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Art Blakey|Orgy In Rhythm

Orgy In Rhythm

Art Blakey

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Lingua disponibile: inglese

Orgy in Rhythm, Vols. 1-2 was one of the first percussion-oriented jazz records, although it was preceded two weeks earlier by Art Blakey's obscure Columbia set Drum Suite. For the Blue Note date, released as two LPs, Blakey enlisted quite a lineup -- the leader, Art Taylor, Jo Jones, and Specs Wright on drums (with the latter two doubling on timpani); five percussionists; flutist Herbie Mann; pianist Ray Bryant; and bassist Wendell Marshall. Mann plays a variety of African wood flutes, except on the final number, a conventional blues featuring his regular flute. With percussionist Sabu leading the chanting and taking three vocals (Blakey himself sings a little on "Toffi"), the music is quite African-oriented and generally holds one's interest, preceding Max Roach's M'Boom by over 20 years. Mostly for specialized tastes, this is a set that drummers should consider essential.

© Scott Yanow /TiVo

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Orgy In Rhythm

Art Blakey

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1
Buhaina Chant
Art Blakey & The Jazz Messengers
00:10:30

Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Alfred Lion, Producer - Art Blakey, Composer, Drums, AssociatedPerformer - Art Blakey & The Jazz Messengers, MainArtist - Sabu, Percussion, Vocals, AssociatedPerformer

(C) 1997 Blue Note Records ℗ 1957 Blue Note Records

2
Ya Ya
Art Blakey
00:07:06

Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Alfred Lion, Producer - Art Blakey, Composer, Drums, MainArtist, AssociatedPerformer

(C) 1997 Blue Note Records ℗ 1957 Blue Note Records

3
Toffi
Art Blakey
00:12:20

Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Alfred Lion, Producer - Art Blakey, Composer, Drums, Vocals, MainArtist, AssociatedPerformer

(C) 1997 Blue Note Records ℗ 1957 Blue Note Records

4
Split Skins
Art Blakey
00:08:58

Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Alfred Lion, Producer - Art Blakey, Composer, Drums, MainArtist, AssociatedPerformer

(C) 1997 Blue Note Records ℗ 1957 Blue Note Records

5
Amuck
Art Blakey
00:06:49

Rudy Van Gelder, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Art Blakey, Composer, Drums, MainArtist, AssociatedPerformer

(C) 1997 Blue Note Records ℗ 1957 Blue Note Records

6
Elephant Walk
Art Blakey
00:06:56

Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Alfred Lion, Producer - Art Blakey, Composer, Drums, MainArtist, AssociatedPerformer - Sabu, Percussion, Vocals, AssociatedPerformer

(C) 1997 Blue Note Records ℗ 1957 Blue Note Records

7
Come Out And Meet Me Tonight
Art Blakey
00:05:43

Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Alfred Lion, Producer - Art Blakey, Composer, Drums, MainArtist, AssociatedPerformer - Sabu, Percussion, Vocals, AssociatedPerformer

(C) 1997 Blue Note Records ℗ 1957 Blue Note Records

8
Abdallah's Delight
Art Blakey
00:09:47

Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Alfred Lion, Producer - Art Blakey, Composer, Drums, MainArtist, AssociatedPerformer

(C) 1997 Blue Note Records ℗ 1957 Blue Note Records

Approfondimenti

Orgy in Rhythm, Vols. 1-2 was one of the first percussion-oriented jazz records, although it was preceded two weeks earlier by Art Blakey's obscure Columbia set Drum Suite. For the Blue Note date, released as two LPs, Blakey enlisted quite a lineup -- the leader, Art Taylor, Jo Jones, and Specs Wright on drums (with the latter two doubling on timpani); five percussionists; flutist Herbie Mann; pianist Ray Bryant; and bassist Wendell Marshall. Mann plays a variety of African wood flutes, except on the final number, a conventional blues featuring his regular flute. With percussionist Sabu leading the chanting and taking three vocals (Blakey himself sings a little on "Toffi"), the music is quite African-oriented and generally holds one's interest, preceding Max Roach's M'Boom by over 20 years. Mostly for specialized tastes, this is a set that drummers should consider essential.

© Scott Yanow /TiVo

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