Categorie:
Carrello 0

Il tuo carrello è vuoto

Paul O'Dette - "Il divino" (La musique pour luth de Francesco da Milano)

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

"Il divino" (La musique pour luth de Francesco da Milano)

Paul O'Dette (luth)

Libretto digitale

Disponibile in
logo Hi-Res
24-Bit 88.2 kHz - Stereo

Streaming illimitato

Ascolta subito questo album in alta qualità sulle nostre app

Inizia il mio periodo di prova e riproduci l'album

Goditi questo album sulle app Qobuz con il tuo abbonamento

Resgistrati

Goditi questo album sulle app Qobuz con il tuo abbonamento

Download digitale

Seleziona la qualità audio

Per avere diritto a questo prezzo, abbonati a Sublime+

Lingua disponibile: inglese

The name of Francesco da Milano is not often heard these days, even among devotees of lute music, but in his own time he was called "Il divino," the Divine One, a title he shared only with Michelangelo. His music dates from the first half of the 16th century, when independent, fully composed lute music was coming into its own, and while it's not on the virtuoso level of the French and German lute music that would come along later, it must have seemed brilliantly controlled, with instrumental elaborations on the major vocal genres of the day. Veteran American lutenist Paul O'Dette imaginatively reconstructs Milano's accomplishment. Milano's works have come down in published groups that tell little about how they might have been organized in performance, but there is some evidence that he might have put them together into little "suites" (there were as yet no French-style dance suites) comprising a ricercar (a vocal polyphonic genre), a fantasia, and an intabulation of a French chanson. This is what O'Dette does here, and the result is a varied program that gives you an idea of what the majority of Milano's music sounded like. All the pieces are quite short, and the program has a quick, kaleidoscopic feel. O'Dette indicates that his primary selection criterion is that the works chosen are his favorites; this leaves him with some extra fantasias at the beginning, but this too works well, giving O'Dette a chance to display such chops as the music requires. Lastly, the music is recorded in a little-heralded venue, Sauder Hall at Goshen College in Indiana; as it happens, it is a superb space that delivers the intimacy lute music requires without introducing excessive extraneous noise. Francesco da Milano is not the first Renaissance or Baroque lutenist for a general collection, but this release is recommended to interested parties.

Maggiori informazioni

"Il divino" (La musique pour luth de Francesco da Milano)

Paul O'Dette

launch qobuz app Ho già scaricato Qobuz per Windows/MacOS Apri

download qobuz app Non ho ancora scaricato Qobuz per Windows/MacOS Scarica l'app Qobuz

Copia il seguente link per condividerlo

Al momento stai ascoltando degli estratti.

Ascolta oltre 50 milioni di brani con un abbonamento streaming illimitato.

Ascolta questo album e oltre 50 milioni di brani con i gli abbonamenti di streaming illimitato.

1
Fantasia (3)
00:01:23

Paul O'Dette, Primary - Francesco Canova da Milano, Composer - Paul O'Dette, Performer

2013 harmoniamundi usa harmonia mundi usa 2013

2
Fantasia (App. 31)
00:04:00

Paul O'Dette, Primary - Francesco Canova da Milano, Composer - Paul O'Dette, Performer

2013 harmoniamundi usa harmonia mundi usa 2013

3
Que voulez-vous dire de moi
00:01:25

Paul O'Dette, Primary - Paul O'Dette, Performer - Josquin Des Prez, Composer

2013 harmoniamundi usa harmonia mundi 2013

4
Tu discois que je mourroye
00:01:58

Paul O'Dette, Primary - Claudin de Sermisy, Composer - Paul O'Dette, Performer - Francesco Canova da Milano, Arranger

2013 harmoniamundi usa harmonia mundi usa 2013

5
Fantasia (64)
00:02:39

Paul O'Dette, Primary - Francesco Canova da Milano, Composer - Paul O'Dette, Performer

2013 harmoniamundi usa harmonia mundi usa 2013

6
Fantasia (16)
00:01:01

Paul O'Dette, Primary - Francesco Canova da Milano, Composer - Paul O'Dette, Performer

2013 harmoniamundi usa harmonia mundi usa 2013

7
O bone Jesu
00:02:46

Paul O'Dette, Primary - Antonio de Ribera, Composer - Paul O'Dette, Performer - Francesco Canova da Milano, Arranger

2013 harmoniamundi usa harmonia mundi usa 2013

8
Fantasia (40)
00:01:49

Paul O'Dette, Primary - Francesco Canova da Milano, Composer - Paul O'Dette, Performer

2013 harmoniamundi usa harmonia mundi usa 2013

9
Fantasia (56)
00:02:04

Paul O'Dette, Primary - Francesco Canova da Milano, Composer - Paul O'Dette, Performer

