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Symphony Orchestra of the Curtis Institute of Music|Ned Rorem: Concerto for Left Hand and Orchestra

Ned Rorem: Concerto for Left Hand and Orchestra

Symphony Orchestra of the Curtis Institute of Music

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Ned Rorem's Piano Concerto No. 4 for the left hand was written for pianist Gary Graffman, who gives a striking performance on this 1994 release. The work is structured along the lines of a suite, with its eight distinct sections subsumed into three broad movements, roughly corresponding to the shape of a concerto. For all the challenging passagework in the solo part, this work has little of the give-and-take associated with the form, but instead positions the pianist in the midst of the orchestral textures in a cooperative relationship. The music is firmly in Rorem's tonal, neo-Romantic style, though with a modernist edge that occasionally bites. Despite the presence of a twelve-note motive, which sometimes lends the music an atonal quality, Rorem's applications are far from serial practices, and the difference is audible. André Previn and the Symphony Orchestra of the Curtis Institute of Music execute this dynamic score with great vitality and power, particularly in the crashes of the final Passacaglia. Rorem's 11 Studies for 11 Players employs more than 11 instruments, and it consequently sounds like a piece for chamber orchestra. While this composition might seem less substantial or serious than the concerto, its appeal may be greater for its unpretentious moods, conversational interplay, and abundant tone colors.

© TiVo

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Ned Rorem: Concerto for Left Hand and Orchestra

Symphony Orchestra of the Curtis Institute of Music

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Piano Concerto for Left Hand and Orchestra (Ned Rorem)

1
Opening Passacaglia
André Previn
00:04:04

Gary Graffman, MainArtist - Andre Previn, Conductor - Ned Rorem, Composer - Symphony Orchestra of the Curtis Institute of Music, Orchestra

(C) 1994 Anthology of Recorded Music, Inc. (P) 1994 Anthology of Recorded Music, Inc.

2
Tarantella
Gary Graffman
00:02:41

Gary Graffman, MainArtist - Andre Previn, Conductor - Ned Rorem, Composer - Symphony Orchestra of the Curtis Institute of Music, Orchestra

(C) 1994 Anthology of Recorded Music, Inc. (P) 1994 Anthology of Recorded Music, Inc.

3
Conversation
Gary Graffman
00:04:08

Gary Graffman, MainArtist - Andre Previn, Conductor - Ned Rorem, Composer - Symphony Orchestra of the Curtis Institute of Music, Orchestra

(C) 1994 Anthology of Recorded Music, Inc. (P) 1994 Anthology of Recorded Music, Inc.

4
Hymn
Gary Graffman
00:03:38

Gary Graffman, MainArtist - Andre Previn, Conductor - Ned Rorem, Composer - Symphony Orchestra of the Curtis Institute of Music, Orchestra

(C) 1994 Anthology of Recorded Music, Inc. (P) 1994 Anthology of Recorded Music, Inc.

5
Duet
André Previn
00:07:19

Gary Graffman, MainArtist - Andre Previn, Conductor - Ned Rorem, Composer - Symphony Orchestra of the Curtis Institute of Music, MainArtist

(C) 1994 Anthology of Recorded Music, Inc. (P) 1994 Anthology of Recorded Music, Inc.

6
Vignette
Gary Graffman
00:01:44

Gary Graffman, MainArtist - Andre Previn, Conductor - Ned Rorem, Composer - Symphony Orchestra of the Curtis Institute of Music, Orchestra

(C) 1994 Anthology of Recorded Music, Inc. (P) 1994 Anthology of Recorded Music, Inc.

7
Medley
André Previn
00:05:37

Gary Graffman, MainArtist - Andre Previn, Conductor - Ned Rorem, Composer - Symphony Orchestra of the Curtis Institute of Music, Orchestra

(C) 1994 Anthology of Recorded Music, Inc. (P) 1994 Anthology of Recorded Music, Inc.

8
Closing Passacaglia
André Previn
00:05:24

Gary Graffman, MainArtist - Andre Previn, Conductor - Ned Rorem, Composer - Symphony Orchestra of the Curtis Institute of Music, Orchestra

(C) 1994 Anthology of Recorded Music, Inc. (P) 1994 Anthology of Recorded Music, Inc.

