Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Symphoniae is a reissue of the 1985 Sequentia LP Symphoniae: Spiritual Songs, an epochal recording that did much to set off the whole Hildegard boom -- if one can use that word to describe the audiences for music by a medieval German abbess. It is largely the work of Sequentia co-director Barbara Thornton, who died in 1998; her creative partner Benjamin Bagby is heard on harps and on other instruments. She sings solo and leads small groups of other female singers. "Symphoniae" was a word Hildegard herself applied to a collection of her own music.
For those who have gone on to investigate other treatments of Hildegard's music, ranging from hyper-authentic to new age inspirational, it will be good to check in with the musicians who were really the first to spot the tremendous relevance of this woman-centered chant. And for those who are looking for a good place to start with Hildegard of Bingen, this disc is still easy to recommend. In both music and liner notes it gives a feel for the key traits of Hildegard's music: its wide, sudden melodic swings, its rhapsodic quality, the unusual locutions and involved, imaginative metaphors in her poetry, and some great imagery that could almost have come out of 1970s feminist literature. In the words of one commentator, Hildegard "used extremes of register as if to bring heaven and earth together," and Sequentia's singers pick up this momentum effectively. A responsory in praise of St. Ursula and her 11,000 martyred Virgins (actually, there may have been only 11) has become especially well known in the years since this album was released. Many of the pieces praise saints and other figures from Christian history and liturgy (often women), and some become mystical in their intensity.
Musically the album takes liberties with what is known of medieval performance practice, but not to an objectionable degree. Some of the chants are sung solo, other responsorially between soloist and choir in the usual manner. On some pieces the performers add vocal harmonies according to the principles of medieval organum singing, something not notated by Hildegard but certainly in the air in her time and place. There are also several pieces done instrumentally, and some of the chants are accompanied by a small instrumental ensemble. The reason often given (and alluded to here) is that Hildegard's writings mention musical instruments as a link to the divine. It's a stretch from that idea to the instrumental accompaniment of music that is usually heard for voices alone, but the results here are lovely. For everyone from medievalists to ordinary mystics, Symphoniae offers worthwhile listening.
© TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de CHF 14,99/mois
Hildegard von Bingen, Composer - Sequentia, Performer - Klaus L. Neumann, Producer - Barbara Thornton, Conductor
(P)1985 BMG Entertainment
Hildegard von Bingen, Composer - Sequentia, Performer - Klaus L. Neumann, Producer - Barbara Thornton, Conductor
(P)1985 BMG Entertainment
Hildegard von Bingen, Composer - Sequentia, Performer - Klaus L. Neumann, Producer - Barbara Thornton, Conductor
(P)1985 BMG Entertainment
Hildegard von Bingen, Composer - Sequentia, Performer - Klaus L. Neumann, Producer - Benjamin Bagby, Arranger - Margriet Tindemans, Conductor - Margriet Tindemans, Arranger
(P)1985 BMG Entertainment
Hildegard von Bingen, Composer - Sequentia, Performer - Klaus L. Neumann, Producer - Barbara Thornton, Conductor
(P)1985 BMG Entertainment
Hildegard von Bingen, Composer - Sequentia, Performer - Klaus L. Neumann, Producer - Benjamin Bagby, Arranger - Margriet Tindemans, Conductor - Margriet Tindemans, Arranger
(P)1985 BMG Entertainment
Hildegard von Bingen, Composer - Sequentia, Performer - Klaus L. Neumann, Producer - Barbara Thornton, Conductor
(P)1985 BMG Entertainment
Hildegard von Bingen, Composer - Sequentia, Performer - Klaus L. Neumann, Producer - Barbara Thornton, Conductor
(P)1985 BMG Entertainment
Hildegard von Bingen, Composer - Sequentia, Performer - Klaus L. Neumann, Producer - Barbara Thornton, Conductor
(P)1985 BMG Entertainment
Hildegard von Bingen, Composer - Sequentia, Performer - Klaus L. Neumann, Producer - Benjamin Bagby, Arranger - Margriet Tindemans, Conductor - Margriet Tindemans, Arranger
(P)1985 BMG Entertainment
Hildegard von Bingen, Composer - Sequentia, Performer - Klaus L. Neumann, Producer - Barbara Thornton, Conductor
(P)1985 BMG Entertainment
Hildegard von Bingen, Composer - Sequentia, Performer - Klaus L. Neumann, Producer - Barbara Thornton, Conductor
(P)1985 BMG Entertainment
Hildegard von Bingen, Composer - Sequentia, Performer - Klaus L. Neumann, Producer - Benjamin Bagby, Arranger - Margriet Tindemans, Conductor - Margriet Tindemans, Arranger
(P)1985 BMG Entertainment
Hildegard von Bingen, Composer - Sequentia, Performer - Klaus L. Neumann, Producer - Barbara Thornton, Conductor
(P)1985 BMG Entertainment
Chronique
Symphoniae is a reissue of the 1985 Sequentia LP Symphoniae: Spiritual Songs, an epochal recording that did much to set off the whole Hildegard boom -- if one can use that word to describe the audiences for music by a medieval German abbess. It is largely the work of Sequentia co-director Barbara Thornton, who died in 1998; her creative partner Benjamin Bagby is heard on harps and on other instruments. She sings solo and leads small groups of other female singers. "Symphoniae" was a word Hildegard herself applied to a collection of her own music.
For those who have gone on to investigate other treatments of Hildegard's music, ranging from hyper-authentic to new age inspirational, it will be good to check in with the musicians who were really the first to spot the tremendous relevance of this woman-centered chant. And for those who are looking for a good place to start with Hildegard of Bingen, this disc is still easy to recommend. In both music and liner notes it gives a feel for the key traits of Hildegard's music: its wide, sudden melodic swings, its rhapsodic quality, the unusual locutions and involved, imaginative metaphors in her poetry, and some great imagery that could almost have come out of 1970s feminist literature. In the words of one commentator, Hildegard "used extremes of register as if to bring heaven and earth together," and Sequentia's singers pick up this momentum effectively. A responsory in praise of St. Ursula and her 11,000 martyred Virgins (actually, there may have been only 11) has become especially well known in the years since this album was released. Many of the pieces praise saints and other figures from Christian history and liturgy (often women), and some become mystical in their intensity.
Musically the album takes liberties with what is known of medieval performance practice, but not to an objectionable degree. Some of the chants are sung solo, other responsorially between soloist and choir in the usual manner. On some pieces the performers add vocal harmonies according to the principles of medieval organum singing, something not notated by Hildegard but certainly in the air in her time and place. There are also several pieces done instrumentally, and some of the chants are accompanied by a small instrumental ensemble. The reason often given (and alluded to here) is that Hildegard's writings mention musical instruments as a link to the divine. It's a stretch from that idea to the instrumental accompaniment of music that is usually heard for voices alone, but the results here are lovely. For everyone from medievalists to ordinary mystics, Symphoniae offers worthwhile listening.
© TiVo
À propos
- 1 disque(s) - 14 piste(s)
- Durée totale : 01:01:22
- Artistes principaux : Sequentia
- Compositeur : Hildegard von Bingen
- Label : Deutsche Harmonia Mundi
- Genre : Classique
2004 deutsche harmonia mundi
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.