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Roy Ayers Ubiquity|He's Coming

He's Coming

Roy Ayers Ubiquity

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Langue disponible : anglais

He's Coming captures Roy Ayers at the absolute top of his game, masterminding jazz-funk grooves as taut as a tightrope. Profoundly inspired by the Broadway musical Jesus Christ Superstar (and including a reading of the soundtrack's "I Don't Know How to Love Him"), the album is a deeply felt exploration of Ayers' spiritual and social beliefs, celebrating the life and rebirth of Jesus with "He's a Superstar" and its follow-up title cut before delivering the equally impassioned political manifesto "Ain't Got Time to Be Tired," a wake-up call for slumbering revolutionaries. Aided by an exemplary backing unit featuring saxophonist Sonny Fortune, bassist John Williams, keyboardist Harry Whitaker, and drummer Billy Cobham, Ayers channels the intensity of his message into his music, creating the most vibrant and textured music of his career to date. The atmospheric "We Live in Brooklyn, Baby" is an absolute masterpiece, a haunting hybrid of jazz, funk, and soul that exemplifies the Ayers aesthetic at its most far-reaching and inventive.
© Jason Ankeny /TiVo

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He's Coming

Roy Ayers Ubiquity

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1
He's A Superstar
00:05:36

Harry Whitaker, Recording Arranger, AssociatedPerformer - Rudy Van Gelder, Engineer, StudioPersonnel - Roy Ayers, Recording Arranger, AssociatedPerformer, ComposerLyricist - Roy Ayers Ubiquity, MainArtist - Myrnaleah Williams, Producer, ComposerLyricist

℗ 1972 UMG Recordings, Inc.

2
He Ain't Heavy He's My Brother
00:04:05

Sam Brown, Guitar, AssociatedPerformer - Bob Russell, ComposerLyricist - John Williams, Bass, AssociatedPerformer - Harry Whitaker, Organ, Piano, Recording Arranger, AssociatedPerformer - Rudy Van Gelder, Engineer, StudioPersonnel - Bobby Scott, ComposerLyricist - Roy Ayers, Organ, Vibraphone, Recording Arranger, AssociatedPerformer - Billy Cobham, Drums, Percussion, AssociatedPerformer - Selwart Clarke, Strings, AssociatedPerformer - Roy Ayers Ubiquity, MainArtist - Sonny Fortune, Flute, Soprano Saxophone, AssociatedPerformer - Jumma Santos, Conga, AssociatedPerformer - Myrnaleah Williams, Producer - David Lee Jr., Drums, AssociatedPerformer

℗ 1972 The Verve Music Group, a Division of UMG Recordings, Inc.

3
Ain't Got Time
00:02:54

John Williams, Bass, AssociatedPerformer - Harry Whitaker, Organ, Piano, Vocals, Recording Arranger, AssociatedPerformer - Rudy Van Gelder, Engineer, StudioPersonnel - Roy Ayers, Organ, Vibraphone, Vocals, Recording Arranger, AssociatedPerformer, ComposerLyricist - Billy Cobham, Drums, Percussion, AssociatedPerformer - Gloria Jones, Background Vocalist, AssociatedPerformer - Selwart Clarke, Strings, AssociatedPerformer - Roy Ayers Ubiquity, MainArtist - Roselle Weaver, ComposerLyricist - Sonny Fortune, Flute, Soprano Saxophone, AssociatedPerformer - Jumma Santos, Conga, AssociatedPerformer - Myrnaleah Williams, Producer - Samuel T. Brown, Guitar, AssociatedPerformer - Carol Riley, Background Vocalist, AssociatedPerformer - David Lee Jr., Drums, AssociatedPerformer - Victoria Hospedale, Background Vocalist, AssociatedPerformer

℗ 1972 The Verve Music Group, a Division of UMG Recordings, Inc.

4
I Don't Know How To Love Him
00:04:01

Sam Brown, Guitar, AssociatedPerformer - Andrew Lloyd Webber, ComposerLyricist - John Williams, Bass, AssociatedPerformer - Harry Whitaker, Organ, Piano, Recording Arranger, AssociatedPerformer - Rudy Van Gelder, Engineer, StudioPersonnel - Tim Rice, ComposerLyricist - Roy Ayers, Organ, Vibraphone, Recording Arranger, AssociatedPerformer - Billy Cobham, Drums, Percussion, AssociatedPerformer - Selwart Clarke, Strings, AssociatedPerformer - Roy Ayers Ubiquity, MainArtist - Sonny Fortune, Flute, Soprano Saxophone, AssociatedPerformer - Jumma Santos, Conga, AssociatedPerformer - Myrnaleah Williams, Producer - David Lee Jr., Drums, AssociatedPerformer

℗ 1972 The Verve Music Group, a Division of UMG Recordings, Inc.

