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The Choir of Keble College, Oxford|Valls: Missa Regalis

Valls: Missa Regalis

The Choir of Keble College, Oxford, Academy Of Ancient Music, Matthew Martin

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This AAMRecords’ latest release, with the Academy of Ancient Music joining forces with The Choir of Keble College and director Matthew Martin, is a landmark recording of Francisco Vall’s ‘forgotten’ Missa Regalis [1740]. Performed from a new edition by Simon Heighes, Valls’ fascinating (and frequently confusticating) juxtaposition of ancient and ‘modern’ compositional styles provides a intriguing glimpse into the treasure-trove of Spanish baroque music, much of which remains relatively unknown to the wider world.
The movements of the Missa Regalis are here interspersed with earlier keyboard works by both Francisco Corrêa de Arouxo and Juan Cabinilles. Director Matthew Martin writes: ‘there has been no attempt to create any particular formal liturgical sequence here, rather to place the Mass within a broader musical context using a style of keyboard writing most likely to have been familiar to Valls and his contemporaries.’ These organ pieces were recorded on the Aubertin organ in St. John’s College, Oxford and overlaid with Keble Chapel’s acoustic. © AAM

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Valls: Missa Regalis

The Choir of Keble College, Oxford

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Missa Regalis (Francisco Valls)

1
I. Kyrie
The Choir of Keble College, Oxford
00:05:14

Academy Of Ancient Music, Ensemble - The Choir of Keble College, Oxford, Choir, MainArtist - Matthew Martin, Conductor - Francisco Valls, Composer

(C) 2020 Academy of Ancient Music (P) 2020 Academy of Ancient Music

2
II. Gloria
The Choir of Keble College, Oxford
00:07:54

Academy Of Ancient Music, Ensemble - The Choir of Keble College, Oxford, Choir, MainArtist - Matthew Martin, Conductor - Francisco Valls, Composer

(C) 2020 Academy of Ancient Music (P) 2020 Academy of Ancient Music

Tiento y discurso de segundo tono, FO 2 (Francisco Correa de Arauxo)

3
Tiento y discurso de segundo tono, FO 2
Matthew Martin
00:05:56

Francisco Correa de Arauxo, Composer - Matthew Martin, Artist, MainArtist

(C) 2020 Academy of Ancient Music (P) 2020 Academy of Ancient Music

Missa Regalis (Francisco Valls)

4
III. Credo
The Choir of Keble College, Oxford
00:09:38

Academy Of Ancient Music, Ensemble - The Choir of Keble College, Oxford, Choir, MainArtist - Matthew Martin, Conductor - Francisco Valls, Composer

(C) 2020 Academy of Ancient Music (P) 2020 Academy of Ancient Music

Tiento de falsas primer tono, WSC 161 (Juan Cabanilles)

5
Tiento de falsas primer tono, WSC 161
Matthew Martin
00:02:52

Juan Cabanilles, Composer - Matthew Martin, Artist, MainArtist

(C) 2020 Academy of Ancient Music (P) 2020 Academy of Ancient Music

Missa Regalis (Francisco Valls)

6
IV. Sanctus
The Choir of Keble College, Oxford
00:01:59

Academy Of Ancient Music, Ensemble - The Choir of Keble College, Oxford, Choir, MainArtist - Matthew Martin, Conductor - Francisco Valls, Composer

(C) 2020 Academy of Ancient Music (P) 2020 Academy of Ancient Music

Tiento de medio registro de tiple setimo tono, FO 29 (Francisco Correa de Arauxo)

7
Tiento de medio registro de tiple setimo tono, FO 29
Matthew Martin
00:04:52

Francisco Correa de Arauxo, Composer - Matthew Martin, Artist, MainArtist

(C) 2020 Academy of Ancient Music (P) 2020 Academy of Ancient Music

Missa Regalis (Francisco Valls)

8
V. Agnus Dei
The Choir of Keble College, Oxford
00:02:23

Academy Of Ancient Music, Ensemble - The Choir of Keble College, Oxford, Choir, MainArtist - Matthew Martin, Conductor - Francisco Valls, Composer

(C) 2020 Academy of Ancient Music (P) 2020 Academy of Ancient Music

Approfondimenti

This AAMRecords’ latest release, with the Academy of Ancient Music joining forces with The Choir of Keble College and director Matthew Martin, is a landmark recording of Francisco Vall’s ‘forgotten’ Missa Regalis [1740]. Performed from a new edition by Simon Heighes, Valls’ fascinating (and frequently confusticating) juxtaposition of ancient and ‘modern’ compositional styles provides a intriguing glimpse into the treasure-trove of Spanish baroque music, much of which remains relatively unknown to the wider world.
The movements of the Missa Regalis are here interspersed with earlier keyboard works by both Francisco Corrêa de Arouxo and Juan Cabinilles. Director Matthew Martin writes: ‘there has been no attempt to create any particular formal liturgical sequence here, rather to place the Mass within a broader musical context using a style of keyboard writing most likely to have been familiar to Valls and his contemporaries.’ These organ pieces were recorded on the Aubertin organ in St. John’s College, Oxford and overlaid with Keble Chapel’s acoustic. © AAM

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