Eleven Studies for Eleven Players (Ned Rorem)

9
Prelude (eleven - trumpet solo)
Curtis Symphony Orchestra
00:02:12

Ned Rorem, Composer - Steven Copes, MainArtist - Curtis Symphony Orchestra, Ensemble - Rossen Milanov, Conductor - Katerina Englichova, MainArtist - Reiko Uchida, MainArtist - Choong-Jin Chang, MainArtist - Elizabeth Ostling, MainArtist - Kathy Lord, MainArtist - Gregory Raden, MainArtist - Jack Sutte, MainArtist - Anthony Lafargue, MainArtist - Ryan Leveille, MainArtist - Jeffrey Lastrapes, MainArtist

(C) 1994 Anthology of Recorded Music, Inc. (P) 1994 Anthology of Recorded Music, Inc.

10
Allegretto (nine)
Curtis Symphony Orchestra
00:01:35

Ned Rorem, Composer - Steven Copes, MainArtist - Curtis Symphony Orchestra, Ensemble - Rossen Milanov, Conductor - Katerina Englichova, MainArtist - Reiko Uchida, MainArtist - Choong-Jin Chang, MainArtist - Elizabeth Ostling, MainArtist - Kathy Lord, MainArtist - Gregory Raden, MainArtist - Jack Sutte, MainArtist - Anthony Lafargue, MainArtist - Ryan Leveille, MainArtist - Jeffrey Lastrapes, MainArtist

(C) 1994 Anthology of Recorded Music, Inc. (P) 1994 Anthology of Recorded Music, Inc.

11
Bird Call (Four - Flute solo)
Rossen Milanov
00:01:36

Ned Rorem, Composer - Steven Copes, MainArtist - Curtis Symphony Orchestra, Ensemble - Rossen Milanov, Conductor - Elizabeth Ostling, MainArtist - Anthony Lafargue, MainArtist - Ryan Leveille, MainArtist - Jeffrey Lastrapes, MainArtist

(C) 1994 Anthology of Recorded Music, Inc. (P) 1994 Anthology of Recorded Music, Inc.

12
The Diary (six)
Rossen Milanov
00:02:26

Ned Rorem, Composer - Steven Copes, MainArtist - Curtis Symphony Orchestra, Ensemble - Rossen Milanov, Conductor - Katerina Englichova, MainArtist - Elizabeth Ostling, MainArtist - Kathy Lord, MainArtist - Anthony Lafargue, MainArtist - Ryan Leveille, MainArtist - Jeffrey Lastrapes, MainArtist

(C) 1994 Anthology of Recorded Music, Inc. (P) 1994 Anthology of Recorded Music, Inc.

13
Contest (five)
Curtis Symphony Orchestra
00:01:02

Ned Rorem, Composer - Curtis Symphony Orchestra, Ensemble - Rossen Milanov, Conductor - Reiko Uchida, MainArtist - Gregory Raden, MainArtist - Jack Sutte, MainArtist - Anthony Lafargue, MainArtist - Ryan Leveille, MainArtist - Jeffrey Lastrapes, MainArtist

(C) 1994 Anthology of Recorded Music, Inc. (P) 1994 Anthology of Recorded Music, Inc.

14
Invention for Battery (two)
Curtis Symphony Orchestra
00:01:47

Ned Rorem, Composer - Curtis Symphony Orchestra, Ensemble - Rossen Milanov, Conductor - Anthony Lafargue, MainArtist - Ryan Leveille, MainArtist

(C) 1994 Anthology of Recorded Music, Inc. (P) 1994 Anthology of Recorded Music, Inc.

15
In Memory of My Feelings (ten)
Curtis Symphony Orchestra
00:05:14

Ned Rorem, Composer - Steven Copes, MainArtist - Curtis Symphony Orchestra, MainArtist - Rossen Milanov, Conductor - Katerina Englichova, MainArtist - Reiko Uchida, MainArtist - Choong-Jin Chang, MainArtist - Elizabeth Ostling, MainArtist - Kathy Lord, MainArtist - Gregory Raden, MainArtist - Anthony Lafargue, MainArtist - Ryan Leveille, MainArtist - Jeffrey Lastrapes, MainArtist

(C) 1994 Anthology of Recorded Music, Inc. (P) 1994 Anthology of Recorded Music, Inc.

