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Mutabaruka|Any Which Way...Freedom

Any Which Way...Freedom

Mutabaruka

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16-Bit/44.1 kHz Stereo

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The polemics, the clever wordplay, and the surprise twists are all expected by now, and listeners' preconceptions are set in stone. So, on "Would U," Mutabaruka queries listeners directly about their expectations, their reactions to his words, and what it is they truly want from him. This unaccompanied poem ends with the provocative line, "Would you accuse me of causing a riot if I was quiet? Would you?" It's a rhetorical question, as Mutabaruka is as incapable of silence as listeners are of ignoring his words. And Any Which Way...Freedom includes some of his most rousing. The album is filled with heavy hitters -- the revolutionary title track, "H2 Worka"'s paean to the oppressed, and the searing "Drug Kulcha" included. One of the most ferocious is "Letter From a Friend," actually a faux politician's speech to his constituents, drenched in irony. For sheer beauty of wordplay, "Skins" rates among his most eloquent, a revelation of cadence and rhyme. An aggregation of superb session men again provide the sumptuous musical backdrops. The music itself is often a counterpoint to the poet's words, as on "Revenge," where the casual calypso-fied pop is oblivious to the artist's pain and bitterness. Elsewhere, the arrangements add further impetus to Mutabaruka's own performance. And while the music has a lovely looseness to the rhythms and melodies, it all wraps itself tightly around the vocals, as responsive as the artist. A wonderful melding of sound and fury.
© Jo-Ann Greene /TiVo

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Any Which Way...Freedom

Mutabaruka

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1
Any Which Way...Freedom
00:03:36

Mutabaruka, Writer, MainArtist

© 1989 Shanachie ℗ 1989 Shanachie

2
Revenge
00:04:04

Mutabaruka, Writer, MainArtist

© 1989 Shanachie ℗ 1989 Shanachie

3
H2 Worka (For The Farm Workers Of Jamaica)
00:03:46

Mutabaruka, Writer, MainArtist

© 1989 Shanachie ℗ 1989 Shanachie

4
Revolt Ain't A Revolution (For The People Of Haiti)
00:03:17

Mutabaruka, Writer, MainArtist

© 1989 Shanachie ℗ 1989 Shanachie

5
Skins
00:02:37

Mutabaruka, Writer, MainArtist

© 1989 Shanachie ℗ 1989 Shanachie

6
Letter From A Friend
00:01:52

Mutabaruka, Writer, MainArtist

© 1989 Shanachie ℗ 1989 Shanachie

7
Drug Kulcha (5 Years After) (Remixed)
00:03:14

Mutabaruka, Writer, MainArtist

© 1989 Shanachie ℗ 1989 Shanachie

8
Big Mountain (For The Indians On Turtle Island)
00:02:39

Mutabaruka, Writer, MainArtist

© 1989 Shanachie ℗ 1989 Shanachie

9
Thievin Legacy
00:02:55

Mutabaruka, Writer, MainArtist

© 1989 Shanachie ℗ 1989 Shanachie

10
Hard To Get
00:03:33

Mutabaruka, Writer, MainArtist

© 1989 Shanachie ℗ 1989 Shanachie

11
God Is A Schizophrenic
00:02:55

Mutabaruka, Writer, MainArtist

© 1989 Shanachie ℗ 1989 Shanachie

12
Would U
00:02:11

Mutabaruka, Writer, MainArtist

© 1989 Shanachie ℗ 1989 Shanachie

Chronique

The polemics, the clever wordplay, and the surprise twists are all expected by now, and listeners' preconceptions are set in stone. So, on "Would U," Mutabaruka queries listeners directly about their expectations, their reactions to his words, and what it is they truly want from him. This unaccompanied poem ends with the provocative line, "Would you accuse me of causing a riot if I was quiet? Would you?" It's a rhetorical question, as Mutabaruka is as incapable of silence as listeners are of ignoring his words. And Any Which Way...Freedom includes some of his most rousing. The album is filled with heavy hitters -- the revolutionary title track, "H2 Worka"'s paean to the oppressed, and the searing "Drug Kulcha" included. One of the most ferocious is "Letter From a Friend," actually a faux politician's speech to his constituents, drenched in irony. For sheer beauty of wordplay, "Skins" rates among his most eloquent, a revelation of cadence and rhyme. An aggregation of superb session men again provide the sumptuous musical backdrops. The music itself is often a counterpoint to the poet's words, as on "Revenge," where the casual calypso-fied pop is oblivious to the artist's pain and bitterness. Elsewhere, the arrangements add further impetus to Mutabaruka's own performance. And while the music has a lovely looseness to the rhythms and melodies, it all wraps itself tightly around the vocals, as responsive as the artist. A wonderful melding of sound and fury.
© Jo-Ann Greene /TiVo

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