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Fastway|All Fired Up

All Fired Up

Fastway

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Langue disponible : anglais

Though not as raw and aggressive a set of rock songs like their debut, Fastway, All Fired Up nonetheless churns nearly a dozen middle-of-the-road rockers. Historically, Fastway was a second-rate act, hardly the sum of their parts. On one hand, the band's moniker derives clearly and obviously from guitarist "Fast" Eddie Clarke, Motörhead's second -- Larry Wallis of the Pink Faries was the first -- and most well-remembered, guitar player. And drummer Jerry Shirley formerly played with Humble Pie. Sure, Fastway probably borrows the melodic, soulful rock of the latter, while beefing up and stripping down with a touch of Motörhead. But the most salient influences, which were even more obvious on the first album -- too much so, in fact -- are Ted Nugent and Led Zeppelin. Vocalist David King certainly sings an awful lot like Plant, but that was the template of the day adhered to by many. But with songs like "Station," which reads like "Custard Pie," even Shirley -- an excellent drummer in his own right -- is borrowing Bonham's heavyweight percussive economy and style. Overall, it's a good album, a few tiers up from bar rock. Not cutting new ground any more than, say, Kix, but satisfying nonetheless as no-nonsense, good-times, blues-based rock & roll.

© Patrick Kennedy /TiVo

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All Fired Up

Fastway

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1
All Fired Up
00:02:43

Eddie Kramer, Arranger - E. Clark, Composer - D. King, Composer - Fastway, Performer - Fastway, Arranger - J. Shirley, Composer

(P) 1984 Sony Music Entertainment (UK) Ltd.

2
Misunderstood
00:03:25

E. Clark, Composer - D. King, Composer - Fastway, Performer - J. Shirley, Composer

(P) 1984 Sony Music Entertainment (UK) Ltd.

3
Steal The Show
00:03:39

E. Clark, Composer - D. King, Composer - Fastway, Performer - J. Shirley, Composer

(P) 1984 Sony Music Entertainment (UK) Ltd.

4
Station
00:02:58

Eddie Kramer, Arranger - Fastway, Arranger - Fastway, Composer - Fastway, Performer

(P) 1984 Sony Music Entertainment (UK) Ltd.

5
Non Stop Love
00:03:55

E. Clark, Composer - D. King, Composer - Fastway, Performer - J. Shirley, Composer

(P) 1984 Sony Music Entertainment (UK) Ltd.

6
Hurtin' Me
00:04:33

E. Clark, Composer - D. King, Composer - Fastway, Performer - J. Shirley, Composer

(P) 1984 Sony Music Entertainment (UK) Ltd.

7
Tell Me
00:03:51

Eddie Clarke, Composer - Eddie Clarke, Writer - Dave King, Writer - Dave King, Composer - Jerry Shirley, Writer - Jerry Shirley, Composer - Fastway, Performer

(P) 1984 Sony Music Entertainment (UK) Ltd.

8
Hung Up On Love
00:03:29

E. Clark, Composer - D. King, Composer - Fastway, Performer - J. Shirley, Composer

(P) 1984 Sony Music Entertainment (UK) Ltd.

9
The Stranger
00:04:14

E. Clark, Composer - D. King, Composer - Fastway, Performer - J. Shirley, Composer

(P) 1984 Sony Music Entertainment (UK) Ltd.

10
Telephone
00:04:21

E. Clark, Composer - D. King, Composer - Fastway, Performer - J. Shirley, Composer

(P) 1984 Sony Music Entertainment (UK) Ltd.

11
If You Could See
00:04:36

Eddie Kramer, Producer - E. Clark, Composer - DEVITO, A&R Coordinator - D. King, Composer - Vlado Meller, Mastering Engineer - Fastway, Performer - J. Shirley, Composer

(P) 1984 Sony Music Entertainment (UK) Ltd.

Chronique

Though not as raw and aggressive a set of rock songs like their debut, Fastway, All Fired Up nonetheless churns nearly a dozen middle-of-the-road rockers. Historically, Fastway was a second-rate act, hardly the sum of their parts. On one hand, the band's moniker derives clearly and obviously from guitarist "Fast" Eddie Clarke, Motörhead's second -- Larry Wallis of the Pink Faries was the first -- and most well-remembered, guitar player. And drummer Jerry Shirley formerly played with Humble Pie. Sure, Fastway probably borrows the melodic, soulful rock of the latter, while beefing up and stripping down with a touch of Motörhead. But the most salient influences, which were even more obvious on the first album -- too much so, in fact -- are Ted Nugent and Led Zeppelin. Vocalist David King certainly sings an awful lot like Plant, but that was the template of the day adhered to by many. But with songs like "Station," which reads like "Custard Pie," even Shirley -- an excellent drummer in his own right -- is borrowing Bonham's heavyweight percussive economy and style. Overall, it's a good album, a few tiers up from bar rock. Not cutting new ground any more than, say, Kix, but satisfying nonetheless as no-nonsense, good-times, blues-based rock & roll.

© Patrick Kennedy /TiVo

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