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Paavo Järvi|Berlioz: Symphonie fantastique, Op. 14, H 48 & Love Scene from Roméo et Juliette, Op. 17, H 79

Berlioz: Symphonie fantastique, Op. 14, H 48 & Love Scene from Roméo et Juliette, Op. 17, H 79

Paavo Jarvi, Cincinnati Symphony Orchestra

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Langue disponible : anglais

While Paavo Järvi's reading of Berlioz's Symphonie fantastique offers considerable energy and color, it lacks accuracy, pacing, and a coherent sense of form. Tempi are extremely flexible, sometimes rushed, and abrupt mood swings and extreme dynamics are emphasized. Perhaps Järvi's conception of the piece is informed too much by the work's program, insofar as his passionate communication of its hallucinatory narrative seems to have overruled fidelity to the score. An argument may be made that Berlioz himself would have taken such liberties, and that the work's mad spirit is better served by flamboyance and a bit of recklessness. Even so, the music's real internal logic -- it is a symphony in more than just its name -- is always an important consideration for any satisfying performance. Järvi has subjugated form to play up the bold orchestration and virtuosity, which are all on the surface. Certainly the sounds he conjures are exciting, and the Cincinnati Symphony Orchestra delivers the most dazzling and powerful effects. But this performance is strangely hollow for all the effort expended. Recorded with the Direct Stream Digital system, the sound is astonishingly clear, though it contributes to the impression that this is more of a sonic extravaganza than a truly musical experience.

© TiVo

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Berlioz: Symphonie fantastique, Op. 14, H 48 & Love Scene from Roméo et Juliette, Op. 17, H 79

Paavo Järvi

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1
Symphonie fantastique, Op. 14, H 48: I. Rêveries, Passions. Largo - Allegro agitato e appassionato assai - Tempo I - Religiosamente
Cincinnati Symphony Orchestra
00:15:26

Hector Berlioz, Composer - Andrew Mendelson, Asst. Recording Engineer, StudioPersonnel - Paavo Jarvi, Conductor, MainArtist - Cincinnati Symphony Orchestra, Orchestra, MainArtist - John Morris Russell, Producer, Assistant Producer - Robert Woods, Producer, Recording Producer - James Yates, Asst. Recording Engineer, StudioPersonnel - Thomas C. Moore, Editor, StudioPersonnel - Erica Brenner, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel - Mark Robertson-Tessi, Editor, StudioPersonnel - David Ripp, Asst. Recording Engineer, StudioPersonnel

℗ 2001 Telarc International Corp.

2
Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse. Allegro non troppo
Cincinnati Symphony Orchestra
00:06:21

Hector Berlioz, Composer - Andrew Mendelson, Asst. Recording Engineer, StudioPersonnel - Paavo Jarvi, Conductor, MainArtist - Cincinnati Symphony Orchestra, Orchestra, MainArtist - John Morris Russell, Producer, Assistant Producer - Robert Woods, Producer, Recording Producer - James Yates, Asst. Recording Engineer, StudioPersonnel - Thomas C. Moore, Editor, StudioPersonnel - Erica Brenner, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel - Mark Robertson-Tessi, Editor, StudioPersonnel - David Ripp, Asst. Recording Engineer, StudioPersonnel

℗ 2001 Telarc International Corp.

3
Symphonie fantastique, Op. 14, H 48: III. Scène aux champs. Adagio
Cincinnati Symphony Orchestra
00:17:14

Hector Berlioz, Composer - Andrew Mendelson, Asst. Recording Engineer, StudioPersonnel - Paavo Jarvi, Conductor, MainArtist - Cincinnati Symphony Orchestra, Orchestra, MainArtist - John Morris Russell, Producer, Assistant Producer - Robert Woods, Producer, Recording Producer - James Yates, Asst. Recording Engineer, StudioPersonnel - Thomas C. Moore, Editor, StudioPersonnel - Erica Brenner, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel - Mark Robertson-Tessi, Editor, StudioPersonnel - David Ripp, Asst. Recording Engineer, StudioPersonnel

℗ 2001 Telarc International Corp.

4
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice. Allegretto non troppo
Cincinnati Symphony Orchestra
00:04:49

Hector Berlioz, Composer - Andrew Mendelson, Asst. Recording Engineer, StudioPersonnel - Paavo Jarvi, Conductor, MainArtist - Cincinnati Symphony Orchestra, Orchestra, MainArtist - John Morris Russell, Producer, Assistant Producer - Robert Woods, Producer, Recording Producer - James Yates, Asst. Recording Engineer, StudioPersonnel - Thomas C. Moore, Editor, StudioPersonnel - Erica Brenner, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel - Mark Robertson-Tessi, Editor, StudioPersonnel - David Ripp, Asst. Recording Engineer, StudioPersonnel

℗ 2001 Telarc International Corp.

5
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit du sabbat. Larghetto - Allegro - Allegro assai - Allegro - Dies irae - Ronde du sabbat - Dies irae et Ronde du sabbat
Cincinnati Symphony Orchestra
00:10:05

Hector Berlioz, Composer - Andrew Mendelson, Asst. Recording Engineer, StudioPersonnel - Paavo Jarvi, Conductor, MainArtist - Cincinnati Symphony Orchestra, Orchestra, MainArtist - John Morris Russell, Producer, Assistant Producer - Robert Woods, Producer, Recording Producer - James Yates, Asst. Recording Engineer, StudioPersonnel - Thomas C. Moore, Editor, StudioPersonnel - Erica Brenner, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel - Mark Robertson-Tessi, Editor, StudioPersonnel - David Ripp, Asst. Recording Engineer, StudioPersonnel

℗ 2001 Telarc International Corp.

6
Roméo et Juliette, Op. 17, H 79: Love Scene
Cincinnati Symphony Orchestra
00:16:10

Hector Berlioz, Composer - Andrew Mendelson, Asst. Recording Engineer, StudioPersonnel - Paavo Jarvi, Conductor, MainArtist - Cincinnati Symphony Orchestra, Orchestra, MainArtist - John Morris Russell, Producer, Assistant Producer - Robert Woods, Producer, Recording Producer - James Yates, Asst. Recording Engineer, StudioPersonnel - Thomas C. Moore, Editor, StudioPersonnel - Erica Brenner, Recording Supervisor, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel - Mark Robertson-Tessi, Editor, StudioPersonnel - David Ripp, Asst. Recording Engineer, StudioPersonnel

℗ 2001 Telarc International Corp.

Chronique

While Paavo Järvi's reading of Berlioz's Symphonie fantastique offers considerable energy and color, it lacks accuracy, pacing, and a coherent sense of form. Tempi are extremely flexible, sometimes rushed, and abrupt mood swings and extreme dynamics are emphasized. Perhaps Järvi's conception of the piece is informed too much by the work's program, insofar as his passionate communication of its hallucinatory narrative seems to have overruled fidelity to the score. An argument may be made that Berlioz himself would have taken such liberties, and that the work's mad spirit is better served by flamboyance and a bit of recklessness. Even so, the music's real internal logic -- it is a symphony in more than just its name -- is always an important consideration for any satisfying performance. Järvi has subjugated form to play up the bold orchestration and virtuosity, which are all on the surface. Certainly the sounds he conjures are exciting, and the Cincinnati Symphony Orchestra delivers the most dazzling and powerful effects. But this performance is strangely hollow for all the effort expended. Recorded with the Direct Stream Digital system, the sound is astonishingly clear, though it contributes to the impression that this is more of a sonic extravaganza than a truly musical experience.

© TiVo

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