Catégories :
Panier 0

Votre panier est vide

Hilary Hahn|Elgar: Violin Concerto/ Vaughan Williams: The Lark Ascending

Elgar: Violin Concerto/ Vaughan Williams: The Lark Ascending

Hilary Hahn

Livret numérique

Disponible en
logo Hi-Res
24-Bit 88.2 kHz - Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

Violinist Hilary Hahn had made several critically acclaimed recordings before this 2004 outing, some of them as a teenage phenomenon. But perhaps it was this reading of Elgar's Violin Concerto in B minor, Op. 61, that served notice on the musical world: here was one of the foremost violinists of our time. The Elgar concerto is a punishing, long, difficult work that requires the player to keep hold of the long-distance plan while touching the listener's emotions at many individual junctures, and Hahn succeeds in every way. Elgar called the concerto "awfully emotional, too emotional, but I love it," and the fact that it was written for Fritz Kreisler has led some to prefer more vibrato-laden readings than the one delivered here. Elgar did conduct the premiere performance with Kreisler, but that did not close the book on possible readings, and Hahn's more Apollonian tone has spectacular results here. Sample the finale, starting about a minute in, and note the charisma and total aplomb with which she approaches the effusions of passagework and ornament. Her control over the long arc leads to exciting climaxes in both outer movements. Vaughan Williams' The Lark Ascending is a calm performance that will take the listener into the stratosphere for good, and the accompaniment to both works by the London Symphony Orchestra ranks among the great accomplishments of the aged Sir Colin Davis. Only inexplicably reedy sound from Deutsche Grammophon mars this masterwork, but the sound is still likely better than than that of the classic recordings with which this one can bear comparison.
© TiVo

Plus d'informations

Elgar: Violin Concerto/ Vaughan Williams: The Lark Ascending

Hilary Hahn

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 90 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 90 millions de titres avec votre abonnement illimité.

À partir de CHF 14,16/mois

Violin Concerto in B minor, Op. 61 (Edward Elgar)

1
I. Allegro
00:18:01

Edward Elgar, Composer - London Symphony Orchestra, Orchestra, MainArtist - Sir Colin Davis, Conductor, MainArtist - Thomas Frost, Producer, Recording Producer - Hilary Hahn, Violin, MainArtist, AssociatedPerformer - Sam O'Kell, Recording Engineer, StudioPersonnel - Stephan Flock, Balance Engineer, StudioPersonnel - Martin T:son Engstroem, Producer

℗ 2004 Deutsche Grammophon GmbH, Berlin

2
II. Andante
00:12:18

Edward Elgar, Composer - London Symphony Orchestra, Orchestra, MainArtist - Sir Colin Davis, Conductor, MainArtist - Thomas Frost, Producer, Recording Producer - Hilary Hahn, Violin, MainArtist, AssociatedPerformer - Sam O'Kell, Recording Engineer, StudioPersonnel - Stephan Flock, Balance Engineer, StudioPersonnel - Martin T:son Engstroem, Producer, Executive Producer

℗ 2004 Deutsche Grammophon GmbH, Berlin

3
III. Allegro molto
00:19:32

Edward Elgar, Composer - London Symphony Orchestra, Orchestra, MainArtist - Sir Colin Davis, Conductor, MainArtist - Thomas Frost, Producer, Recording Producer - Hilary Hahn, Violin, MainArtist, AssociatedPerformer - Sam O'Kell, Recording Engineer, StudioPersonnel - Stephan Flock, Balance Engineer, StudioPersonnel - Martin T:son Engstroem, Producer

℗ 2004 Deutsche Grammophon GmbH, Berlin

4
Vaughan Williams: The Lark Ascending
00:16:47

Ralph Vaughan Williams, Composer - London Symphony Orchestra, Orchestra, MainArtist - Sir Colin Davis, Conductor, MainArtist - Thomas Frost, Producer, Recording Producer - Hilary Hahn, Violin, MainArtist, AssociatedPerformer - Sam O'Kell, Recording Engineer, StudioPersonnel - Stephan Flock, Balance Engineer, StudioPersonnel - Martin T:son Engstroem, Producer

