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Ornette Coleman|At The Golden Circle Vol. 1 (The Rudy Van Gelder Edition) (Rudy Van Gelder Edition)

At The Golden Circle Vol. 1 (The Rudy Van Gelder Edition) (Rudy Van Gelder Edition)

Ornette Coleman Trio

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Langue disponible : anglais

Ornette Coleman's 1965 trio with bassist David Izenzon and drummer Charles Moffett is easily the most underrated of all his bands. Coming off the light of the famed quartet in which Don Cherry, Eddie Blackwell, and Charlie Haden shone, anything might have looked a bit dimmer, it's true. But this band certainly had no apologies to make. Coleman was deep into creating a new approach to melody, since Haden and Cherry had honed his harmonic sensibilities. Izenzon proved to be the right bassist for Coleman to realize his ambitions. A stunning arco as well as pizzicato player (check his solo in "Dawn") Izenzon offered Coleman the perfect foil. No matter where Coleman's soloing moved the band, Izenzon was there at exactly the same time with an uncanny sense of counterpoint, and he often changed the harmonic mode by force. The first of these two volumes from December 3 shows Coleman in a playful, mischievous frame of mind, toying with the trio ads well as the audience on "Faces and Places" by inserting standard bop phrases and song quotes into the heart of his free soloing. On "Dee Dee," Coleman moves along to rhythmic counterpoint by Moffett, pushing Izenzon into the unlikely role of beat-keeper -- not simple for such an amazing improviser. But it's on the closer, "Dawn," that the band gels as one inseparable, ethereal unit, cascading through scalar invention and chromatic interplay as if it were second nature.

© Thom Jurek /TiVo

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At The Golden Circle Vol. 1 (The Rudy Van Gelder Edition) (Rudy Van Gelder Edition)

Ornette Coleman

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1
Announcement (Live At The Golden Circle, Stockholm/1965 / Remastered 1999/Rudy Van Gelder Edition)
00:01:09

Rudy Van Gelder, Engineer, StudioPersonnel - Francis Wolff, Producer - Ornette Coleman, Alto Saxophone, AssociatedPerformer - Not Applicable, ComposerLyricist - Rune Andreasson, Recording Engineer, StudioPersonnel - Charles Moffett, Drums, AssociatedPerformer - David Izenzon, Bass, AssociatedPerformer - The Ornette Coleman Trio, MainArtist

(C) 2001 Blue Note Records ℗ 1999 Blue Note Records

2
Faces And Places (Live At The Golden Circle, Stockholm/1965 / Remastered 1999/Rudy Van Gelder Edition)
00:11:37

Rudy Van Gelder, Engineer, StudioPersonnel - Francis Wolff, Producer - Ornette Coleman, Composer, Alto Saxophone, AssociatedPerformer - Rune Andreasson, Recording Engineer, StudioPersonnel - Charles Moffett, Drums, AssociatedPerformer - David Izenzon, Bass, AssociatedPerformer - The Ornette Coleman Trio, MainArtist

(C) 2001 Blue Note Records ℗ 1999 Blue Note Records

3
European Echoes (Live At The Golden Circle, Stockholm/1965 / Remastered 1999/Rudy Van Gelder Edition)
00:07:53

Rudy Van Gelder, Engineer, StudioPersonnel - Francis Wolff, Producer - Ornette Coleman, Alto Saxophone, AssociatedPerformer, ComposerLyricist - Rune Andreasson, Recording Engineer, StudioPersonnel - Charles Moffett, Drums, AssociatedPerformer - David Izenzon, Bass, AssociatedPerformer - The Ornette Coleman Trio, MainArtist

(C) 2001 Blue Note Records ℗ 1999 Blue Note Records

4
Dee Dee (Live At The Golden Circle, Stockholm/1965 / Remastered 1999/Rudy Van Gelder Edition)
00:10:38

Rudy Van Gelder, Engineer, Mastering Engineer, StudioPersonnel - Francis Wolff, Producer - Ornette Coleman, Composer, Alto Saxophone, AssociatedPerformer - Rune Andreasson, Recording Engineer, StudioPersonnel - Charles Moffett, Drums, AssociatedPerformer - David Izenzon, Bass, AssociatedPerformer - The Ornette Coleman Trio, MainArtist

(C) 2001 Blue Note Records ℗ 1999 Blue Note Records

5
Dawn (Live At The Golden Circle, Stockholm/1965 / Remastered 1999/Rudy Van Gelder Edition)
00:08:07

Rudy Van Gelder, Engineer, StudioPersonnel - Francis Wolff, Producer - Ornette Coleman, Composer, Alto Saxophone, AssociatedPerformer - Rune Andreasson, Recording Engineer, StudioPersonnel - Charles Moffett, Drums, AssociatedPerformer - David Izenzon, Bass, AssociatedPerformer - The Ornette Coleman Trio, MainArtist

(C) 2001 Blue Note Records ℗ 1999 Blue Note Records

6
Faces And Places (Live At The Golden Circle, Stockholm/1965 / Alternate Take / Remastered 2001/Rudy Van Gelder Edition)
00:08:32

Francis Wolff, Producer - Ornette Coleman, Composer - Rune Andreasson, Recording Engineer, StudioPersonnel - The Ornette Coleman Trio, MainArtist

(C) 2001 Blue Note Records ℗ 2001 Blue Note Records

7
European Echoes (Live At The Golden Circle, Stockholm/1965 / Alternate Take / Remastered 2001/Rudy Van Gelder Edition)
00:14:13

Francis Wolff, Producer - Ornette Coleman, Composer - Rune Andreasson, Recording Engineer, StudioPersonnel - The Ornette Coleman Trio, MainArtist

(C) 2001 Blue Note Records ℗ 2001 Blue Note Records

8
Doughnut (Live At The Golden Circle, Stockholm/1965 / Remastered 2001/Rudy Van Gelder Edition)
00:13:30

Rudy Van Gelder, Engineer, StudioPersonnel - Francis Wolff, Producer - Ornette Coleman, Composer, Alto Saxophone, AssociatedPerformer - Rune Andreasson, Recording Engineer, StudioPersonnel - Charles Moffett, Drums, AssociatedPerformer - David Izenzon, Bass, AssociatedPerformer - The Ornette Coleman Trio, MainArtist

(C) 2001 Blue Note Records ℗ 2001 Blue Note Records

Chronique

Ornette Coleman's 1965 trio with bassist David Izenzon and drummer Charles Moffett is easily the most underrated of all his bands. Coming off the light of the famed quartet in which Don Cherry, Eddie Blackwell, and Charlie Haden shone, anything might have looked a bit dimmer, it's true. But this band certainly had no apologies to make. Coleman was deep into creating a new approach to melody, since Haden and Cherry had honed his harmonic sensibilities. Izenzon proved to be the right bassist for Coleman to realize his ambitions. A stunning arco as well as pizzicato player (check his solo in "Dawn") Izenzon offered Coleman the perfect foil. No matter where Coleman's soloing moved the band, Izenzon was there at exactly the same time with an uncanny sense of counterpoint, and he often changed the harmonic mode by force. The first of these two volumes from December 3 shows Coleman in a playful, mischievous frame of mind, toying with the trio ads well as the audience on "Faces and Places" by inserting standard bop phrases and song quotes into the heart of his free soloing. On "Dee Dee," Coleman moves along to rhythmic counterpoint by Moffett, pushing Izenzon into the unlikely role of beat-keeper -- not simple for such an amazing improviser. But it's on the closer, "Dawn," that the band gels as one inseparable, ethereal unit, cascading through scalar invention and chromatic interplay as if it were second nature.

© Thom Jurek /TiVo

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