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Deutsch-Amerikanische Freundschaft (DAF)|Die Kleinen und die Bösen

Die Kleinen und die Bösen

Daf

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After the near-apocalyptic shrieks of Ein Produkt, DAF toned down just a touch, but only just, for Kleinen und die Bösen. Coming out on Mute as the album did, it helped not merely in establishing the group's cachet, but the label's and, in turn, the whole genre of experimental electronic music in the '80s and beyond. The cover art alone, with the group's name boldly printed white-on-black in all capitals, next to part of a Soviet propaganda poster, practically invented a rapidly overused industrial music design cliché. At the time, though, the group was ironically the most rock they would ever get, with bassist Chrislo Haas and guitarist W. Spelmans joining Robert Görl and Gabi Delgado (aka Gabi Delgado-Lopez). The first half of Kleinen was a studio recording with Krautrock-producing legend Conrad Plank, who did his usual fantastic job throughout. The beats are sometimes hollow and always ominous, treated with studio touches to make them even more so, while the squalling, clipped guitar sounds often make nails-on-chalkboards sound sweet in comparison. Delgado's husky vocals and Görl's spare-but-every-hit-counts drumming on "Osten Währt Am Längsten" are particularly strong, while the electronic rhythms of "Co Co Pino" (Delgado's vocal trills are a scream) and all-out slam of "Nacht Arbeit" can't be resisted. The live side, recorded at London's Electric Ballroom, is even more all-out most of the time, starting with the complete noise fest "Gewalt," and then shifting into a series of short, brusque tracks. Delgado pulls off some blood-curdling screams (and Görl some fairly nutty harmonies as well -- check the opening to "Das Ist Liebe") over the din. The musicians themselves sound like they decided to borrow Wire's sense of quick songs while cranking the amps to ten; the resultant combination of feedback crunch and electronic brutality is, at times, awesome to behold.
© Ned Raggett /TiVo

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Die Kleinen und die Bösen

Deutsch-Amerikanische Freundschaft (DAF)

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1
Osten währt am längsten
00:05:44

Robert Gorl, Composer - Gabi Delgado, Lyricist - Daf, MainArtist

2018 Groenland Records 2018 Groenland Records

2
Essen dann schlafen
00:01:05

Robert Gorl, Composer - Gabi Delgado, Lyricist - Daf, MainArtist

2018 Groenland Records 2018 Groenland Records

3
Co Co Pino
00:03:25

Robert Gorl, Composer - Gabi Delgado, Lyricist - Daf, MainArtist

2018 Groenland Records 2018 Groenland Records

4
Kinderfunk
00:03:02

Robert Gorl, Composer - Gabi Delgado, Lyricist - Daf, MainArtist

2018 Groenland Records 2018 Groenland Records

5
Nacht Arbeit
00:01:53

Robert Gorl, Composer - Gabi Delgado, Lyricist - Daf, MainArtist

2018 Groenland Records 2018 Groenland Records

6
Ich gebe Dir ein Stück von mir
00:01:41

Robert Gorl, Composer - Gabi Delgado, Lyricist - Daf, MainArtist

2018 Groenland Records 2018 Groenland Records

7
De Panne
00:02:34

Robert Gorl, Composer - Gabi Delgado, Lyricist - Daf, MainArtist

2018 Groenland Records 2018 Groenland Records

8
Gewalt
00:01:24

Robert Gorl, Composer - Gabi Delgado, Lyricist - Daf, MainArtist

2018 Groenland Records 2018 Groenland Records

9
Gib's Mir
00:01:02

Robert Gorl, Composer - Gabi Delgado, Lyricist - Daf, MainArtist

2018 Groenland Records 2018 Groenland Records

10
Auf Wiedersehen
00:02:03

Robert Gorl, Composer - Gabi Delgado, Lyricist - Daf, MainArtist

2018 Groenland Records 2018 Groenland Records

11
Das ist Liebe
00:01:18

Robert Gorl, Composer - Gabi Delgado, Lyricist - Daf, MainArtist

2018 Groenland Records 2018 Groenland Records

12
Was ist eine Welle
00:01:15

Robert Gorl, Composer - Gabi Delgado, Lyricist - Daf, MainArtist

2018 Groenland Records 2018 Groenland Records

13
Anzufassen um anzufassen
00:01:43

Robert Gorl, Composer - Gabi Delgado, Lyricist - Daf, MainArtist

2018 Groenland Records 2018 Groenland Records

14
Volkstanz
00:00:49

Robert Gorl, Composer - Gabi Delgado, Lyricist - Daf, MainArtist

2018 Groenland Records 2018 Groenland Records

15
Die lustigen Stiefel
00:01:48

Robert Gorl, Composer - Gabi Delgado, Lyricist - Daf, MainArtist

2018 Groenland Records 2018 Groenland Records

16
Die Kleinen und die Bösen
00:01:06

Robert Gorl, Composer - Gabi Delgado, Lyricist - Daf, MainArtist

2018 Groenland Records 2018 Groenland Records

17
Die Fesche Lola
00:01:40

Robert Gorl, Composer - Gabi Delgado, Lyricist - Daf, MainArtist

2018 Groenland Records 2018 Groenland Records

18
Es Basilon
00:02:52

Robert Gorl, Composer - Gabi Delgado, Lyricist - Daf, MainArtist

2018 Groenland Records 2018 Groenland Records

19
Y La Gracia
00:02:05

Robert Gorl, Composer - Gabi Delgado, Lyricist - Daf, MainArtist

2018 Groenland Records 2018 Groenland Records

Chronique

After the near-apocalyptic shrieks of Ein Produkt, DAF toned down just a touch, but only just, for Kleinen und die Bösen. Coming out on Mute as the album did, it helped not merely in establishing the group's cachet, but the label's and, in turn, the whole genre of experimental electronic music in the '80s and beyond. The cover art alone, with the group's name boldly printed white-on-black in all capitals, next to part of a Soviet propaganda poster, practically invented a rapidly overused industrial music design cliché. At the time, though, the group was ironically the most rock they would ever get, with bassist Chrislo Haas and guitarist W. Spelmans joining Robert Görl and Gabi Delgado (aka Gabi Delgado-Lopez). The first half of Kleinen was a studio recording with Krautrock-producing legend Conrad Plank, who did his usual fantastic job throughout. The beats are sometimes hollow and always ominous, treated with studio touches to make them even more so, while the squalling, clipped guitar sounds often make nails-on-chalkboards sound sweet in comparison. Delgado's husky vocals and Görl's spare-but-every-hit-counts drumming on "Osten Währt Am Längsten" are particularly strong, while the electronic rhythms of "Co Co Pino" (Delgado's vocal trills are a scream) and all-out slam of "Nacht Arbeit" can't be resisted. The live side, recorded at London's Electric Ballroom, is even more all-out most of the time, starting with the complete noise fest "Gewalt," and then shifting into a series of short, brusque tracks. Delgado pulls off some blood-curdling screams (and Görl some fairly nutty harmonies as well -- check the opening to "Das Ist Liebe") over the din. The musicians themselves sound like they decided to borrow Wire's sense of quick songs while cranking the amps to ten; the resultant combination of feedback crunch and electronic brutality is, at times, awesome to behold.
© Ned Raggett /TiVo

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