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Armida Quartett|Mozart: String Quartets, Vol. V

Mozart: String Quartets, Vol. V

Armida Quartett

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Boredom (in German: “long whiling”) is apparently what drove Wolfgang to compose one of his string quartets at the inn at Bolzano. And yes, he was doing well, as father Leopold assured Mozart’s mother in a letter dated 28 October 1772.

How can we even imagine what boredom must have felt like for a 16-year-old genius? Was he sitting lackadaisically at the table with his father, scribbling counterpoint on paper and casually inventing the genre of Classical string quartet in passing? Or was Wolfgang just solving musical-logical Sudokus, as we all tend to do in such cases?

At any rate, it would be too Romantic to imagine that Mozart was writing an emotional diary with these string quartets, a sort of journal intime of his Italian journey. Still, by observing his son’s state of “boredom,” Leopold was indeed noting that Wolfgang was involved in a personal moment of forced leisure. Sitting at the table in the inn, he was processing and digesting the myriad of cultural, social, and musical impressions he had gathered in his travels, creating music that he could soon try out with friends or colleagues, or that might be performed at an upcoming reception in high society.

Apparently it was not even worth mentioning that Leopold never managed to sell these string quartets to a publisher. Could Wolfgang have written this music on his own initiative and for its own sake, without the rigorous control he would otherwise have imposed on works intended for practical purposes? Strangely enough, the genesis of most of Mozart’s string quartets is associated with his travels.

The first authentic quartet and the first group of six were all written in Italy; the second set emerged in the context of a trip to Vienna; finally, the late, “Prussian” quartets are associated the last journey in Mozart’s life. In the midst of these, the six “Classical” quartets show the manner in which Mozart chose to position himself in Vienna – also in relation to Joseph Haydn, who, in Vienna and elsewhere, was regarded as the undisputed master of the string quartet genre.

If we remain open to this idea of “whiling away the hours,” we can perceive the result of Mozart’s boredom in the meter and rhythm proportions of the Italian quartets. The music tends to jump with incredible speed from one idea to the next. © CAvi-Music

Maggiori informazioni

Mozart: String Quartets, Vol. V

Armida Quartett

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1
String Quartet No. 11 in E-Flat Major, K. 171: I. Adagio
00:05:03

Wolfgang Amadeus Mozart, Composer - Armida Quartett, String Quartet, MainArtist, AssociatedPerformer

℗ 2022 Armida Quartet

2
String Quartet No. 11 in E-Flat Major, K. 171: II. Menuetto
00:03:27

Wolfgang Amadeus Mozart, Composer - Armida Quartett, String Quartet, MainArtist, AssociatedPerformer

℗ 2022 Armida Quartet

3
String Quartet No. 11 in E-Flat Major, K. 171: III. Andante
00:03:21

Wolfgang Amadeus Mozart, Composer - Armida Quartett, String Quartet, MainArtist, AssociatedPerformer

℗ 2022 Armida Quartet

4
String Quartet No. 11 in E-Flat Major, K. 171: IV. Allegro assai
00:02:36

Wolfgang Amadeus Mozart, Composer - Armida Quartett, String Quartet, MainArtist, AssociatedPerformer

℗ 2022 Armida Quartet

5
String Quartet No. 13 in D Minor, K. 173: I. Allegro ma molto moderato
00:04:54

Wolfgang Amadeus Mozart, Composer - Armida Quartett, String Quartet, MainArtist, AssociatedPerformer

℗ 2022 Armida Quartet

6
String Quartet No. 13 in D Minor, K. 173: II. Andante grazioso
00:02:54

Wolfgang Amadeus Mozart, Composer - Armida Quartett, String Quartet, MainArtist, AssociatedPerformer

℗ 2022 Armida Quartet

7
String Quartet No. 13 in D Minor, K. 173: III. Menuetto
00:04:41

Wolfgang Amadeus Mozart, Composer - Armida Quartett, String Quartet, MainArtist, AssociatedPerformer

