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The Statler Brothers|Country Music Then And Now

Country Music Then And Now

The Statler Brothers

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Langue disponible : anglais

Nostalgia is the theme of the Statler Brothers' 1972 album Country Music Then & Now, so much so that even the "now" is "then" -- many of the group's new compositions concern the past in one way or another. The album's TopTen hit, "The Class of '57," is one of the most poignant and melancholy expressions of aging and faded dreams in popular music -- the kind of song that moved Kurt Vonnegut to call the Statlers "America's poets." "1953 Dear John Honky Tonk Blues" is an ode to the country hits of the '40s and '50s, with an instrumental riff patterned after Hank Williams' yodel in "Honky Tonk Blues." Side One is dominated by the introduction of the Statler Brothers' comedy alter-egos, Lester "Roadhog" Moran & The Cadillac Cowboys, on a nearly 10-minute-long parody of an old-time live country music radio program. Overall, the jokes are too weak and the playing too intentionally poor to give the skit much enduring value, although anyone who remembers the third-rate talent that often filled air time on regional country music stations in the 1930s-'50s will appreciate the premise. The Statler Brothers raised nostalgia-mongering to an art form in the '70s, and Country Music Then & Now contains a few prime examples.

© Greg Adams /TiVo

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Country Music Then And Now

The Statler Brothers

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1
When My Blue Moon Turns To Gold Again
00:02:36

The Statler Brothers, MainArtist - Gene Sullivan, ComposerLyricist - Wiley Walker, ComposerLyricist - Jerry Kennedy, Producer

℗ 1972 UMG Recordings, Inc.

2
No One Will Ever Know (Album Version)
00:03:17

The Statler Brothers, MainArtist - Mel Foree, ComposerLyricist - FRED ROSE, ComposerLyricist - Jerry Kennedy, Producer

℗ 1972 UMG Recordings, Inc.

3
The Saturday Morning Radio Show (Album Version)
00:09:34

The Statler Brothers, MainArtist - Jerry Kennedy, Producer - Don Reid, ComposerLyricist - Lew DeWitt, ComposerLyricist

℗ 1972 UMG Recordings, Inc.

4
The Class Of '57
00:02:37

The Statler Brothers, MainArtist - Jerry Kennedy, Producer - Don Reid, ComposerLyricist - Harold Wilson Reid, ComposerLyricist - Tom Sparkman, Engineer, StudioPersonnel

℗ 1972 UMG Recordings, Inc.

5
Stranger In My Place
00:03:24

The Statler Brothers, MainArtist - Kenny Rogers, ComposerLyricist - Jerry Kennedy, Producer

℗ 1972 UMG Recordings, Inc.

6
Jesus Take Another Look At Me (Album Version)
00:02:50

The Statler Brothers, MainArtist - Jerry Kennedy, Producer - Don Reid, ComposerLyricist

℗ 1972 UMG Recordings, Inc.

7
1953 Dear John-Honky-Tonk Blues (Album Version)
00:02:02

The Statler Brothers, MainArtist - Jerry Kennedy, Producer - Harold Reid, ComposerLyricist - Don Reid, ComposerLyricist

℗ 1972 UMG Recordings, Inc.

8
Under It All
00:02:29

The Statler Brothers, MainArtist - Jerry Kennedy, Producer - Lew DeWitt, ComposerLyricist

℗ 1972 UMG Recordings, Inc.

9
Every Time I Trust A Gal (Album Version)
00:01:48

The Statler Brothers, MainArtist - Jerry Kennedy, Producer - Lew DeWitt, ComposerLyricist

℗ 1972 UMG Recordings, Inc.

Chronique

Nostalgia is the theme of the Statler Brothers' 1972 album Country Music Then & Now, so much so that even the "now" is "then" -- many of the group's new compositions concern the past in one way or another. The album's TopTen hit, "The Class of '57," is one of the most poignant and melancholy expressions of aging and faded dreams in popular music -- the kind of song that moved Kurt Vonnegut to call the Statlers "America's poets." "1953 Dear John Honky Tonk Blues" is an ode to the country hits of the '40s and '50s, with an instrumental riff patterned after Hank Williams' yodel in "Honky Tonk Blues." Side One is dominated by the introduction of the Statler Brothers' comedy alter-egos, Lester "Roadhog" Moran & The Cadillac Cowboys, on a nearly 10-minute-long parody of an old-time live country music radio program. Overall, the jokes are too weak and the playing too intentionally poor to give the skit much enduring value, although anyone who remembers the third-rate talent that often filled air time on regional country music stations in the 1930s-'50s will appreciate the premise. The Statler Brothers raised nostalgia-mongering to an art form in the '70s, and Country Music Then & Now contains a few prime examples.

© Greg Adams /TiVo

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