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Fabio Mechetti|Nepomuceno : Symphony in G Minor, O Garatuja Prelude, Série brasileira

Nepomuceno : Symphony in G Minor, O Garatuja Prelude, Série brasileira

Minas Gerais Philharmonic Orchestra - Fabio Mechetti

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This release is the first in a new series from Naxos covering Brazilian music. This has a long tradition that tends to be neglected even in Brazil, so the series is most welcome, and this group of works by Alberto Nepomuceno (1864-1920), known mostly as the teacher of Heitor Villa-Lobos, gets things off to a good start. Nepomuceno's claim to fame is that he was the first to introduce Brazilian national elements into concert music, although a few early piano pieces of Ernesto Nazareth might also qualify. The Symphony in G minor heard here has no national elements at all and is strongly (and competently) derivative of Brahms. The Brazilian sounds are heard in the Série Brasileira (Brazilian Suite), with hints of the maxixe dance and a batuque finale that does not quite rise to the "feverish" level promised in the album graphics. The strongest point is the slow movement "Sesta na rode," or "Nap in a Hammock," entirely evocative of its subject with its static non-tonic chords. Best of all is the opening Prelude to O Garatuja, an unfinished opera; this sparkling comic overture offers a Brazilian counterpart to Nielsen's Maskarade. It gets a lively performance from the Minas Gerais Philharmonic Orchestra under Brazilian conductor Fabio Mechetti, and it could be added profitably to absolutely any orchestral concert. Recommended.

© TiVo

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Nepomuceno : Symphony in G Minor, O Garatuja Prelude, Série brasileira

Fabio Mechetti

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O Garatuja (Alberto Nepomuceno)

1
Prelude, SN 6.14
Minas Gerais Philharmonic Orchestra
00:09:16

Minas Gerais Philharmonic Orchestra - Fabio Mechetti, Conductor - Alberto Nepomuceno, Composer

(C) 2019 Naxos (P) 2019 Naxos

Serie brasileira (Alberto Nepomuceno)

2
I. Alvorada na serra
Minas Gerais Philharmonic Orchestra
00:10:10

Minas Gerais Philharmonic Orchestra - Fabio Mechetti, Conductor - Alberto Nepomuceno, Composer

(C) 2019 Naxos (P) 2019 Naxos

3
II. Intermédio
Minas Gerais Philharmonic Orchestra
00:06:17

Minas Gerais Philharmonic Orchestra - Fabio Mechetti, Conductor - Alberto Nepomuceno, Composer

(C) 2019 Naxos (P) 2019 Naxos

4
III. Sesta na rede
Minas Gerais Philharmonic Orchestra
00:05:00

Minas Gerais Philharmonic Orchestra - Fabio Mechetti, Conductor - Alberto Nepomuceno, Composer

(C) 2019 Naxos (P) 2019 Naxos

5
IV. Batuque
Minas Gerais Philharmonic Orchestra
00:03:44

Minas Gerais Philharmonic Orchestra - Fabio Mechetti, Conductor - Alberto Nepomuceno, Composer

(C) 2019 Naxos (P) 2019 Naxos

Symphony in G Minor, SN 6.11 (Alberto Nepomuceno)

6
I. Allegro con enthusiasmo
Minas Gerais Philharmonic Orchestra
00:10:14

Minas Gerais Philharmonic Orchestra - Fabio Mechetti, Conductor - Alberto Nepomuceno, Composer

(C) 2019 Naxos (P) 2019 Naxos

7
II. Andante quasi adagio
Minas Gerais Philharmonic Orchestra
00:08:31

Minas Gerais Philharmonic Orchestra - Fabio Mechetti, Conductor - Alberto Nepomuceno, Composer

(C) 2019 Naxos (P) 2019 Naxos

8
III. Scherzo - Intermezzo - Scherzo
Minas Gerais Philharmonic Orchestra
00:06:58

Minas Gerais Philharmonic Orchestra - Fabio Mechetti, Conductor - Alberto Nepomuceno, Composer

(C) 2019 Naxos (P) 2019 Naxos

9
IV. Con fuoco
Minas Gerais Philharmonic Orchestra
00:08:12

Minas Gerais Philharmonic Orchestra - Fabio Mechetti, Conductor - Alberto Nepomuceno, Composer

(C) 2019 Naxos (P) 2019 Naxos

Approfondimenti

This release is the first in a new series from Naxos covering Brazilian music. This has a long tradition that tends to be neglected even in Brazil, so the series is most welcome, and this group of works by Alberto Nepomuceno (1864-1920), known mostly as the teacher of Heitor Villa-Lobos, gets things off to a good start. Nepomuceno's claim to fame is that he was the first to introduce Brazilian national elements into concert music, although a few early piano pieces of Ernesto Nazareth might also qualify. The Symphony in G minor heard here has no national elements at all and is strongly (and competently) derivative of Brahms. The Brazilian sounds are heard in the Série Brasileira (Brazilian Suite), with hints of the maxixe dance and a batuque finale that does not quite rise to the "feverish" level promised in the album graphics. The strongest point is the slow movement "Sesta na rode," or "Nap in a Hammock," entirely evocative of its subject with its static non-tonic chords. Best of all is the opening Prelude to O Garatuja, an unfinished opera; this sparkling comic overture offers a Brazilian counterpart to Nielsen's Maskarade. It gets a lively performance from the Minas Gerais Philharmonic Orchestra under Brazilian conductor Fabio Mechetti, and it could be added profitably to absolutely any orchestral concert. Recommended.

© TiVo

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