16
Fugato (eleven)
Curtis Symphony Orchestra
00:02:42

Ned Rorem, Composer - Steven Copes, MainArtist - Curtis Symphony Orchestra, Ensemble - Rossen Milanov, Conductor - Katerina Englichova, MainArtist - Reiko Uchida, MainArtist - Choong-Jin Chang, MainArtist - Elizabeth Ostling, MainArtist - Kathy Lord, MainArtist - Gregory Raden, MainArtist - Jack Sutte, MainArtist - Anthony Lafargue, MainArtist - Ryan Leveille, MainArtist - Jeffrey Lastrapes, MainArtist

(C) 1994 Anthology of Recorded Music, Inc. (P) 1994 Anthology of Recorded Music, Inc.

17
Elegy (eleven)
Rossen Milanov
00:04:03

Ned Rorem, Composer - Steven Copes, MainArtist - Curtis Symphony Orchestra, Ensemble - Rossen Milanov, Conductor - Katerina Englichova, MainArtist - Reiko Uchida, MainArtist - Choong-Jin Chang, MainArtist - Elizabeth Ostling, MainArtist - Kathy Lord, MainArtist - Gregory Raden, MainArtist - Jack Sutte, MainArtist - Anthony Lafargue, MainArtist - Ryan Leveille, MainArtist - Jeffrey Lastrapes, MainArtist

(C) 1994 Anthology of Recorded Music, Inc. (P) 1994 Anthology of Recorded Music, Inc.

18
Presto (five)
Curtis Symphony Orchestra
00:00:56

Ned Rorem, Composer - Steven Copes, MainArtist - Curtis Symphony Orchestra, Ensemble - Rossen Milanov, Conductor - Reiko Uchida, MainArtist - Choong-Jin Chang, MainArtist - Elizabeth Ostling, MainArtist - Jeffrey Lastrapes, MainArtist

(C) 1994 Anthology of Recorded Music, Inc. (P) 1994 Anthology of Recorded Music, Inc.

19
Epilogue (eleven)
Rossen Milanov
00:03:42

Ned Rorem, Composer - Steven Copes, MainArtist - Curtis Symphony Orchestra, Ensemble - Rossen Milanov, Conductor - Reiko Uchida, MainArtist - Choong-Jin Chang, MainArtist - Elizabeth Ostling, MainArtist - Kathy Lord, MainArtist - Gregory Raden, MainArtist - Jack Sutte, MainArtist - Anthony Lafargue, MainArtist - Ryan Leveille, MainArtist - Jeffrey Lastrapes, MainArtist - Katherina Englichova, MainArtist

(C) 1994 Anthology of Recorded Music, Inc. (P) 1994 Anthology of Recorded Music, Inc.

Approfondimenti

Ned Rorem's Piano Concerto No. 4 for the left hand was written for pianist Gary Graffman, who gives a striking performance on this 1994 release. The work is structured along the lines of a suite, with its eight distinct sections subsumed into three broad movements, roughly corresponding to the shape of a concerto. For all the challenging passagework in the solo part, this work has little of the give-and-take associated with the form, but instead positions the pianist in the midst of the orchestral textures in a cooperative relationship. The music is firmly in Rorem's tonal, neo-Romantic style, though with a modernist edge that occasionally bites. Despite the presence of a twelve-note motive, which sometimes lends the music an atonal quality, Rorem's applications are far from serial practices, and the difference is audible. André Previn and the Symphony Orchestra of the Curtis Institute of Music execute this dynamic score with great vitality and power, particularly in the crashes of the final Passacaglia. Rorem's 11 Studies for 11 Players employs more than 11 instruments, and it consequently sounds like a piece for chamber orchestra. While this composition might seem less substantial or serious than the concerto, its appeal may be greater for its unpretentious moods, conversational interplay, and abundant tone colors.

© TiVo

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