Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
Cherie Currie's disappointing (and only) solo album was slicker and more pop-oriented than might have been expected from someone who'd just left the Runaways, even if the Runaways never were as raw and punky as some proponents of their legend claim. Instead it's rather mainstream late-'70s pop/rock, with only the slightest of occasional new wave influences, with Runaways instigator Kim Fowley still aboard as co-producer. Fowley co-wrote a few of the songs too, though Currie herself had disappointingly slim input in that regard, contributing to just two tracks as co-author; guitarist Steven T., in fact, took more songwriting credits than anyone else. On some cuts (like "Call Me at Midnight"), she sounded as if she was trying to be a pop Patti Smith; on others, like an updater of some of the more superficial aspects of sunny '60s California pop; and on the worst, like a Debby Boone with a smaller production budget. Only on "Young and Wild" does she sound too assertive, though it's not as wild and crazy as the title portends. Afflicted with dated and somewhat dull-sounding late-'70s production (with a few strange squiggly quasi-space age electronics thrown in), it's a confused and somewhat dispirited effort, though it has some mildly catchy tunes, like "Love at First Sight" (on which she duets with twin sister Marie Currie).
© Richie Unterberger /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de CHF 14,99/mois
Kim Fowley, Producer - David Carr, Producer - Steven T., ComposerLyricist - Cherie Currie, MainArtist
℗ 1978 UMG Recordings, Inc.
Kim Fowley, Producer - David Carr, Producer - Billy Bizeau, ComposerLyricist - Cherie Currie, MainArtist
℗ 1978 UMG Recordings, Inc.
Kim Fowley, Producer, ComposerLyricist - David Carr, Producer, ComposerLyricist - Taavi Mote, Engineer, StudioPersonnel - Cherie Currie, MainArtist, ComposerLyricist
℗ 1978 UMG Recordings, Inc.
Kim Fowley, Producer - David Carr, Producer - Robert Strauss, ComposerLyricist - Cherie Currie, MainArtist
℗ 1978 UMG Recordings, Inc.
Kim Fowley, Producer, ComposerLyricist - David Carr, Producer - Taavi Mote, Engineer, StudioPersonnel - Steven T., ComposerLyricist - Cherie Currie, MainArtist
℗ 1978 UMG Recordings, Inc.
Kim Fowley, Producer - David Carr, Producer - Taavi Mote, Engineer, StudioPersonnel - Steven T., ComposerLyricist - Cherie Currie, MainArtist
℗ 1978 UMG Recordings, Inc.
Kim Fowley, Producer - David Carr, Producer - Taavi Mote, Engineer, StudioPersonnel - Steven T., ComposerLyricist - Cherie Currie, MainArtist
℗ 1978 UMG Recordings, Inc.
Kim Fowley, Producer - David Carr, Producer - Taavi Mote, Engineer, StudioPersonnel - Billy Bizeau, ComposerLyricist - Cherie Currie, MainArtist - Marie Currie, Vocals, MainArtist, AssociatedPerformer
℗ 1978 UMG Recordings, Inc.
Kim Fowley, Producer - David Carr, Producer - Steven T., ComposerLyricist - Cherie Currie, MainArtist, ComposerLyricist
℗ 1978 UMG Recordings, Inc.
Kim Fowley, Producer, ComposerLyricist - David Carr, Producer - Taavi Mote, Engineer, StudioPersonnel - Steven T., ComposerLyricist - Cherie Currie, MainArtist
℗ 1978 UMG Recordings, Inc.
Chronique
Cherie Currie's disappointing (and only) solo album was slicker and more pop-oriented than might have been expected from someone who'd just left the Runaways, even if the Runaways never were as raw and punky as some proponents of their legend claim. Instead it's rather mainstream late-'70s pop/rock, with only the slightest of occasional new wave influences, with Runaways instigator Kim Fowley still aboard as co-producer. Fowley co-wrote a few of the songs too, though Currie herself had disappointingly slim input in that regard, contributing to just two tracks as co-author; guitarist Steven T., in fact, took more songwriting credits than anyone else. On some cuts (like "Call Me at Midnight"), she sounded as if she was trying to be a pop Patti Smith; on others, like an updater of some of the more superficial aspects of sunny '60s California pop; and on the worst, like a Debby Boone with a smaller production budget. Only on "Young and Wild" does she sound too assertive, though it's not as wild and crazy as the title portends. Afflicted with dated and somewhat dull-sounding late-'70s production (with a few strange squiggly quasi-space age electronics thrown in), it's a confused and somewhat dispirited effort, though it has some mildly catchy tunes, like "Love at First Sight" (on which she duets with twin sister Marie Currie).
© Richie Unterberger /TiVo
À propos
- 1 disque(s) - 10 piste(s)
- Durée totale : 00:35:44
- Artistes principaux : Cherie Currie
- Compositeur : Various Composers
- Label : Mercury Records
- Genre : Pop/Rock Rock
© 1978 UMG Recordings, Inc. ℗ 1978 UMG Recordings, Inc.
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.