Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
Another year, another release from Gnaw Their Tongues -- and once again Mories is out to create an atmosphere that presumes that the Apocalypse would make for a perfect starting point rather than a conclusion. (Then again, what else can be expected from an album with a song title that translates into English as "Death in All Its Ineffable Grandeur"?) Though, if anything, L'Arrivée de la Terne Mort Triomphante begins with the title track suggesting the after-echoes rather than the explosion -- the grinding factory-about-to-die feeling is almost calm, a slow-burn ritual of percussion, strings, and choral singing combined with growling feedback and harshness that's not too far removed from the worlds of groups like Swans, Neurosis, and even some early Savage Republic. With this relatively calmer if not necessarily quieter mood now set, L'Arrivée progresses from there across its five lengthy tracks in such a fashion as to suggest Mories is singlehandedly reviving orchestral/industrial composition styles from the end of the 1980s, at once magisterial and crushing in impact. The sense of dramatic pauses on "Les Anges Frémissent Devant la Mort" and alternation between near total havoc and the almost contemplative on "Le Chant de la Mort" further underscores how Mories has slowly worked on further refining his approach as he goes -- something that might not have seemed immediately apparent on his earliest work. Having one song end on an echoed, utterly sad string piece overlaid with crackling vinyl/static sound, if seeming overly familiar as an approach in general, feels truly monumental here, as if his embrace of a more serene calm is that much stronger for being such a sudden hush of his musical voice.
© Ned Raggett /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de CHF 14,99/mois
Gnaw Their Tongues, MainArtist - Maurice De Jong, Producer, Guitar, Bass Guitar, Vocals, Synthesizer, Music Production, AssociatedPerformer, ComposerLyricist
℗ 2010 Tanglade Ltd t/a Candlelight Records
Gnaw Their Tongues, MainArtist - Maurice De Jong, Producer, Guitar, Bass Guitar, Vocals, Synthesizer, Music Production, AssociatedPerformer, ComposerLyricist
℗ 2010 Tanglade Ltd t/a Candlelight Records
Gnaw Their Tongues, MainArtist - Maurice De Jong, Producer, Guitar, Bass Guitar, Vocals, Synthesizer, Music Production, AssociatedPerformer, ComposerLyricist
℗ 2010 Tanglade Ltd t/a Candlelight Records
Gnaw Their Tongues, MainArtist - Maurice De Jong, Producer, Guitar, Bass Guitar, Vocals, Synthesizer, Music Production, AssociatedPerformer, ComposerLyricist
℗ 2010 Tanglade Ltd t/a Candlelight Records
Gnaw Their Tongues, MainArtist - Maurice De Jong, Producer, Guitar, Bass Guitar, Vocals, Synthesizer, Music Production, AssociatedPerformer, ComposerLyricist
℗ 2010 Tanglade Ltd t/a Candlelight Records
Chronique
Another year, another release from Gnaw Their Tongues -- and once again Mories is out to create an atmosphere that presumes that the Apocalypse would make for a perfect starting point rather than a conclusion. (Then again, what else can be expected from an album with a song title that translates into English as "Death in All Its Ineffable Grandeur"?) Though, if anything, L'Arrivée de la Terne Mort Triomphante begins with the title track suggesting the after-echoes rather than the explosion -- the grinding factory-about-to-die feeling is almost calm, a slow-burn ritual of percussion, strings, and choral singing combined with growling feedback and harshness that's not too far removed from the worlds of groups like Swans, Neurosis, and even some early Savage Republic. With this relatively calmer if not necessarily quieter mood now set, L'Arrivée progresses from there across its five lengthy tracks in such a fashion as to suggest Mories is singlehandedly reviving orchestral/industrial composition styles from the end of the 1980s, at once magisterial and crushing in impact. The sense of dramatic pauses on "Les Anges Frémissent Devant la Mort" and alternation between near total havoc and the almost contemplative on "Le Chant de la Mort" further underscores how Mories has slowly worked on further refining his approach as he goes -- something that might not have seemed immediately apparent on his earliest work. Having one song end on an echoed, utterly sad string piece overlaid with crackling vinyl/static sound, if seeming overly familiar as an approach in general, feels truly monumental here, as if his embrace of a more serene calm is that much stronger for being such a sudden hush of his musical voice.
© Ned Raggett /TiVo
À propos
- 1 disque(s) - 5 piste(s)
- Durée totale : 00:44:40
- Artistes principaux : Gnaw Their Tongues
- Compositeur : Maurice De Jong
- Label : Spinefarm Records UK
- Genre : Metal
© 2010 Tanglade Ltd t/a Candlelight Records ℗ 2010 Tanglade Ltd t/a Candlelight Records
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.