5
He's Coming
00:06:16

Sam Brown, Guitar, AssociatedPerformer - John Williams, Bass, AssociatedPerformer - Harry Whitaker, Organ, Piano, Recording Arranger, AssociatedPerformer - Rudy Van Gelder, Engineer, StudioPersonnel - Roy Ayers, Organ, Vibraphone, Recording Arranger, AssociatedPerformer, ComposerLyricist - Billy Cobham, Drums, Percussion, AssociatedPerformer - Selwart Clarke, Strings, AssociatedPerformer - Roy Ayers Ubiquity, MainArtist - Sonny Fortune, Flute, Soprano Saxophone, AssociatedPerformer - Jumma Santos, Conga, AssociatedPerformer - Myrnaleah Williams, Producer - David Lee Jr., Drums, AssociatedPerformer

℗ 1972 The Verve Music Group, a Division of UMG Recordings, Inc.

6
We Live In Brooklyn, Baby (Album Version)
00:03:45

Harry Whitaker, Recording Arranger, AssociatedPerformer, ComposerLyricist - Rudy Van Gelder, Engineer, StudioPersonnel - Roy Ayers, Vocals, Recording Arranger, AssociatedPerformer - Roy Ayers Ubiquity, MainArtist - Myrnaleah Williams, Producer

℗ 1972 UMG Recordings, Inc.

7
Sweet Butterfly Of Love
00:01:53

Sam Brown, Guitar, AssociatedPerformer - John Williams, Bass, AssociatedPerformer - Harry Whitaker, Organ, Piano, Vocals, Recording Arranger, AssociatedPerformer - Rudy Van Gelder, Engineer, StudioPersonnel - Carol Williams, Background Vocalist, AssociatedPerformer - Roy Ayers, Organ, Vibraphone, Vocals, Recording Arranger, AssociatedPerformer - Billy Cobham, Drums, Percussion, AssociatedPerformer - Gloria Jones, Background Vocalist, AssociatedPerformer - Selwart Clarke, Strings, AssociatedPerformer - Roy Ayers Ubiquity, MainArtist - Sonny Fortune, Flute, Soprano Saxophone, AssociatedPerformer - Jumma Santos, Conga, AssociatedPerformer - Myrnaleah Williams, Producer - Emily Jane Manning, ComposerLyricist - David Lee Jr., Drums, AssociatedPerformer - Sandy Hewitt, Vocals, AssociatedPerformer - Victoria Hospedale, Background Vocalist, AssociatedPerformer

℗ 1972 The Verve Music Group, a Division of UMG Recordings, Inc.

8
Sweet Tears
00:03:31

Harry Whitaker, Recording Arranger, AssociatedPerformer - Rudy Van Gelder, Engineer, StudioPersonnel - Roy Ayers, Vocals, Recording Arranger, AssociatedPerformer, ComposerLyricist - Roy Ayers Ubiquity, MainArtist - Roselle Weaver, ComposerLyricist - Myrnaleah Williams, Producer

℗ 1972 The Verve Music Group, a Division of UMG Recordings, Inc.

9
Fire Weaver
00:03:39

Sam Brown, Guitar, AssociatedPerformer - John Williams, Bass, AssociatedPerformer - Harry Whitaker, Organ, Piano, Vocals, Recording Arranger, AssociatedPerformer - Rudy Van Gelder, Engineer, StudioPersonnel - Carol Williams, Background Vocalist, AssociatedPerformer - Roy Ayers, Organ, Vibraphone, Vocals, Recording Arranger, AssociatedPerformer, ComposerLyricist - Billy Cobham, Drums, Percussion, AssociatedPerformer - Gloria Jones, Background Vocalist, AssociatedPerformer - Selwart Clarke, Strings, AssociatedPerformer - Roy Ayers Ubiquity, MainArtist - Sonny Fortune, Flute, Soprano Saxophone, AssociatedPerformer - Jumma Santos, Conga, AssociatedPerformer - Myrnaleah Williams, Producer - David Lee Jr., Drums, AssociatedPerformer - Sandy Hewitt, Vocals, AssociatedPerformer - Victoria Hospedale, Background Vocalist, AssociatedPerformer

℗ 1972 The Verve Music Group, a Division of UMG Recordings, Inc.

Chronique

He's Coming captures Roy Ayers at the absolute top of his game, masterminding jazz-funk grooves as taut as a tightrope. Profoundly inspired by the Broadway musical Jesus Christ Superstar (and including a reading of the soundtrack's "I Don't Know How to Love Him"), the album is a deeply felt exploration of Ayers' spiritual and social beliefs, celebrating the life and rebirth of Jesus with "He's a Superstar" and its follow-up title cut before delivering the equally impassioned political manifesto "Ain't Got Time to Be Tired," a wake-up call for slumbering revolutionaries. Aided by an exemplary backing unit featuring saxophonist Sonny Fortune, bassist John Williams, keyboardist Harry Whitaker, and drummer Billy Cobham, Ayers channels the intensity of his message into his music, creating the most vibrant and textured music of his career to date. The atmospheric "We Live in Brooklyn, Baby" is an absolute masterpiece, a haunting hybrid of jazz, funk, and soul that exemplifies the Ayers aesthetic at its most far-reaching and inventive.
© Jason Ankeny /TiVo

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