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Eberhard Weber|The Following Morning

The Following Morning

Eberhard Weber

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The absence of a drummer deprives "The Following Morning" of some of the drive and rhythmic shadings of other Weber releases. In some ways this is a more contemplative work, lingering longer upon the tones of the individual instruments. The title track opens with backwards piano and slides into a pensive rumination between the piano and Weber's bass. There is only the tentative presence of orchestral instruments, and the album is quite subtle and slow to unfold. You might not pick up this album as often as some other Weber releases, but it can reward close listening.

© Paul Collins /TiVo

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The Following Morning

Eberhard Weber

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A partire da 12,49€/mese

1
T. On A White Horse
00:10:11

Oslo Philharmonic Orchestra, Orchestra - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Eberhard Weber, Composer, Double Bass, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Rainer Brüninghaus, Piano, AssociatedPerformer

℗ 1977 ECM Records GmbH

2
Moana I
00:10:53

Oslo Philharmonic Orchestra, Orchestra - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Eberhard Weber, Composer, Double Bass, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Rainer Brüninghaus, Piano, AssociatedPerformer

℗ 1977 ECM Records GmbH

3
The Following Morning
00:12:05

Oslo Philharmonic Orchestra, Orchestra - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Eberhard Weber, Composer, Double Bass, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Rainer Brüninghaus, Piano, AssociatedPerformer

℗ 1977 ECM Records GmbH

4
Moana II
00:07:48

Oslo Philharmonic Orchestra, Orchestra - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Eberhard Weber, Composer, Double Bass, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Rainer Brüninghaus, Piano, AssociatedPerformer

℗ 1976 ECM Records GmbH

Approfondimenti

The absence of a drummer deprives "The Following Morning" of some of the drive and rhythmic shadings of other Weber releases. In some ways this is a more contemplative work, lingering longer upon the tones of the individual instruments. The title track opens with backwards piano and slides into a pensive rumination between the piano and Weber's bass. There is only the tentative presence of orchestral instruments, and the album is quite subtle and slow to unfold. You might not pick up this album as often as some other Weber releases, but it can reward close listening.

© Paul Collins /TiVo

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