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Erik Bosgraaf|Telemann: Fantasias - J.S. Bach: Partita

Telemann: Fantasias - J.S. Bach: Partita

Georg Philipp Telemann - Johann Sebastian Bach

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Lingua disponibile: inglese

The 12 solo fantasias recorded on this album have come down to us in a manuscript that designated them violin pieces. They are surmised to be the same works as the 12 fantasies for transverse flute referred to in another source, for they contain none of the multiple stops or technical shapes that would mark them as violin music. The violin billing is blamed on publishers, but recorder players have, somewhat perversely, applied the logic of the publishers in claiming the fantasias for themselves, pointing out that many Baroque flute works were also offered as suitable for recorder. None of this has stopped them from trying to amplify their slender solo repertoire. The young Dutch recorder player Erik Bosgraaf takes the best approach, rethinking the music rather than assuming an equivalence between the flute and recorder. He transposes several of the pieces, using a variety of recorders, including the so-called voice flute. And he keeps control of the passages in which the recorder is forced into the extremes of its range. The result is a set of performances that deserve the virtuoso label, although the music is not especially difficult played on a flute; Telemann wrote it with publication for the home market in mind. The quite detailed booklet gives a good portrait of Telemann; especially pleasing is his frankly commericialistic attitude, expressed in a letter in which he wrote, "My note-factory allows me to diminish a good part of the worries of many children, for whose upbringing I give many thalers; it is my field and plow, from which I live: that suffices." The unnamed annotator (only a translator is listed, suggesting that the notes have been printed in the respective languages of their destination markets) also delves into the stylistic background of the music, which was not only French and Italian, but also Polish. Bosgraaf brings the quasi-folk Polish passages -- Telemann was perhaps the first composer to explore "exotic" sounds -- nicely to life. Sample the bagpipe-like final Allegro of the Fantasia No. 5 (track 14). The inclusion of the Bach Partita for solo flute, BWV 1013, as a closer is also a strong choice, for the concentration of Bach's music makes an ideal foil to the characteristic Telemann variety that shows through even in this restricted medium. This budget release makes sense for fans of the recorder.

© TiVo

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Telemann: Fantasias - J.S. Bach: Partita

Erik Bosgraaf

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Fantasia 1 in C Major, TWV 40:2 (Georg Philipp Telemann)

1
Vivace
00:02:01

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

2
Allegro
00:01:02

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

Fantasia 2 in D Minor, TWV 40:3 (Georg Philipp Telemann)

3
Grave
00:00:45

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

4
Vivace
00:01:16

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

5
Adagio
00:01:18

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

6
Allegro
00:01:26

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

Fantasia 3 in B Minor, TWV 40:4 (Georg Philipp Telemann)

7
Largo - Vivace - Largo - Vivace
00:02:08

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

8
Allegro
00:01:27

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

Fantasia 4 in E-Flat Major, TWV 40:5 (Georg Philipp Telemann)

9
Andante
00:01:36

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

10
Allegro
00:01:16

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

11
Presto
00:01:07

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

Fantasia 5 in F Major, TWV 40:6 (Georg Philipp Telemann)

12
Presto - Largo - Presto - Dolce
00:01:15

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

13
Allegro
00:01:21

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

14
Allegro
00:01:47

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

Fantasia 6 in D Minor, TWV 40:7 (Georg Philipp Telemann)

15
Dolce
00:03:19

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

16
Allegro
00:01:12

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

17
Spirituoso
00:00:51

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

Fantasia 7 in F Major, TWV 40:8 (Georg Philipp Telemann)

18
Alla Francese
00:04:41

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

19
Presto
00:00:46

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

Fantasia 8 in G Minor, TWV 40:9 (Georg Philipp Telemann)

20
Largo
00:02:19

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

21
Spirituoso
00:01:02

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

22
Allegro
00:01:04

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

Fantasia 9 in G Major, TWV 40:10 (Georg Philipp Telemann)

23
Affettuoso
00:03:32

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

24
Allegro
00:00:51

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

25
Grave
00:00:25

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

26
Vivace
00:01:24

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

Fantasia 10 in A Minor, TWV 40:11 (Georg Philipp Telemann)

27
A tempo giusto
00:02:26

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

28
Presto
00:00:58

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

29
Moderato
00:00:59

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

Fantasia 11 in F Major, TWV 40:12 (Georg Philipp Telemann)

30
Allegro
00:00:58

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

31
Adagio
00:00:13

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

32
Vivace
00:01:04

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

33
Allegro
00:01:06

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

Fantasia 12 in G Minor, TWV 40:13 (Georg Philipp Telemann)

34
Grave - Allegro - Grave -Allegro - Dolce - Allegro
00:02:37

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

35
Presto
00:02:29

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

Partita in C Minor, BWV 1013 (Johann Sebastian Bach)

36
Allemande
00:04:24

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

37
Corrente
00:03:25

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

38
Sarabande
00:04:54

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

39
Bourrée anglaise
00:02:30

Erik Bosgraaf, flûte à bec

2012 Brilliant Classics 2006 Brilliant Classics

Approfondimenti

The 12 solo fantasias recorded on this album have come down to us in a manuscript that designated them violin pieces. They are surmised to be the same works as the 12 fantasies for transverse flute referred to in another source, for they contain none of the multiple stops or technical shapes that would mark them as violin music. The violin billing is blamed on publishers, but recorder players have, somewhat perversely, applied the logic of the publishers in claiming the fantasias for themselves, pointing out that many Baroque flute works were also offered as suitable for recorder. None of this has stopped them from trying to amplify their slender solo repertoire. The young Dutch recorder player Erik Bosgraaf takes the best approach, rethinking the music rather than assuming an equivalence between the flute and recorder. He transposes several of the pieces, using a variety of recorders, including the so-called voice flute. And he keeps control of the passages in which the recorder is forced into the extremes of its range. The result is a set of performances that deserve the virtuoso label, although the music is not especially difficult played on a flute; Telemann wrote it with publication for the home market in mind. The quite detailed booklet gives a good portrait of Telemann; especially pleasing is his frankly commericialistic attitude, expressed in a letter in which he wrote, "My note-factory allows me to diminish a good part of the worries of many children, for whose upbringing I give many thalers; it is my field and plow, from which I live: that suffices." The unnamed annotator (only a translator is listed, suggesting that the notes have been printed in the respective languages of their destination markets) also delves into the stylistic background of the music, which was not only French and Italian, but also Polish. Bosgraaf brings the quasi-folk Polish passages -- Telemann was perhaps the first composer to explore "exotic" sounds -- nicely to life. Sample the bagpipe-like final Allegro of the Fantasia No. 5 (track 14). The inclusion of the Bach Partita for solo flute, BWV 1013, as a closer is also a strong choice, for the concentration of Bach's music makes an ideal foil to the characteristic Telemann variety that shows through even in this restricted medium. This budget release makes sense for fans of the recorder.

© TiVo

Dettagli della registrazione originale : 69:36 - DDD - Enregistré en l'Eglise Réformée de Rhoon aux Pays-Bas le 3 et 4 avril 2008 - Notes en anglais

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