Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Circus produced a tightly woven jazz-rock sound, sometimes resembling Jethro Tull or Caravan, while comparisons to early King Crimson can also be assessed. Without the help of keyboards, Circus applied saxophone and flute to their impassioned but melodic brand of progressive music, with Chris Burrows' drum work coming to the forefront in nearly all of their tracks. The original Transatlantic recordings from 1969 were released in 2000 by the Castle label, combining to create Circus' debut album. With Mel Collins on sax, Circus' eight tracks are wonderfully inventive, merging the band's uplifting musical spirit with their innovative laid-back sound. Collins' sax gives their interpretation of "Norwegian Wood" a "juicy" sound, to say the least, with enough musical accessories to make it novel. "Pleasures" has Mel Collins' dad playing alto flute (which has a unique sound all its own) mixed in with some dreamy sax parts into rhythms that are both busy and delicate. Ian Jelfs' vocals aren't that becoming, proven on "Father of My Daughter" as he teams up with Collins for the singing duties, but it's Chris Burrows' Indian tabla that steals that show here. Burrows' best example of his percussive talents comes alive on "St. Thomas," partnering his drums perfectly with the woodwinds, while his conga's give "Don't Make Promises" its jazz-to-rock sway. Bass man Kirk Riddle is absolutely bewildering on Charles Mingus' "11 B.S.," displaying the band's love for improvisation while putting the electric guitar to good experimental use. Circus made a few more albums following this one, but it's here that the well-traveled Collins truly shines, capturing this relatively unknown band in their freshest stage.
© Mike DeGagne /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de CHF 14,99/mois
Mel Collins, Flute, Tenor Saxophone - John Lennon, Composer, Writer - Paul Mccartney, Composer, Writer - ANDY JOHNS, Engineer - Circus, MainArtist - Ray Singer, Producer - Chris Burrows, Drums - Ian Jelfs, Guitar, Vocals - Kirk Riddle, Bass Guitar
© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company
Mel Collins, Composer, Flute, Tenor Saxophone - ANDY JOHNS, Engineer - Circus, Composer, MainArtist - Ray Singer, Producer - Chris Burrows, Drums - Ian Jelfs, Guitar, Vocals - Kirk Riddle, Bass Guitar
© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company
Mel Collins, Composer, Flute, Tenor Saxophone - ANDY JOHNS, Engineer - Circus, Composer, MainArtist - Ray Singer, Producer - Chris Burrows, Drums - Ian Jelfs, Guitar, Vocals - Kirk Riddle, Bass Guitar
© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company
Mel Collins, Composer, Flute, Tenor Saxophone - ANDY JOHNS, Engineer - Circus, Composer, MainArtist - Ray Singer, Producer - Chris Burrows, Drums - Ian Jelfs, Guitar, Vocals - Kirk Riddle, Bass Guitar
© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company
Mel Collins, Composer, Flute, Tenor Saxophone - ANDY JOHNS, Engineer - Circus, Composer, MainArtist - Ray Singer, Producer - Chris Burrows, Drums - Ian Jelfs, Guitar, Vocals - Kirk Riddle, Bass Guitar
© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company
Mel Collins, Flute, Tenor Saxophone - ANDY JOHNS, Engineer - Charles Mingus, Composer - Circus, Composer, MainArtist - Ray Singer, Producer - Chris Burrows, Drums - Ian Jelfs, Guitar, Vocals - Kirk Riddle, Bass Guitar
© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company
Mel Collins, Flute, Tenor Saxophone - ANDY JOHNS, Engineer - John Phillips, Composer - Circus, Composer, MainArtist - Ray Singer, Producer - Chris Burrows, Drums - Ian Jelfs, Guitar, Vocals - Kirk Riddle, Bass Guitar
© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company
Mel Collins, Flute, Tenor Saxophone - ANDY JOHNS, Engineer - Tim Hardin, Composer - Circus, Composer, MainArtist - Ray Singer, Producer - Chris Burrows, Drums - Ian Jelfs, Guitar, Vocals - Kirk Riddle, Bass Guitar
© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company
Chronique
Circus produced a tightly woven jazz-rock sound, sometimes resembling Jethro Tull or Caravan, while comparisons to early King Crimson can also be assessed. Without the help of keyboards, Circus applied saxophone and flute to their impassioned but melodic brand of progressive music, with Chris Burrows' drum work coming to the forefront in nearly all of their tracks. The original Transatlantic recordings from 1969 were released in 2000 by the Castle label, combining to create Circus' debut album. With Mel Collins on sax, Circus' eight tracks are wonderfully inventive, merging the band's uplifting musical spirit with their innovative laid-back sound. Collins' sax gives their interpretation of "Norwegian Wood" a "juicy" sound, to say the least, with enough musical accessories to make it novel. "Pleasures" has Mel Collins' dad playing alto flute (which has a unique sound all its own) mixed in with some dreamy sax parts into rhythms that are both busy and delicate. Ian Jelfs' vocals aren't that becoming, proven on "Father of My Daughter" as he teams up with Collins for the singing duties, but it's Chris Burrows' Indian tabla that steals that show here. Burrows' best example of his percussive talents comes alive on "St. Thomas," partnering his drums perfectly with the woodwinds, while his conga's give "Don't Make Promises" its jazz-to-rock sway. Bass man Kirk Riddle is absolutely bewildering on Charles Mingus' "11 B.S.," displaying the band's love for improvisation while putting the electric guitar to good experimental use. Circus made a few more albums following this one, but it's here that the well-traveled Collins truly shines, capturing this relatively unknown band in their freshest stage.
© Mike DeGagne /TiVo
À propos
- 1 disque(s) - 8 piste(s)
- Durée totale : 00:40:05
- Artistes principaux : Circus
- Compositeur : Various Composers
- Label : Sanctuary Records
- Genre : Pop/Rock Rock Rock progressif
© 2018 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.