Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
After a bout with writer's block left most of what would have been the fifth Badly Drawn Boy album on the scrap heap, Damon Gough regrouped by writing a set of songs inspired by growing up in the United Kingdom. The results are Born in the U.K., an album that, of course, nods to Bruce Springsteen's rousing-yet-searching Born in the U.S.A. (the Boss is also thanked in the liner notes), but also feels like it's trying to win -- and impress -- as big an audience as possible. At times, Born in the U.K. is impressive, but not necessarily with its most ambitious moments. After the relatively restrained One Plus One Is One, Gough returns to the elaborate, heavily arranged sound of Have You Fed the Fish? for most of the album, and too often, his words and melodies end up drowning in their busy surroundings. "Nothing's Gonna Change Your Mind" is a particularly unfortunate casualty, a song with good bones that's done in by strings that are somehow massive and fussy at the same time. Meanwhile, "Welcome to the Overground," with its huge choir and equally giant guitars and pianos, sounds like it was written by Andrew Lloyd Webber instead of Badly Drawn Boy. To be fair, Gough does harness the album's widescreen sound effectively at times: "Degrees of Separation" is the closest Born in the U.K. comes to clearly elaborating on its concept, setting memories of the Thatcher era to rock that nods to "God Save the Queen," both the national anthem and the punk anthem. "Journey from A to B" is another standout that makes the most of its Springsteen and Phil Spector homages. As the album unfolds, Gough seems to get his footing; it's as though he spends the first half of the album trying to wow his audience but only proves impressive once he gets rid of the pretense. Enough of Born in the U.K.'s second half works well that it makes the album's early missteps even more mystifying: "Walk You Home Tonight"'s hints of blue-eyed soul and Motown nail the sophisticated but accessible sound that Gough strains for in other places, as do "The Way Things Used to Be"'s slight country twang and "Long Way Round (Swimming Pool)"'s Burt Bacharach-style pop. Still, it's more than a little odd that Gough keeps trying this grandiose direction, when the smaller, more idiosyncratic, far more personal sound of The Hour of Bewilderbeast and About a Boy won him fans in the first place. Even though Gough intended Born in the U.K. for a wider audience, it's likely that only the most devoted Badly Drawn Boy fans will enjoy -- or have the patience for -- the attempts at epics here. His voice and songwriting are so engaging that they don't need to be propped up by impressive-seeming arrangements. As with Have You Fed the Fish? and One Plus One Is One, Born in the U.K. is at its best when Gough shares something personal, instead of writing for an audience of "everybody" that doesn't actually exist.
© Heather Phares /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de CHF 14,99/mois
Badly Drawn Boy, Composer, Featured Vocalist, MainArtist
© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2006 Parlophone Records Ltd, a Warner Music Group Company
Badly Drawn Boy, Composer, Featured Vocalist, MainArtist
© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2006 Parlophone Records Ltd, a Warner Music Group Company
Badly Drawn Boy, Composer, Featured Vocalist, MainArtist
© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2006 Parlophone Records Ltd, a Warner Music Group Company
Badly Drawn Boy, Composer, Featured Vocalist, MainArtist
© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2006 Parlophone Records Ltd, a Warner Music Group Company
Badly Drawn Boy, Composer, Featured Vocalist, MainArtist
© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2006 Parlophone Records Ltd, a Warner Music Group Company
Badly Drawn Boy, Composer, Featured Vocalist, MainArtist
© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2006 Parlophone Records Ltd, a Warner Music Group Company
Badly Drawn Boy, Composer, Featured Vocalist, MainArtist
© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2006 Parlophone Records Ltd, a Warner Music Group Company
Badly Drawn Boy, Composer, Featured Vocalist, MainArtist
© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2006 Parlophone Records Ltd, a Warner Music Group Company
Badly Drawn Boy, Composer, Featured Vocalist, MainArtist
© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2006 Parlophone Records Ltd, a Warner Music Group Company
Badly Drawn Boy, Composer, Featured Vocalist, MainArtist
© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2006 Parlophone Records Ltd, a Warner Music Group Company
Sean McCann, Composer - Badly Drawn Boy, Composer, Featured Vocalist, MainArtist
© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2006 Parlophone Records Ltd, a Warner Music Group Company
Badly Drawn Boy, Featured Vocalist, Writer, MainArtist
© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2006 Parlophone Records Ltd, a Warner Music Group Company
Badly Drawn Boy, Composer, Featured Vocalist, MainArtist
© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2006 Parlophone Records Ltd, a Warner Music Group Company
Chronique
After a bout with writer's block left most of what would have been the fifth Badly Drawn Boy album on the scrap heap, Damon Gough regrouped by writing a set of songs inspired by growing up in the United Kingdom. The results are Born in the U.K., an album that, of course, nods to Bruce Springsteen's rousing-yet-searching Born in the U.S.A. (the Boss is also thanked in the liner notes), but also feels like it's trying to win -- and impress -- as big an audience as possible. At times, Born in the U.K. is impressive, but not necessarily with its most ambitious moments. After the relatively restrained One Plus One Is One, Gough returns to the elaborate, heavily arranged sound of Have You Fed the Fish? for most of the album, and too often, his words and melodies end up drowning in their busy surroundings. "Nothing's Gonna Change Your Mind" is a particularly unfortunate casualty, a song with good bones that's done in by strings that are somehow massive and fussy at the same time. Meanwhile, "Welcome to the Overground," with its huge choir and equally giant guitars and pianos, sounds like it was written by Andrew Lloyd Webber instead of Badly Drawn Boy. To be fair, Gough does harness the album's widescreen sound effectively at times: "Degrees of Separation" is the closest Born in the U.K. comes to clearly elaborating on its concept, setting memories of the Thatcher era to rock that nods to "God Save the Queen," both the national anthem and the punk anthem. "Journey from A to B" is another standout that makes the most of its Springsteen and Phil Spector homages. As the album unfolds, Gough seems to get his footing; it's as though he spends the first half of the album trying to wow his audience but only proves impressive once he gets rid of the pretense. Enough of Born in the U.K.'s second half works well that it makes the album's early missteps even more mystifying: "Walk You Home Tonight"'s hints of blue-eyed soul and Motown nail the sophisticated but accessible sound that Gough strains for in other places, as do "The Way Things Used to Be"'s slight country twang and "Long Way Round (Swimming Pool)"'s Burt Bacharach-style pop. Still, it's more than a little odd that Gough keeps trying this grandiose direction, when the smaller, more idiosyncratic, far more personal sound of The Hour of Bewilderbeast and About a Boy won him fans in the first place. Even though Gough intended Born in the U.K. for a wider audience, it's likely that only the most devoted Badly Drawn Boy fans will enjoy -- or have the patience for -- the attempts at epics here. His voice and songwriting are so engaging that they don't need to be propped up by impressive-seeming arrangements. As with Have You Fed the Fish? and One Plus One Is One, Born in the U.K. is at its best when Gough shares something personal, instead of writing for an audience of "everybody" that doesn't actually exist.
© Heather Phares /TiVo
À propos
- 1 disque(s) - 13 piste(s)
- Durée totale : 00:52:05
- Artistes principaux : Badly Drawn Boy
- Compositeur : Various Composers
- Label : Parlophone UK
- Genre : Pop/Rock Rock
© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2006 Parlophone Records Ltd, a Warner Music Group Company
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.