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Benny Carter|Additions To Further Definitions

Additions To Further Definitions

Benny Carter

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This LP is a reprise of Benny Carter's brilliant Further Definitions session of 1961 and, like most sequels, it is not quite on the same level as the original. Utilizing five saxes (Bud Shank and his own altos, tenors Buddy Collette and Teddy Edwards and baritonist Bill Hood), Carter's arrangements for six of his originals, "Fantastic, That's You" and "If Dreams Come True" are colorful, although the solos are less memorable than on the earlier session; who could replace Coleman Hawkins? But, evaluated by itself, this date (Carter's only small-group album from 1963-75) has enough enjoyable moments to be recommended.

© Scott Yanow /TiVo

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Additions To Further Definitions

Benny Carter

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1
Fantastic, That's You (Album Version)
00:06:11

Mort Greene, ComposerLyricist - Barney Kessel, Guitar, AssociatedPerformer - RAY BROWN, Bass, AssociatedPerformer - Bud Shank, Alto Saxophone, AssociatedPerformer - Benny Carter, Alto Saxophone, MainArtist, AssociatedPerformer - George Douglas, Producer, ComposerLyricist - Bob Thiele, Producer - Buddy Collette, Tenor Saxophone, AssociatedPerformer - Alvin Stoller, Drums, AssociatedPerformer - Bill Hood, Baritone Saxophone, AssociatedPerformer - Teddy Edwards, Tenor Saxophone, AssociatedPerformer - George Cates, Producer, ComposerLyricist - Don Abney, Piano, AssociatedPerformer

℗ 1966 UMG Recordings, Inc.

2
Come On Back
00:04:13

Barney Kessel, Guitar, AssociatedPerformer - RAY BROWN, Bass, AssociatedPerformer - Bud Shank, Alto Saxophone, AssociatedPerformer - Benny Carter, Composer, Alto Saxophone, MainArtist, AssociatedPerformer - George Douglas, Producer - Bob Thiele, Producer - Buddy Collette, Tenor Saxophone, AssociatedPerformer - Alvin Stoller, Drums, AssociatedPerformer - Bill Hood, Baritone Saxophone, AssociatedPerformer - Teddy Edwards, Tenor Saxophone, AssociatedPerformer - George Cates, Producer - Don Abney, Piano, AssociatedPerformer

℗ 1966 UMG Recordings, Inc.

3
We Were In Love (Album Version)
00:04:26

Mundell Lowe, Guitar, AssociatedPerformer - Bill Perkins, Tenor Saxophone, AssociatedPerformer - Bud Shank, Alto Saxophone, AssociatedPerformer - Benny Carter, Composer, Alto Saxophone, MainArtist, AssociatedPerformer - George Douglas, Producer - Bob Thiele, Producer - Alvin Stoller, Drums, AssociatedPerformer - Al McKibbon, Bass, AssociatedPerformer - Bill Hood, Baritone Saxophone, AssociatedPerformer - Teddy Edwards, Tenor Saxophone, AssociatedPerformer - George Cates, Producer - Don Abney, Piano, AssociatedPerformer

℗ 1966 UMG Recordings, Inc.

4
If Dreams Come True
00:05:48

Barney Kessel, Guitar, AssociatedPerformer - RAY BROWN, Bass, AssociatedPerformer - Bud Shank, Alto Saxophone, AssociatedPerformer - Irving Mills, Author - Benny Goodman, Composer - Edgar Sampson, Composer - Benny Carter, Alto Saxophone, MainArtist, AssociatedPerformer - George Douglas, Producer - Bob Thiele, Producer - Buddy Collette, Tenor Saxophone, AssociatedPerformer - Alvin Stoller, Drums, AssociatedPerformer - Bill Hood, Baritone Saxophone, AssociatedPerformer - Teddy Edwards, Tenor Saxophone, AssociatedPerformer - George Cates, Producer - Don Abney, Piano, AssociatedPerformer

℗ 1966 UMG Recordings, Inc.

