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Nathalie Stutzmann|Quella Fiamma

Quella Fiamma

Nathalie Stutzmann

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It's no exaggeration to say that "practically every singer is familiar" with the collection of Arie Antiche compiled by Alessandro Parisotti, issued in the late 19th century and diffused in abridged form in the English-speaking world as 24 Italian Songs and Arias. Parisotti altered the pieces in keeping with the norms of the day, and this selection of the music from contralto Nathalie Stutzmann thus has a dual or perhaps even a triple purpose. Like many other historically oriented performances, hers is intended to strip away the layers that have accumulated on the surface of this music. Stutzmann also gives us a snapshot of the repertory as it appeared in Italy in the great heyday of opera. And beyond these historical considerations is the fact that many of these pieces are quite obscure, studied by students -- not necessarily students of historical performance -- but not so often performed with commitment in concert or on recordings (Cecilia Bartoli affectionately recorded a group of them some years back). So, what you get in this program, with Stutzmann also directing the fine historical-performance ensemble Orfeo 55, is a selection of the music Handel and Haydn might have heard during their training, and it's full of suggestive details along these lines. There are a few pieces by big names, and even here Stutzmann adds convincing moves. Sample Handel's "Ah! mio cor, schernito sei" (from Alcina), where she lends her voice a countertenor quality at the entrances. There is one piece by Parisotti himself, Se tu m'ami; he originally attributed it to Pergolesi, but, anticipating Fritz Kreisler by several decades, he filled out holes in his Baroque repertory by composing his own music. There are instrumental pieces as interludes, and these are uniformly interesting as well. The end result: a vocal institution, revivified.

© TiVo

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Quella Fiamma

Nathalie Stutzmann

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1
L'honestà negli amori, Act 1: "Già il sole dal Gange" (Saldino) [Orch. Orfeo 55]
00:01:54

ALESSANDRO SCARLATTI, Composer - Nathalie Stutzmann, Conductor, Mezzo-soprano Vocals, MainArtist - Orfeo 55, Orchestra, Orchestrator

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company

2
Danza, Danza fanciulla gentile [Orch. Courbier & Delaforge]
00:01:33

Nathalie Stutzmann, Conductor, Mezzo-soprano Vocals, MainArtist - Francesco Durante, Composer - Orfeo 55, Orchestra - Laurent Courbier, Orchestrator - Camille Delaforge, Orchestrator

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company

3
Il primo libro di canzone, sinfonie, fantasie: XV. Passacalle (Orch. Tufvesson)
00:02:13

Nathalie Stutzmann, Conductor, MainArtist - Andrea Falconieri, Composer - Orfeo 55, Orchestra - Johan Tufvesson, Orchestrator

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company

4
Le nuove musiche: VIII. Amarilli, mia bella
00:03:27

Giulio Caccini, Composer - Nathalie Stutzmann, Mezzo-soprano Vocals, MainArtist - Marie-Domitille Murez, Harp, FeaturedArtist

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company

5
"Vittoria vittoria mio core" (Orch. Delaforge)
00:03:24

Nathalie Stutzmann, Conductor, Mezzo-soprano Vocals, MainArtist - Giacomo Carissimi, Composer - Orfeo 55, Orchestra - Camille Delaforge, Orchestrator

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company

6
Il Pompeo, Act 2: "O cessate di piagarmi" (Orch. Courbier & Delaforge)
00:03:04

ALESSANDRO SCARLATTI, Composer - Nathalie Stutzmann, Conductor, Mezzo-soprano Vocals, MainArtist - Orfeo 55, Orchestra - Laurent Courbier, Orchestrator - Camille Delaforge, Orchestrator

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company

7
Alcina, HWV 34, Act 2: "Ah, mio cor, schernito sei " (Alcina) [Orch. Orfeo 55]
00:05:36

George Frideric Handel, Composer - Nathalie Stutzmann, Conductor, Mezzo-soprano Vocals, MainArtist - Orfeo 55, Orchestra, Orchestrator