2013 harmoniamundi usa harmonia mundi usa 2013

10
Fantasia (39)
00:01:45

Paul O'Dette, Primary - Francesco Canova da Milano, Composer - Paul O'Dette, Performer

2013 harmoniamundi usa harmonia mundi usa 2013

11
Fantasia (58)
00:01:28

Paul O'Dette, Primary - Francesco Canova da Milano, Composer - Paul O'Dette, Performer - Francesco Canova da Milano, Arranger

2013 harmoniamundi usa harmonia mundi usa 2013

12
Ricercar (4)
00:00:55

Paul O'Dette, Primary - Francesco Canova da Milano, Composer - Paul O'Dette, Performer

2013 harmoniamundi usa harmonia mundi usa 2013

13
De mon triste desplaisir
00:02:04

Paul O'Dette, Primary - Jean Richafort, Composer - Paul O'Dette, Performer - Francesco Canova da Milano, Arranger

2013 harmoniamundi usa harmonia mundi usa 2013

14
Fantasia de mon triste (36)
00:02:23

Paul O'Dette, Primary - Francesco Canova da Milano, Composer - Paul O'Dette, Performer

2013 harmoniamundi usa harmonia mundi usa 2013

15
Vignon vignetta
00:01:39

Paul O'Dette, Primary - Claudin de Sermisy, Composer - Paul O'Dette, Performer

2013 harmoniamundi usa harmonia mundi usa 2013

16
Ricercar (8)
00:02:29

Paul O'Dette, Primary - Francesco Canova da Milano, Composer - Paul O'Dette, Performer

2013 harmoniamundi usa harmonia mundi usa 2013

17
Fantasia (38)
00:01:27

Paul O'Dette, Primary - Francesco Canova da Milano, Composer - Paul O'Dette, Performer - Francesco Canova da Milano, Arranger

2013 harmoniamundi usa harmonia mundi usa 2013

18
Fantasia (41)
00:00:38

Paul O'Dette, Primary - Francesco Canova da Milano, Composer - Paul O'Dette, Performer

2013 harmoniamundi usa harmonia mundi usa 2013

19
Las je my plains
00:01:40

Paul O'Dette, Primary - Claudin de Sermisy, Composer - Paul O'Dette, Performer

2013 harmoniamundi usa harmonia mundi usa 2013

20
Fantasia (20)
00:03:13

Paul O'Dette, Primary - Francesco Canova da Milano, Composer - Paul O'Dette, Performer

2013 harmoniamundi usa harmonia mundi usa 2013

21
Fantasia (21)
00:02:56

Paul O'Dette, Primary - Francesco Canova da Milano, Composer - Paul O'Dette, Performer

2013 harmoniamundi usa harmonia mundi usa 2013

22
Mon pere si ma marie
00:01:56

Paul O'Dette, Primary - Anonymous, Composer - Paul O'Dette, Performer

2013 harmoniamundi usa harmonia mundi usa 2013

23
Ricercar (51)
00:02:41

Paul O'Dette, Primary - Francesco Canova da Milano, Composer - Paul O'Dette, Performer

2013 harmoniamundi usa harmonia mundi usa 2013

24
Fantasia (30)
00:02:17

Paul O'Dette, Primary - Francesco Canova da Milano, Composer - Paul O'Dette, Performer

2013 harmoniamundi usa harmonia mundi usa 2013

25
Ricercar (5)
00:03:32

Paul O'Dette, Primary - Francesco Canova da Milano, Composer - Paul O'Dette, Performer

2013 harmoniamundi usa harmonia mundi usa 2013

26
Fantasia (28)
00:01:40

Paul O'Dette, Primary - Francesco Canova da Milano, Composer - Paul O'Dette, Performer - Francesco Canova da Milano, Arranger

2013 harmoniamundi usa harmonia mundi usa 2013

27
Fantasia (66)
00:04:06

Paul O'Dette, Primary - Francesco Canova da Milano, Composer - Paul O'Dette, Performer

2013 harmoniamundi usa harmonia mundi usa 2013

28
Reveillez moy
00:01:47

Paul O'Dette, Primary - Garnier, Composer - Paul O'Dette, Performer

2013 harmoniamundi usa harmonia mundi usa 2013

29
Ricercar (13)
00:01:39

Paul O'Dette, Primary - Francesco Canova da Milano, Composer - Paul O'Dette, Performer

2013 harmoniamundi usa harmonia mundi usa 2013

30
Fantasia (83)
00:01:47

Paul O'Dette, Primary - Francesco Canova da Milano, Composer - Paul O'Dette, Performer

2013 harmoniamundi usa harmonia mundi usa 2013

31
Pourquoy allez vous seullette
00:01:58

Paul O'Dette, Primary - Anonymous, Composer - Paul O'Dette, Performer

2013 harmoniamundi usa harmonia mundi usa 2013

32
Ricercar (10)
00:01:47

Paul O'Dette, Primary - Francesco Canova da Milano, Composer - Paul O'Dette, Performer