5
Prohibido (Album Version)
00:03:20

Barney Kessel, Guitar, AssociatedPerformer - RAY BROWN, Bass, AssociatedPerformer - Bud Shank, Alto Saxophone, AssociatedPerformer - Benny Carter, Composer, Alto Saxophone, MainArtist, AssociatedPerformer - George Douglas, Producer - Bob Thiele, Producer - Buddy Collette, Tenor Saxophone, AssociatedPerformer - Alvin Stoller, Drums, AssociatedPerformer - Bill Hood, Baritone Saxophone, AssociatedPerformer - Teddy Edwards, Tenor Saxophone, AssociatedPerformer - George Cates, Producer - Don Abney, Piano, AssociatedPerformer

℗ 1966 UMG Recordings, Inc.

6
Doozy (1966 Album Version)
00:05:31

Mundell Lowe, Guitar, AssociatedPerformer - Bill Perkins, Tenor Saxophone, AssociatedPerformer - Bud Shank, Alto Saxophone, AssociatedPerformer - Benny Carter, Composer, Alto Saxophone, MainArtist, AssociatedPerformer - George Douglas, Producer - Bob Thiele, Producer - Alvin Stoller, Drums, AssociatedPerformer - Al McKibbon, Bass, AssociatedPerformer - Bill Hood, Baritone Saxophone, AssociatedPerformer - Teddy Edwards, Tenor Saxophone, AssociatedPerformer - George Cates, Producer - Don Abney, Piano, AssociatedPerformer

℗ 1966 UMG Recordings, Inc.

7
Rock Bottom (Album Version)
00:04:13

Mundell Lowe, Guitar, AssociatedPerformer - Bill Perkins, Tenor Saxophone, AssociatedPerformer - Bud Shank, Alto Saxophone, AssociatedPerformer - Benny Carter, Composer, Alto Saxophone, MainArtist, AssociatedPerformer - George Douglas, Producer - Bob Thiele, Producer - Perry Carlton Buie, ComposerLyricist - Alvin Stoller, Drums, AssociatedPerformer - Al McKibbon, Bass, AssociatedPerformer - Bill Hood, Baritone Saxophone, AssociatedPerformer - Teddy Edwards, Tenor Saxophone, AssociatedPerformer - George Cates, Producer - James R. Cobb, ComposerLyricist - Don Abney, Piano, AssociatedPerformer

℗ 1966 UMG Recordings, Inc.

8
Titmouse (Album Version)
00:03:00

Mundell Lowe, Guitar, AssociatedPerformer - Bill Perkins, Tenor Saxophone, AssociatedPerformer - Bud Shank, Alto Saxophone, AssociatedPerformer - Benny Carter, Composer, Alto Saxophone, MainArtist, AssociatedPerformer - George Douglas, Producer - Bob Thiele, Producer - Alvin Stoller, Drums, AssociatedPerformer - Al McKibbon, Bass, AssociatedPerformer - Bill Hood, Baritone Saxophone, AssociatedPerformer - Teddy Edwards, Tenor Saxophone, AssociatedPerformer - George Cates, Producer - Don Abney, Piano, AssociatedPerformer

℗ 1966 UMG Recordings, Inc.

Chronique

This LP is a reprise of Benny Carter's brilliant Further Definitions session of 1961 and, like most sequels, it is not quite on the same level as the original. Utilizing five saxes (Bud Shank and his own altos, tenors Buddy Collette and Teddy Edwards and baritonist Bill Hood), Carter's arrangements for six of his originals, "Fantastic, That's You" and "If Dreams Come True" are colorful, although the solos are less memorable than on the earlier session; who could replace Coleman Hawkins? But, evaluated by itself, this date (Carter's only small-group album from 1963-75) has enough enjoyable moments to be recommended.

© Scott Yanow /TiVo

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