℗ 2004 Deutsche Grammophon GmbH, Berlin

Descriptif de l'album

Violinist Hilary Hahn had made several critically acclaimed recordings before this 2004 outing, some of them as a teenage phenomenon. But perhaps it was this reading of Elgar's Violin Concerto in B minor, Op. 61, that served notice on the musical world: here was one of the foremost violinists of our time. The Elgar concerto is a punishing, long, difficult work that requires the player to keep hold of the long-distance plan while touching the listener's emotions at many individual junctures, and Hahn succeeds in every way. Elgar called the concerto "awfully emotional, too emotional, but I love it," and the fact that it was written for Fritz Kreisler has led some to prefer more vibrato-laden readings than the one delivered here. Elgar did conduct the premiere performance with Kreisler, but that did not close the book on possible readings, and Hahn's more Apollonian tone has spectacular results here. Sample the finale, starting about a minute in, and note the charisma and total aplomb with which she approaches the effusions of passagework and ornament. Her control over the long arc leads to exciting climaxes in both outer movements. Vaughan Williams' The Lark Ascending is a calm performance that will take the listener into the stratosphere for good, and the accompaniment to both works by the London Symphony Orchestra ranks among the great accomplishments of the aged Sir Colin Davis. Only inexplicably reedy sound from Deutsche Grammophon mars this masterwork, but the sound is still likely better than than that of the classic recordings with which this one can bear comparison.
© TiVo

À propos

Améliorer les informations de l'album

Qobuz logo Pourquoi acheter sur Qobuz ?

À découvrir également
Par Hilary Hahn

Eclipse

Hilary Hahn

Eclipse Hilary Hahn

Paris (Chausson, Prokofiev, Rautavaara)

Hilary Hahn

Bach: Violin Sonatas Nos. 1 & 2 - Partita No. 1

Hilary Hahn

J.S.Bach: Violin Concertos

Hilary Hahn

Eclipse

Hilary Hahn

Eclipse Hilary Hahn

Playlists

Dans la même thématique...

Sibelius: Complete Symphonies

Klaus Mäkelä

The New Four Seasons - Vivaldi Recomposed

Max Richter

Old Friends New Friends

Nils Frahm

Nightscapes

Magdalena Hoffmann

Nightscapes Magdalena Hoffmann

Where is Home / Hae ke Kae

Abel Selaocoe

Les Grands Angles...
8 femmes qui ont marqué la musique électronique

Des pionnières de la musique concrète aux vedettes du clubbing du XXIe siècle, Qobuz revient sur le parcours de huit femmes qui ont marqué, chacune à leur manière, la musique électronique des cinquante dernières années.

L’Oratorio de Noël de Bach

Encore lui ! Chaque fin d’année, c’est simple : l’Oratorio de Noël (BWV 248) de J. S. Bach est indétrônable. Au vu du nombre de concerts, mais aussi d’enregistrements, aucune autre œuvre sacrée n’a atteint un tel niveau de popularité et de diffusion. Trois cents ans après, Qobuz revient sur la genèse d’une des œuvres les plus connues du compositeur allemand.

Bernard Haitink, prophète en son pays

Le grand chef d’orchestre néerlandais nous a quittés le 21 octobre 2021 à l’âge vénérable de 92 ans. Reconnu par ses pairs et dans son pays dès sa jeunesse, Bernard Haitink accomplira la majeure partie de son immense carrière aux Pays-Bas, d’abord à la tête de l’Orchestre de la Radio néerlandaise puis du prestigieux Concertgebouw d’Amsterdam pendant vingt-sept ans, avec lequel il enregistrera de nombreux disques devenus légendaires.

Dans l'actualité...