2013 harmoniamundi usa harmonia mundi usa 2013

33
Fantasia (63)
00:01:08

Paul O'Dette, Primary - Francesco Canova da Milano, Composer - Paul O'Dette, Performer

2013 harmoniamundi usa harmonia mundi usa 2013

34
Quand'io penso al martire
00:03:07

Paul O'Dette, Primary - Jacques Arcadelt, Composer - Paul O'Dette, Performer - Francesco Canova da Milano, Arranger

2013 harmoniamundi usa harmonia mundi usa 2013

35
Fantasia (33)
00:02:53

Paul O'Dette, Primary - Francesco Canova da Milano, Composer - Paul O'Dette, Performer

2013 harmoniamundi usa harmonia mundi usa 2013

36
Fantasia (34) "La Compagna"
00:02:50

Paul O'Dette, Primary - Francesco Canova da Milano, Composer - Paul O'Dette, Performer

2013 harmoniamundi usa harmonia mundi usa 2013

Descrizione dell'album

The name of Francesco da Milano is not often heard these days, even among devotees of lute music, but in his own time he was called "Il divino," the Divine One, a title he shared only with Michelangelo. His music dates from the first half of the 16th century, when independent, fully composed lute music was coming into its own, and while it's not on the virtuoso level of the French and German lute music that would come along later, it must have seemed brilliantly controlled, with instrumental elaborations on the major vocal genres of the day. Veteran American lutenist Paul O'Dette imaginatively reconstructs Milano's accomplishment. Milano's works have come down in published groups that tell little about how they might have been organized in performance, but there is some evidence that he might have put them together into little "suites" (there were as yet no French-style dance suites) comprising a ricercar (a vocal polyphonic genre), a fantasia, and an intabulation of a French chanson. This is what O'Dette does here, and the result is a varied program that gives you an idea of what the majority of Milano's music sounded like. All the pieces are quite short, and the program has a quick, kaleidoscopic feel. O'Dette indicates that his primary selection criterion is that the works chosen are his favorites; this leaves him with some extra fantasias at the beginning, but this too works well, giving O'Dette a chance to display such chops as the music requires. Lastly, the music is recorded in a little-heralded venue, Sauder Hall at Goshen College in Indiana; as it happens, it is a superb space that delivers the intimacy lute music requires without introducing excessive extraneous noise. Francesco da Milano is not the first Renaissance or Baroque lutenist for a general collection, but this release is recommended to interested parties.

A proposito dell'album

Distinzioni:

Migliora questa pagina

Qobuz logo Perché acquistare su Qobuz

ORA IN OFFERTA...
Altro su Qobuz
Di Paul O'Dette

Playlist

Ti potrebbe piacere anche...
Nelle Panoramiche...
Nils Frahm: il pianoforte come non lo avete mai sentito suonare

Salutato dai critici di musica classica come dagli amanti di esperimenti elettronici, il talento di Nils Frahm ha messo d’accordo tutti negli ultimi dieci anni. Che usi un organo da chiesa o un sintetizzatore dotato di pedali per effetti, il pianista tedesco guarda sempre avanti. Impossibile non restarne affascinati.

Sofia Coppola on air

Per il suo ultimo film, L’inganno, Sofia Coppola si rivolge nuovamente a Thomas Mars, cantante del gruppo francese Phoenix, un collaboratore abituale della regista. L’occasione ideale per passare in rassegna alcuni grandi momenti musicali della filmografia della figlia di Francis, e in particolare la mitica colonna sonora del Giardino delle vergini suicide, firmata dai versagliesi Air.

Il pellegrinaggio di Gardiner attraverso le cantate di Bach

John Eliot Gardiner è cresciuto sotto lo sguardo di uno dei due ritratti autentici di Johann Sebastian Bach, che i suoi genitori avevano gelosamente custodito nascondendolo nella loro fattoria nel Dorset durante la Seconda Guerra mondiale. Divenuto uno dei «papi» della musica barocca, Gardiner ha prodotto, con la sua totale devozione a Bach, un volume appassionante, Musique au château du ciel, pubblicato in francese da Flammarion (trad. it. La musica nel castello del cielo). «Come ha fatto un’opera tanto sublime a sgorgare da un uomo così ordinario e così opaco?», si legge nell’introduzione allo studio di Gardiner, pieno di tenerezza e di rara erudizione, che non è una nuova biografia del compositore tedesco, ma la summa dell’esperienza personale dell’interprete, che gli ha dettato considerazioni estetiche ed un’analisi sensibile dei fondamenti armonici, contrappuntistici e polifonici della sua produzione. Un tentativo riuscito di scoprire l’uomo attraverso la sua musica.

Nel magazine...