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Johannes Moser - Lutosławski & Dutilleux : Cello Concertos

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Lutosławski & Dutilleux : Cello Concertos

Johannes Moser, Rundfunk-Sinfonieorchester Berlin, Thomas Søndergård

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Lutosławski's Cello Concerto and Dutilleux’s Tout un monde lointain (also a cello concerto) are linked by their unique destinies. Both were led by Rostropovitch; both were started in 1967 and both were created by the patron in 1970. Both were performed "in the West": one in London, the other in Aix-en-Provence; and that's when things started to unravel for Rostropovich, who fell out of favour with Brezhnev's regime in the USSR. When the soloist left the USSR for good in 1974, Lutosławski's Concerto suffered the same fate in the East and was hardly played there for a long time. While the two works are perfectly contemporary, and the two composers as well, the difference between them couldn't be greater. Whilst Lutosławski's Concerto seems to describe chaos, with a soloist part that resembles a Don Quixote battling against an orchestra, Tout un monde lointain bathes in a fantastical light, where the cello is primus inter pares with the orchestra. Two visions, both so different, defended here with the same ardour by cellist Johannes Moser, who has worked on them and played them many times over, and his experience has produced a recording where every inflection is carefully chosen. © SM/Qobuz

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Lutosławski & Dutilleux : Cello Concertos

Johannes Moser

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Cello Concerto (Witold Lutosławski)

1
I. Introduction
00:05:36

Thomas Søndergård, Conductor - Rundfunk-Sinfonieorchester Berlin, Orchestra - Johannes Moser, Artist, MainArtist - Witold Lutosławski, Composer

(C) 2018 PENTATONE (P) 2018 PENTATONE

2
II. 4 Episodes
00:07:14

Thomas Søndergård, Conductor - Rundfunk-Sinfonieorchester Berlin, Orchestra - Johannes Moser, Artist, MainArtist - Witold Lutosławski, Composer

(C) 2018 PENTATONE (P) 2018 PENTATONE

3
III. Cantilena
00:05:39

Thomas Søndergård, Conductor - Rundfunk-Sinfonieorchester Berlin, Orchestra - Johannes Moser, Artist, MainArtist - Witold Lutosławski, Composer

(C) 2018 PENTATONE (P) 2018 PENTATONE

4
IV. Finale
00:06:38

Thomas Søndergård, Conductor - Rundfunk-Sinfonieorchester Berlin, Orchestra - Johannes Moser, Artist, MainArtist - Witold Lutosławski, Composer

(C) 2018 PENTATONE (P) 2018 PENTATONE

Cello Concerto "Tout un monde lointain" (Henri Dutilleux)

5
I. Énigme. Très libre et flexible
00:07:02

Henri Dutilleux, Composer - Thomas Søndergård, Conductor - Rundfunk-Sinfonieorchester Berlin, Orchestra - Johannes Moser, Artist, MainArtist

(C) 2018 PENTATONE (P) 2018 PENTATONE

6
II. Regard. Extrêmement calme
00:06:56

Henri Dutilleux, Composer - Thomas Søndergård, Conductor - Rundfunk-Sinfonieorchester Berlin, Orchestra - Johannes Moser, Artist, MainArtist

(C) 2018 PENTATONE (P) 2018 PENTATONE

7
III. Houles. Large et ample
00:04:27

Henri Dutilleux, Composer - Thomas Søndergård, Conductor - Rundfunk-Sinfonieorchester Berlin, Orchestra - Johannes Moser, Artist, MainArtist

(C) 2018 PENTATONE (P) 2018 PENTATONE

8
IV. Miroirs. Lent et extatique
00:05:22

Henri Dutilleux, Composer - Thomas Søndergård, Conductor - Rundfunk-Sinfonieorchester Berlin, Orchestra - Johannes Moser, Artist, MainArtist

(C) 2018 PENTATONE (P) 2018 PENTATONE

9
V. Hymne. Allegro
00:04:53

Henri Dutilleux, Composer - Thomas Søndergård, Conductor - Rundfunk-Sinfonieorchester Berlin, Orchestra - Johannes Moser, Artist, MainArtist

(C) 2018 PENTATONE (P) 2018 PENTATONE

Descrizione dell'album

Lutosławski's Cello Concerto and Dutilleux’s Tout un monde lointain (also a cello concerto) are linked by their unique destinies. Both were led by Rostropovitch; both were started in 1967 and both were created by the patron in 1970. Both were performed "in the West": one in London, the other in Aix-en-Provence; and that's when things started to unravel for Rostropovich, who fell out of favour with Brezhnev's regime in the USSR. When the soloist left the USSR for good in 1974, Lutosławski's Concerto suffered the same fate in the East and was hardly played there for a long time. While the two works are perfectly contemporary, and the two composers as well, the difference between them couldn't be greater. Whilst Lutosławski's Concerto seems to describe chaos, with a soloist part that resembles a Don Quixote battling against an orchestra, Tout un monde lointain bathes in a fantastical light, where the cello is primus inter pares with the orchestra. Two visions, both so different, defended here with the same ardour by cellist Johannes Moser, who has worked on them and played them many times over, and his experience has produced a recording where every inflection is carefully chosen. © SM/Qobuz

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