Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
The viola da gamba, the ancestor of the modern cello, itself had antecedents that have been only sparsely preserved. Two of them are examined on this Spanish-British release, played by Fernando Marín in reconstructed versions featuring such down-and-dirty original equipment as sheep gut strings. The lyra-viol is rather mysteriously described by Marín as a "fusion of the viola da gamba, Indian bowed stringed instruments with resonant metal strings, and the Italian Lira de arco for polyphonic playing." The last phrase is key; it's a small viol with a large number of strings laid out in such a way that the instrument can produce extended passages of polyphony. The repertory for the lyra-viol from 17th century England has been played from time to time, but the examples by Italian composer Alfonso Ferrabosco played here are quite rare. The lyra-viol's buzzy gut bass strings are matched in exoticism by the vihuela de arco, the Spanish instrument that, influenced directly by Arabic models, influenced the entire line of bowed viols in southern Europe. The album ends with relatively more familiar music for the viola da gamba (or its French equivalent) by Sainte-Colombe, Telemann, Abel, and the elusive Sr. de Machy. All the pieces are short dances or polyphonic essays with the title Recercata, later known as the ricercar, which finally evolved into the fugue. Marín brings the sounds of these instruments to life, and he has a feel for the arcane, intellectual qualities of viol music that came into full flower with the French school of the 17th century. His elliptical notes are given in English and Spanish. The major disincentive here is the sound, whose source location is unidentified but resembles a crypt in ambiance.
© TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de CHF 14,99/mois
Recercada segunda (Arr. F. Marin) (Diego Ortiz)
Diego Ortiz, Composer - Fernando Marín, Artist, MainArtist
(C) 2010 Quartz Music (P) 2010 Quartz Music
Recercada primera (Arr. F. Marin) (Diego Ortiz)
Diego Ortiz, Composer - Fernando Marín, Artist, MainArtist
(C) 2010 Quartz Music (P) 2010 Quartz Music
Recercarda tercera (Arr. F. Marin) (Diego Ortiz)
Diego Ortiz, Composer - Fernando Marín, Artist, MainArtist
(C) 2010 Quartz Music (P) 2010 Quartz Music
Fabordones del sexto tono (Antonio de Cabezón)
Antonio De CABEZON, Composer - Fernando Marín, Artist, MainArtist
(C) 2010 Quartz Music (P) 2010 Quartz Music
Recercarda cuarta (Arr. F. Marin) (Diego Ortiz)
Diego Ortiz, Composer - Fernando Marín, Artist, MainArtist
(C) 2010 Quartz Music (P) 2010 Quartz Music
Recercada quinta (Arr. F. Marin) (Diego Ortiz)
Diego Ortiz, Composer - Fernando Marín, Artist, MainArtist
(C) 2010 Quartz Music (P) 2010 Quartz Music
Fantasia ut re mi fa sol la (Alfonso Ferrabosco I)
Alfonso Ferrabosco I, Composer - Fernando Marín, Artist, MainArtist
(C) 2010 Quartz Music (P) 2010 Quartz Music
Lessons for Lyra-Viol, Vol. 1 (Excerpts Arr. F. Marin) (Alfonso Ferrabosco II)
Alfonso Ferrabosco II, Composer - Fernando Marín, Artist, MainArtist
(C) 2010 Quartz Music (P) 2010 Quartz Music
Alfonso Ferrabosco II, Composer - Fernando Marín, Artist, MainArtist
(C) 2010 Quartz Music (P) 2010 Quartz Music
Lessons for Lyra-Viol, Vol. 2 (Excerpts Arr. F. Marin) (Alfonso Ferrabosco II)
Alfonso Ferrabosco II, Composer - Fernando Marín, Artist, MainArtist
(C) 2010 Quartz Music (P) 2010 Quartz Music
Alfonso Ferrabosco II, Composer - Fernando Marín, Artist, MainArtist
(C) 2010 Quartz Music (P) 2010 Quartz Music
Lessons for Lyra-Viol, Vol. 3 (Excerpts Arr. F. Marin) (Alfonso Ferrabosco II)
Alfonso Ferrabosco II, Composer - Fernando Marín, Artist, MainArtist
(C) 2010 Quartz Music (P) 2010 Quartz Music
Alfonso Ferrabosco II, Composer - Fernando Marín, Artist, MainArtist
(C) 2010 Quartz Music (P) 2010 Quartz Music
Viol Suite in D Minor (Jean De Sainte-Colombe)
Jean de Sainte-Colombe, Composer - Fernando Marín, Artist, MainArtist
(C) 2010 Quartz Music (P) 2010 Quartz Music
Pièces de violle (Excerpts Arr. F. Marin) (Sieur de Machy)
Sieur de Machy, Composer - Fernando Marín, Artist, MainArtist
(C) 2010 Quartz Music (P) 2010 Quartz Music
Sieur de Machy, Composer - Fernando Marín, Artist, MainArtist
(C) 2010 Quartz Music (P) 2010 Quartz Music
Viola da gamba Sonata in D Major, TWV 40:1 (Georg Philipp Telemann)
Georg Philipp Telemann, Composer - Fernando Marín, Artist, MainArtist
(C) 2010 Quartz Music (P) 2010 Quartz Music
A Piece for Solo Viol in D Minor, WK 208 (Carl Friedrich Abel)
Carl Friedrich Abel, Composer - Fernando Marín, Artist, MainArtist
(C) 2010 Quartz Music (P) 2010 Quartz Music
Chronique
The viola da gamba, the ancestor of the modern cello, itself had antecedents that have been only sparsely preserved. Two of them are examined on this Spanish-British release, played by Fernando Marín in reconstructed versions featuring such down-and-dirty original equipment as sheep gut strings. The lyra-viol is rather mysteriously described by Marín as a "fusion of the viola da gamba, Indian bowed stringed instruments with resonant metal strings, and the Italian Lira de arco for polyphonic playing." The last phrase is key; it's a small viol with a large number of strings laid out in such a way that the instrument can produce extended passages of polyphony. The repertory for the lyra-viol from 17th century England has been played from time to time, but the examples by Italian composer Alfonso Ferrabosco played here are quite rare. The lyra-viol's buzzy gut bass strings are matched in exoticism by the vihuela de arco, the Spanish instrument that, influenced directly by Arabic models, influenced the entire line of bowed viols in southern Europe. The album ends with relatively more familiar music for the viola da gamba (or its French equivalent) by Sainte-Colombe, Telemann, Abel, and the elusive Sr. de Machy. All the pieces are short dances or polyphonic essays with the title Recercata, later known as the ricercar, which finally evolved into the fugue. Marín brings the sounds of these instruments to life, and he has a feel for the arcane, intellectual qualities of viol music that came into full flower with the French school of the 17th century. His elliptical notes are given in English and Spanish. The major disincentive here is the sound, whose source location is unidentified but resembles a crypt in ambiance.
© TiVo
À propos
- 1 disque(s) - 18 piste(s)
- Durée totale : 00:51:52
- Artistes principaux : Fernando Marín
- Compositeur : Various Composers
- Label : Quartz Music
- Genre : Classique
(C) 2010 Quartz Music (P) 2010 Quartz Music
Améliorer les informations de l'album
Pourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.