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Grimethorpe Colliery Band|Grimethorpe

Grimethorpe

Grimethorpe Colliery Band, Major Peter Parkes, Garry Cutt, Richard Marshall, Mark Walters, Melvyn Bathgate, Mike Kilroy, Simon Kingsley

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The Grimethorpe Colliery Band performed music for the soundtrack of the hit film Brassed Off (1996), and may have provided some inspiration for its story as well; the film was about a Colliery Band attached to a local mine attempting to save itself from being forced to disband once the mine is marked for closure. The Grimethorpe Colliery Band itself once faced a similar situation, except that there was no conflict about the decision as to whether keep going or not, as in the film; the Grimethorpe Colliery Band is of such extraordinary quality it would have been criminal to disband it. This disc, simply titled Grimethorpe, was the first made of several for Chandos between 1996 and 1998 in part to capitalize on interest in the band generated by Brassed Off. The Grimethorpe Colliery Band has gone on to win a number of competitions, not mention touring the world several times, an impressive achievement for a group that did not have a professional music director for the first 78 years of its existence! A good deal of what makes the band so strong is the measure of its star soloists; the solo set pieces for euphonium, cornet, tenor horn, and flügelhorn all stand out here. The program is decidedly on the light side, and Grimethorpe is not afraid to employ a pop backbeat here and there -- this is a band for the people, not a military unit or a symphonic band attached to a university. Grimethorpe Colliery Band is also a comparatively small group -- one counts 14 pairs of legs on the front cover photo -- but it delivers a huge sound; just check out the power of the performance of Salvation Army composer Robert Redhead's Isaiah 40. The group's modest size appears to be a benefit in that the musicicans are able to concentrate on precision playing and are capable of accurately performing at breathtaking tempos that would wither the average symphonic band. Chandos' recording is a little quiet in certain spots, such as during the Rodrigo and especially at the start of the Respighi. Nevertheless, it is clear and natural sounding, and overall Chandos' Grimethorpe should prove highly satisfactory to both band fanciers and even to tastes that are more general -- the Grimethorpe Colliery Band is so proficient it can even make Riverdance sound good.
© TiVo

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Grimethorpe

Grimethorpe Colliery Band

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1
Tenth Regiment March, "Death or Glory"
Garry Cutt
00:03:42

Grimethorpe Colliery Band, MainArtist - Garry Cutt, Conductor, MainArtist - Emily Hall, Composer

1996 Chandos Records 1996 Chandos Records

2
Concierto de Aranjuez: II. Adagio
Major Peter Parkes
00:04:44

Bolton, Arranger - Joaquin Rodrigo, Composer - Mark Walters, MainArtist - Grimethorpe Colliery Band, MainArtist - Major Peter Parkes, Conductor, MainArtist

1996 Chandos Records 1996 Chandos Records

3
Purcell Variations
Major Peter Parkes
00:13:44

Grimethorpe Colliery Band, MainArtist - Major Peter Parkes, Conductor, MainArtist - Kenneth Downie, Composer

1996 Chandos Records 1996 Chandos Records

4
From the Shores of the Mighty Pacific
Major Peter Parkes
00:06:15

Grimethorpe Colliery Band, MainArtist - Newsome, Arranger - Herbert Clarke, Composer - Richard Marshall, MainArtist - Major Peter Parkes, Conductor, MainArtist

1996 Chandos Records 1996 Chandos Records

5
Abu Hassan Overture
Major Peter Parkes
00:03:25

Langford, Arranger - Carl Maria Von Weber, Composer - Grimethorpe Colliery Band, MainArtist - Major Peter Parkes, Conductor, MainArtist

1996 Chandos Records 1996 Chandos Records

6
The Lark in the Clear Air
Major Peter Parkes
00:04:17

Traditional, Composer - Skaila Kanga, Arranger - Grimethorpe Colliery Band, MainArtist - Major Peter Parkes, Conductor, MainArtist - Melvyn Bathgate, MainArtist

1996 Chandos Records 1996 Chandos Records

7
The Pines of Rome March
Garry Cutt
00:05:36

Ottorino Respighi, Composer - Lester Snell, Arranger - Grimethorpe Colliery Band, MainArtist - Garry Cutt, Conductor, MainArtist

1996 Chandos Records 1996 Chandos Records

8
Carnival Cocktail
Garry Cutt
00:05:11

Steve Sykes, Composer - Grimethorpe Colliery Band, MainArtist - Garry Cutt, Conductor, MainArtist - Mike Kilroy, MainArtist

1996 Chandos Records 1996 Chandos Records

9
Riverdance
Garry Cutt
00:06:12

Farr, Arranger - Bill Whelan, Composer - Grimethorpe Colliery Band, MainArtist - Garry Cutt, Conductor, MainArtist

1996 Chandos Records 1996 Chandos Records

10
It's Alright With Me
Major Peter Parkes
00:02:35

Cole Porter, Composer - Grimethorpe Colliery Band, MainArtist - Major Peter Parkes, Conductor, MainArtist - Simon Willis, MainArtist - Jonathan Beatty, MainArtist - Simon Kingsley, MainArtist - Andrew Hurst, MainArtist - Brevik, Arranger

1996 Chandos Records 1996 Chandos Records

11
Barnum and Bailey`s Favourite March
Major Peter Parkes
00:02:25

Roberts, Arranger - Grimethorpe Colliery Band, MainArtist - Thea King, Composer - Major Peter Parkes, Conductor, MainArtist

1996 Chandos Records 1996 Chandos Records

12
Isaiah 40
Major Peter Parkes
00:13:39

Grimethorpe Colliery Band, MainArtist - Major Peter Parkes, Conductor, MainArtist - Robert Redhead, Composer

1996 Chandos Records 1996 Chandos Records

Chronique

The Grimethorpe Colliery Band performed music for the soundtrack of the hit film Brassed Off (1996), and may have provided some inspiration for its story as well; the film was about a Colliery Band attached to a local mine attempting to save itself from being forced to disband once the mine is marked for closure. The Grimethorpe Colliery Band itself once faced a similar situation, except that there was no conflict about the decision as to whether keep going or not, as in the film; the Grimethorpe Colliery Band is of such extraordinary quality it would have been criminal to disband it. This disc, simply titled Grimethorpe, was the first made of several for Chandos between 1996 and 1998 in part to capitalize on interest in the band generated by Brassed Off. The Grimethorpe Colliery Band has gone on to win a number of competitions, not mention touring the world several times, an impressive achievement for a group that did not have a professional music director for the first 78 years of its existence! A good deal of what makes the band so strong is the measure of its star soloists; the solo set pieces for euphonium, cornet, tenor horn, and flügelhorn all stand out here. The program is decidedly on the light side, and Grimethorpe is not afraid to employ a pop backbeat here and there -- this is a band for the people, not a military unit or a symphonic band attached to a university. Grimethorpe Colliery Band is also a comparatively small group -- one counts 14 pairs of legs on the front cover photo -- but it delivers a huge sound; just check out the power of the performance of Salvation Army composer Robert Redhead's Isaiah 40. The group's modest size appears to be a benefit in that the musicicans are able to concentrate on precision playing and are capable of accurately performing at breathtaking tempos that would wither the average symphonic band. Chandos' recording is a little quiet in certain spots, such as during the Rodrigo and especially at the start of the Respighi. Nevertheless, it is clear and natural sounding, and overall Chandos' Grimethorpe should prove highly satisfactory to both band fanciers and even to tastes that are more general -- the Grimethorpe Colliery Band is so proficient it can even make Riverdance sound good.
© TiVo

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