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Bud Powell|The Genius Of Bud Powell (Expanded Edition)

The Genius Of Bud Powell (Expanded Edition)

Bud Powell

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In 1951, Bud Powell was still at the height of his considerable powers. Included here are two sessions from that year: a trio with Ray Brown and Buddy Rich (three takes of "Tea for Two" and a super-fast "Hallelujah") and eight solo piano tunes from a different date. On "Tea for Two," Rich's drumming brings out the charming show-off in Powell, and on "Hallelujah," Powell plays with a hysterical clarity. "Oblivion" and "Hallucinations" are the most masterful of the eight solo cuts. Here Powell swings effortlessly and seems to be speaking his own, true language. The elegance of another era pervades the Gershwin-esque "Parisian Thoroughfare" and "Dusk in Sandi." And one can imagine a young Bill Evans listening to "A Nightingale Sang in Berkeley Square" and taking note of the rich, logical voicings coupled with a wonderful singing tone.
© TiVo

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The Genius Of Bud Powell (Expanded Edition)

Bud Powell

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1
Tea For Two (Take 5)
00:03:32

Vincent Youmans, ComposerLyricist - Irving Caesar, ComposerLyricist - Bud Powell, MainArtist - Buddy Rich, Drums, AssociatedPerformer - RAY BROWN, AssociatedPerformer, Bass (Vocal) - Norman Granz, Producer

℗ 1950 The Verve Music Group, a Division of UMG Recordings, Inc.

2
Tea For Two (Take 6)
00:04:16

Vincent Youmans, ComposerLyricist - Irving Caesar, ComposerLyricist - Bud Powell, MainArtist - Buddy Rich, Drums, AssociatedPerformer - RAY BROWN, AssociatedPerformer, Bass (Vocal) - Norman Granz, Producer

℗ 1950 The Verve Music Group, a Division of UMG Recordings, Inc.

3
Tea For Two (Take 10)
00:03:51

Vincent Youmans, ComposerLyricist - Irving Caesar, ComposerLyricist - Bud Powell, MainArtist - Buddy Rich, Drums, AssociatedPerformer - RAY BROWN, AssociatedPerformer, Bass (Vocal) - Norman Granz, Producer

℗ 1950 UMG Recordings, Inc.

4
Hallelujah
00:03:02

Vincent Youmans, ComposerLyricist - Bud Powell, MainArtist - Buddy Rich, Drums, AssociatedPerformer - RAY BROWN, AssociatedPerformer, Bass (Vocal) - Leo Robin, ComposerLyricist - Clifford Grey, ComposerLyricist - Norman Granz, Producer

℗ 1950 The Verve Music Group, a Division of UMG Recordings, Inc.

5
Parisian Thoroughfare
00:02:32

Bud Powell, Composer, MainArtist - Norman Granz, Producer

℗ 1951 The Verve Music Group, a Division of UMG Recordings, Inc.

6
Oblivion
00:02:12

Bud Powell, MainArtist, ComposerLyricist - Norman Granz, Producer

℗ 1951 The Verve Music Group, a Division of UMG Recordings, Inc.

7
Dusk In Sandi
00:02:16

Bud Powell, MainArtist, ComposerLyricist - Norman Granz, Producer

℗ 1993 The Verve Music Group, a Division of UMG Recordings, Inc.

8
Hallucinations
00:02:29

Bud Powell, MainArtist, ComposerLyricist - Norman Granz, Producer

℗ 1951 The Verve Music Group, a Division of UMG Recordings, Inc.

9
The Fruit
00:03:20

Bud Powell, MainArtist, ComposerLyricist - Norman Granz, Producer

℗ 1951 The Verve Music Group, a Division of UMG Recordings, Inc.

10
A Nightingale Sang In Berkeley Square
00:03:44

Bud Powell, MainArtist - Eric Maschwitz, Author - Manning Sherwin, Composer - Robert Farnon, Arranger, Work Arranger

℗ 1950 The Verve Music Group, a Division of UMG Recordings, Inc.

11
Just One Of Those Things
00:03:53

Cole Porter, ComposerLyricist - Bud Powell, MainArtist

℗ 1950 The Verve Music Group, a Division of UMG Recordings, Inc.

12
The Last Time I Saw Paris
00:03:16

Jerome Kern, Composer - Bud Powell, MainArtist - Oscar Hammerstein II , Author

℗ 1950 The Verve Music Group, a Division of UMG Recordings, Inc.

Approfondimenti

In 1951, Bud Powell was still at the height of his considerable powers. Included here are two sessions from that year: a trio with Ray Brown and Buddy Rich (three takes of "Tea for Two" and a super-fast "Hallelujah") and eight solo piano tunes from a different date. On "Tea for Two," Rich's drumming brings out the charming show-off in Powell, and on "Hallelujah," Powell plays with a hysterical clarity. "Oblivion" and "Hallucinations" are the most masterful of the eight solo cuts. Here Powell swings effortlessly and seems to be speaking his own, true language. The elegance of another era pervades the Gershwin-esque "Parisian Thoroughfare" and "Dusk in Sandi." And one can imagine a young Bill Evans listening to "A Nightingale Sang in Berkeley Square" and taking note of the rich, logical voicings coupled with a wonderful singing tone.
© TiVo

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