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company

8
Doppo tante e tante pene: I. Doppo tante e tante pene (Orch. Orfeo 55)
00:02:34

Francesco Bartolomeo Conti, Composer - Nathalie Stutzmann, Conductor, Mezzo-soprano Vocals, MainArtist - Orfeo 55, Orchestra, Orchestrator

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company

9
Doppo tante e tante pene: IX. Dubbio di vostra fede (Orch. Orfeo 55)
00:00:49

Francesco Bartolomeo Conti, Composer - Nathalie Stutzmann, Conductor, Mezzo-soprano Vocals, MainArtist - Orfeo 55, Orchestra, Orchestrator

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company

10
Doppo tante e tante pene: XVII. Quella Fiamma (Orch. Orfeo 55)
00:02:53

Francesco Bartolomeo Conti, Composer - Nathalie Stutzmann, Conductor, Mezzo-soprano Vocals, MainArtist - Orfeo 55, Orchestra, Orchestrator

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company

11
Griselda, Act 2: "Per la gloria d'adorarvi" (Ernesto) [Orch. Courbier & Delaforge]
00:02:23

Nathalie Stutzmann, Conductor, Mezzo-soprano Vocals, MainArtist - Giovanni Bononcini, Composer - Orfeo 55, Orchestra - Laurent Courbier, Orchestrator - Camille Delaforge, Orchestrator

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company

12
Sonata a 3, Op. 2 No. 3: I. Adagio - Allegro (Orch. Courbier & Delaforge)
00:02:53

Nicola Porpora, Composer - Nathalie Stutzmann, Conductor, MainArtist - Orfeo 55, Orchestra - Laurent Courbier, Orchestrator - Camille Delaforge, Orchestrator

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company

13
"Vergin, tutt'amore" (Orch. Courbier & Delaforge)
00:02:47

Nathalie Stutzmann, Conductor, Mezzo-soprano Vocals, MainArtist - Francesco Durante, Composer - Orfeo 55, Orchestra - Laurent Courbier, Orchestrator - Camille Delaforge, Orchestrator

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company

14
Cello Concerto in G Major: II. Largo
00:03:18

Nicola Porpora, Composer - Nathalie Stutzmann, Conductor, MainArtist - Orfeo 55, Orchestra - Patrick Langot, Cello, FeaturedArtist

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company

15
Arie Antiche, Book 1: XXII. Se tu m'ami
00:03:21

Nathalie Stutzmann, Conductor, Mezzo-soprano Vocals, MainArtist - Alessandro Parisotti, Composer - Miguel Rincón, Theorbo, FeaturedArtist - Patrick Langot, Cello, FeaturedArtist

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company

16
Eteocle e Polinice, Act 2: "Che fiero costume" (Antigone) [Orch. Courbier & Delaforge]
00:01:16

Nathalie Stutzmann, Conductor, Mezzo-soprano Vocals, MainArtist - Giovanni Legrenzi, Composer - Orfeo 55, Orchestra - Laurent Courbier, Orchestrator - Camille Delaforge, Orchestrator

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company

17
Il Giasone, Act 1: "Delizie è contenti, che l'alma beate" (Giasone) [Orch. Orfeo 55]
00:01:18

Nathalie Stutzmann, Conductor, Mezzo-soprano Vocals, MainArtist - Francesco Cavalli, Composer - Orfeo 55, Orchestra, Orchestrator

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company

18
Oboe Concerto in D Minor, S. D935: II. Adagio [Orch. Orfeo 55]
00:03:34

Alessandro Marcello, Composer - Nathalie Stutzmann, Conductor, MainArtist - Orfeo 55, Orchestra, Orchestrator - Shai Kribus, Oboe, FeaturedArtist

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company

19
Giulio Cesare in Egitto, HWV 17, Act 3: "Piangerò la sorte mia" (Cleopatra) [Orch. Orfeo 55]
00:05:50

George Frideric Handel, Composer - Nathalie Stutzmann, Conductor, Mezzo-soprano Vocals, MainArtist - Orfeo 55, Orchestra, Orchestrator

