© Richie Unterberger /TiVo

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Leicester Square

Yeah Yeah Noh

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1
The Superimposed Man
00:03:09

Yeah Yeah Noh, MainArtist

© 1986 Cherry Red Records ℗ 1986 Cherry Red Records

2
Another Side To Mrs Quill
00:03:55

Yeah Yeah Noh, MainArtist

© 1986 Cherry Red Records ℗ 1986 Cherry Red Records

3
Prick Up Your Ears
00:03:56

Yeah Yeah Noh, MainArtist - Derek John Hammond, Composer - John Anthony Grayland, Composer

© 1986 Cherry Red Records ℗ 1986 Cherry Red Records

4
Pink Green
00:04:08

Yeah Yeah Noh, MainArtist

© 1986 Cherry Red Records ℗ 1986 Cherry Red Records

5
Temple Of Convenience
00:02:48

Yeah Yeah Noh, MainArtist

© 1986 Cherry Red Records ℗ 1986 Cherry Red Records

6
Beware The Weakling Lines
00:02:32

Yeah Yeah Noh, MainArtist

© 1986 Cherry Red Records ℗ 1986 Cherry Red Records

7
Starling Pillowcase And Why
00:04:01

Yeah Yeah Noh, MainArtist

© 1986 Cherry Red Records ℗ 1986 Cherry Red Records

8
See Through Nature
00:03:20

Yeah Yeah Noh, MainArtist

© 1986 Cherry Red Records ℗ 1986 Cherry Red Records

9
Zoological Gardens
00:01:59

Yeah Yeah Noh, MainArtist

© 1986 Cherry Red Records ℗ 1986 Cherry Red Records

10
Cottage Industry
00:03:45

Yeah Yeah Noh, MainArtist

© 1986 Cherry Red Records ℗ 1986 Cherry Red Records

11
Penetration
00:02:02

Yeah Yeah Noh, MainArtist

© 1986 Cherry Red Records ℗ 1986 Cherry Red Records

12
Hands Up For Happiness
00:05:13

Yeah Yeah Noh, MainArtist

© 1986 Cherry Red Records ℗ 1986 Cherry Red Records

13
The Short-Cut Way To Saturday
00:02:07

Yeah Yeah Noh, MainArtist

© 1986 Cherry Red Records ℗ 1986 Cherry Red Records

14
Stealing In The Name Of The Lord
00:03:37

Yeah Yeah Noh, MainArtist

© 1986 Cherry Red Records ℗ 1986 Cherry Red Records

15
Married Miss New Jersey
00:02:08

Yeah Yeah Noh, MainArtist

© 1986 Cherry Red Records ℗ 1986 Cherry Red Records

16
Mr Hammond Is Out To Lunch
00:03:48

Yeah Yeah Noh, MainArtist

© 1986 Cherry Red Records ℗ 1986 Cherry Red Records

17
Crimplene Seed Lifestyle
00:02:18

Yeah Yeah Noh, MainArtist

© 1986 Cherry Red Records ℗ 1986 Cherry Red Records

18
Chocolate River
00:03:25

Yeah Yeah Noh, MainArtist

© 1986 Cherry Red Records ℗ 1986 Cherry Red Records

19
Bias Binding
00:01:59

Yeah Yeah Noh, MainArtist - John Grayland, Composer - Derek Hammond, Composer

© 1986 Cherry Red Records ℗ 1984 Yeah Yeah Noh Yeah Yeah Noh

20
Blood Soup
00:06:40

Yeah Yeah Noh, MainArtist

© 1986 Cherry Red Records ℗ 1986 Cherry Red Records

Chronique

The 20 tracks here were taken from EPs, LPs, and BBC radio sessions, with a couple of unreleased songs added. There's a complete discography with song listings in the liner notes. But could it really have been that much trouble to indicate the date and source of each song on the actual track list, instead of necessitating cumbersome scanning of the whole discography to match each tune with its point of origination? Anyway, this is a sufficient overview of the Leicester band's nonchalant brand of British post-punk. There have been comparisons of this group to the Fall elsewhere, but really this lot were much more melodic and less abrasive. Any similarity would arise in a generally downbeat stream-of-consciousness outlook, though Yeah Yeah Noh's melancholy was far less bleaker than that of the Fall (or numerous other British groups from the same school). Indeed some of these cuts are rather poppy, with creepy reverberant guitar lines and chirpy female backup vocals. "Pink Green" has enough of a circular folk-rock ring to widen its appeal beyond the British post-punk audience, while there's an occasional fetching folkiness in offerings like "Zoological Gardens." It's above-average mid-1980s British indie rock in diversity and quality, but one wishes for more passion and originality in the songwriting and reserved, slightly bummed-out vocals.

© Richie Unterberger /TiVo

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