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Milira|Back Again!!!

Back Again!!!

Milira

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Langue disponible : anglais

Even though Milira has claimed Sarah Vaughan and other jazz vocalists as influences, you won't find a lot of overt jazz inclinations on her second Motown outing Back Again!!!. This is very much an urban contemporary album, and sleek, smooth offerings like "Why Can't We Still Be Friends," "Love You Forever," and "If You Really Love Her" were clearly aimed at fans of adult-oriented artists like Meli'sa Morgan, Miki Howard, Stephanie Mills, and Anita Baker. Milira injects some dancehall reggae into "Love Always, Milira," and you'll hear a bit of new jack swing on "Love Me This Way," but on the whole, Milira doesn't get heavily into the hip-hop/dancehall/new jack vibe. Boasting such well-known producers as Narada Michael Walden, Barry J. Eastmond, and Lemel Humes, Back Again!!! isn't as strong as it could have been. Still, it's respectable and decent, and it should have done better. Milira didn't have a major commercial breakthrough at Motown, which is regrettable because it was clear that the New Yorker had a lot of potential.

© Alex Henderson /TiVo

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Back Again!!!

Milira

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1
One Man Woman
00:07:16

Narada Michael Walden, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - Timmy Regisford, Producer - Jeffrey Todd Cohen, ComposerLyricist - Oliver Sutton, Producer - Milira, MainArtist - Vosa Rivers, Producer

℗ 1992 UMG Recordings, Inc.

2
Three's A Crowd
00:04:59

LeMel Humes, Producer - Milira, MainArtist - Nathaniel Calhoun Jr., ComposerLyricist

℗ 1992 UMG Recordings, Inc.

3
Ready For Love
00:04:28

Loris Holland, Producer - Roz La Vaughn Davis, ComposerLyricist - Cyril Loris Neil Holland, ComposerLyricist - Milira, MainArtist

℗ 1992 UMG Recordings, Inc.

4
Love You Forever
00:04:27

LeMel Humes, Producer, ComposerLyricist - Nate Calhoun, ComposerLyricist - Milira, MainArtist

℗ 1992 UMG Recordings, Inc.

5
If You Really Love Her
00:04:41

Barry Eastmond, Producer - Barry James Eastmond, ComposerLyricist - Jolyon Ward Skinner, ComposerLyricist - Milira, MainArtist

℗ 1992 UMG Recordings, Inc.

6
Rocket Love
00:05:25

LeMel Humes, Producer - Stevie Wonder, Composer - Milira, MainArtist

℗ 1992 UMG Recordings, Inc.

7
All Night
00:04:48

Loris Holland, Producer, ComposerLyricist - Milira, MainArtist

℗ 1992 UMG Recordings, Inc.

8
You Get Right To Me
00:04:57

Jolyon Skinner, ComposerLyricist - Barry Eastmond, Producer, ComposerLyricist - Milira, MainArtist

℗ 1992 UMG Recordings, Inc.

9
Why Can't We Still Be Friends
00:04:44

Narada Michael Walden, Producer, ComposerLyricist - Sally Jo Dakota, ComposerLyricist - Sydney Mills, ComposerLyricist - Milira, MainArtist

℗ 1992 UMG Recordings, Inc.

10
Love Me This Way
00:05:04

Timmy Regisford, Producer - Roz La Vaughn Davis, ComposerLyricist - Cyril Loris Neil Holland, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - Oliver Sutton, Producer - Milira, MainArtist - Vosa Rivers, Producer

℗ 1992 UMG Recordings, Inc.

11
Love Always, Milira
00:04:08

Dunn Pearson, Jr., Producer - Milira, MainArtist - Milira Jones, Producer, ComposerLyricist

℗ 1992 UMG Recordings, Inc.

Chronique

Even though Milira has claimed Sarah Vaughan and other jazz vocalists as influences, you won't find a lot of overt jazz inclinations on her second Motown outing Back Again!!!. This is very much an urban contemporary album, and sleek, smooth offerings like "Why Can't We Still Be Friends," "Love You Forever," and "If You Really Love Her" were clearly aimed at fans of adult-oriented artists like Meli'sa Morgan, Miki Howard, Stephanie Mills, and Anita Baker. Milira injects some dancehall reggae into "Love Always, Milira," and you'll hear a bit of new jack swing on "Love Me This Way," but on the whole, Milira doesn't get heavily into the hip-hop/dancehall/new jack vibe. Boasting such well-known producers as Narada Michael Walden, Barry J. Eastmond, and Lemel Humes, Back Again!!! isn't as strong as it could have been. Still, it's respectable and decent, and it should have done better. Milira didn't have a major commercial breakthrough at Motown, which is regrettable because it was clear that the New Yorker had a lot of potential.

© Alex Henderson /TiVo

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