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company

20
Prothimia suavissima, Book 2: Sonata a 3 No. 4 (Orch. Orfeo 55)
00:03:54

Nathalie Stutzmann, Conductor, MainArtist - Samuel Capricornus, Composer - Orfeo 55, Orchestra, Orchestrator

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company

21
Plaisir d'amour (Orch. Courbier & Delaforge)
00:03:40

Nathalie Stutzmann, Conductor, Mezzo-soprano Vocals, MainArtist - Orfeo 55, Orchestra - Jean-Paul-Egide Martini, Composer - Laurent Courbier, Orchestrator - Camille Delaforge, Orchestrator

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company

22
L'amor contrastato, R. 1.76, Act 2: "Nel cor più mi sento" (Rachelina) [Orch. Courbier & Delaforge]
00:03:06

Giovanni Paisiello, Composer - Nathalie Stutzmann, Conductor, Mezzo-soprano Vocals, MainArtist - Orfeo 55, Orchestra - Laurent Courbier, Orchestrator - Camille Delaforge, Orchestrator

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company

23
Concerto No. 1 in F Minor: Introduction - Poco andante
00:01:44

Nathalie Stutzmann, Conductor, MainArtist - Francesco Durante, Composer - Orfeo 55, Orchestra

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company

24
Orontea, Act 2: "Intorno a l'idol mio" (Orontea) [Orch. Murez & Langot]
00:03:53

Nathalie Stutzmann, Mezzo-soprano Vocals, MainArtist - Antonio Cesti, Composer - Patrick Langot, Cello, Orchestrator, FeaturedArtist - Marie-Domitille Murez, Harp, Orchestrator, FeaturedArtist

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company

25
La costanza in amor vince l'inganno, Act 1: "Sebben crudele" (Aminta) [Orch. Rincòn]
00:02:42

Antonio Caldara, Composer - Nathalie Stutzmann, Mezzo-soprano Vocals, MainArtist - Miguel Rincón, Theorbo, Orchestrator, FeaturedArtist

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company

26
"Lungi Lungi amor da me" (Orch. Delaforge)
00:02:34

Nathalie Stutzmann, Mezzo-soprano Vocals, MainArtist - Giovanni Battista Fasolo, Composer - Camille Delaforge, Harpsichord, Orchestrator, FeaturedArtist

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company

27
Sonate da chiesa e da Camera: Passacalio à 3 & à 4 (Orch. Tufvesson)
00:05:25

Nathalie Stutzmann, Conductor, MainArtist - Biagio Marini, Composer - Orfeo 55, Orchestra - Johan Tufvesson, Orchestrator

© 2017 Parlophone Records Limited, a Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company

Approfondimenti

It's no exaggeration to say that "practically every singer is familiar" with the collection of Arie Antiche compiled by Alessandro Parisotti, issued in the late 19th century and diffused in abridged form in the English-speaking world as 24 Italian Songs and Arias. Parisotti altered the pieces in keeping with the norms of the day, and this selection of the music from contralto Nathalie Stutzmann thus has a dual or perhaps even a triple purpose. Like many other historically oriented performances, hers is intended to strip away the layers that have accumulated on the surface of this music. Stutzmann also gives us a snapshot of the repertory as it appeared in Italy in the great heyday of opera. And beyond these historical considerations is the fact that many of these pieces are quite obscure, studied by students -- not necessarily students of historical performance -- but not so often performed with commitment in concert or on recordings (Cecilia Bartoli affectionately recorded a group of them some years back). So, what you get in this program, with Stutzmann also directing the fine historical-performance ensemble Orfeo 55, is a selection of the music Handel and Haydn might have heard during their training, and it's full of suggestive details along these lines. There are a few pieces by big names, and even here Stutzmann adds convincing moves. Sample Handel's "Ah! mio cor, schernito sei" (from Alcina), where she lends her voice a countertenor quality at the entrances. There is one piece by Parisotti himself, Se tu m'ami; he originally attributed it to Pergolesi, but, anticipating Fritz Kreisler by several decades, he filled out holes in his Baroque repertory by composing his own music. There are instrumental pieces as interludes, and these are uniformly interesting as well. The end result: a vocal institution, revivified.

© TiVo

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