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Benny Golson|Gone With Golson

Gone With Golson

Benny Golson

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Langue disponible : anglais

Shortly before the formation of The Jazztet, tenor-saxophonist Benny Golson and trombonist Curtis Fuller teamed up for this quintet set with pianist Ray Bryant, bassist Tommy Bryant and drummer Al Harewood. Although Golson contributed three of the six songs ("Blues After Dark" is the best-known one), the emphasis is on his playing; the tenor is quite heated on the uptempo blues "Jam for Bobbie." The CD reissue adds "A Bit of Heaven" (originally on a sampler but part of the same session) to the original program, a fine example of hard bop of the late '50s.

© Scott Yanow /TiVo

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Gone With Golson

Benny Golson

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1
Stacatto Swing (Album Version)
00:04:49

Benny Golson, MainArtist - Ray Bryant, ComposerLyricist

℗ 1994 Fantasy, Inc.

2
Autumn Leaves (Album Version)
00:06:48

Johnny Mercer, Author - Benny Golson, MainArtist - Jacques Prevert, Author - Joseph Kosma, Composer

℗ 1994 Fantasy, Inc.

3
Soul Me (Album Version)
00:06:37

Benny Golson, MainArtist, ComposerLyricist

℗ 1994 Fantasy, Inc.

4
Blues After Dark (Album Version)
00:08:35

Benny Golson, MainArtist, ComposerLyricist - Al Harewood, Drums, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Curtis Fuller, Trombone, AssociatedPerformer - Ray Bryant, Piano, AssociatedPerformer - Tom Bryant, Upright Bass, AssociatedPerformer - Benny Goldson, Tenor Saxophone, AssociatedPerformer

℗ 1959 New Jazz Records

5
Jam For Bobbie (Album Version)
00:09:22

Benny Golson, MainArtist, ComposerLyricist

℗ 1994 Fantasy, Inc.

6
A Bit Of Heaven (Album Version)
00:04:21

Benny Golson, MainArtist - Curtis Fuller, ComposerLyricist

℗ 1994 Fantasy, Inc.

Chronique

Shortly before the formation of The Jazztet, tenor-saxophonist Benny Golson and trombonist Curtis Fuller teamed up for this quintet set with pianist Ray Bryant, bassist Tommy Bryant and drummer Al Harewood. Although Golson contributed three of the six songs ("Blues After Dark" is the best-known one), the emphasis is on his playing; the tenor is quite heated on the uptempo blues "Jam for Bobbie." The CD reissue adds "A Bit of Heaven" (originally on a sampler but part of the same session) to the original program, a fine example of hard bop of the late '50s.

© Scott Yanow /TiVo

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