℗ 2022 Armida Quartet

8
String Quartet No. 13 in D Minor, K. 173: IV. Allegro moderato
00:03:41

Wolfgang Amadeus Mozart, Composer - Armida Quartett, String Quartet, MainArtist, AssociatedPerformer

℗ 2022 Armida Quartet

9
String Quartet No. 15 in D Minor, K. 421: I. Allegro moderato
00:07:54

Wolfgang Amadeus Mozart, Composer - Armida Quartett, String Quartet, MainArtist, AssociatedPerformer

℗ 2022 Armida Quartet

10
String Quartet No. 15 in D Minor, K. 421: II. Andante
00:05:54

Wolfgang Amadeus Mozart, Composer - Armida Quartett, String Quartet, MainArtist, AssociatedPerformer

℗ 2022 Armida Quartet

11
String Quartet No. 15 in D Minor, K. 421: III. Menuetto. Allegretto
00:04:17

Wolfgang Amadeus Mozart, Composer - Armida Quartett, String Quartet, MainArtist, AssociatedPerformer

℗ 2022 Armida Quartet

12
String Quartet No. 15 in D Minor, K. 421: IV. Allegro ma non troppo – Più allegro
00:08:56

Wolfgang Amadeus Mozart, Composer - Armida Quartett, String Quartet, MainArtist, AssociatedPerformer

℗ 2022 Armida Quartet

DISCO 2

1
String Quartet No. 3 in G Major, K. 156: I. Presto
00:02:32

Wolfgang Amadeus Mozart, Composer - Armida Quartett, String Quartet, MainArtist, AssociatedPerformer

℗ 2022 Armida Quartet

2
String Quartet No. 3 in G Major, K. 156: II. Adagio
00:05:13

Wolfgang Amadeus Mozart, Composer - Armida Quartett, String Quartet, MainArtist, AssociatedPerformer

℗ 2022 Armida Quartet

3
String Quartet No. 3 in G Major, K. 156: III. Tempo di Menuetto
00:03:59

Wolfgang Amadeus Mozart, Composer - Armida Quartett, String Quartet, MainArtist, AssociatedPerformer

℗ 2022 Armida Quartet

4
String Quartet No. 5 in F Major, K. 158: I. Allegro
00:03:48

Wolfgang Amadeus Mozart, Composer - Armida Quartett, String Quartet, MainArtist, AssociatedPerformer

℗ 2022 Armida Quartet

5
String Quartet No. 5 in F Major, K. 158: II. Andante – un poco Allegretto
00:04:20

Wolfgang Amadeus Mozart, Composer - Armida Quartett, String Quartet, MainArtist, AssociatedPerformer

℗ 2022 Armida Quartet

6
String Quartet No. 5 in F Major, K. 158: III. Tempo di Menuetto
00:05:48

Wolfgang Amadeus Mozart, Composer - Armida Quartett, String Quartet, MainArtist, AssociatedPerformer

℗ 2022 Armida Quartet

7
String Quartet No. 10 in C Major, K. 170: I. Andante
00:04:32

Wolfgang Amadeus Mozart, Composer - Armida Quartett, String Quartet, MainArtist, AssociatedPerformer

℗ 2022 Armida Quartet

8
String Quartet No. 10 in C Major, K. 170: II. Menuetto – Trio
00:03:03

Wolfgang Amadeus Mozart, Composer - Armida Quartett, String Quartet, MainArtist, AssociatedPerformer

℗ 2022 Armida Quartet

9
String Quartet No. 10 in C Major, K. 170: III. Un poco Adagio
00:03:52

Wolfgang Amadeus Mozart, Composer - Armida Quartett, String Quartet, MainArtist, AssociatedPerformer

℗ 2022 Armida Quartet

10
String Quartet No. 10 in C Major, K. 170: IV. Rondeaux. Allegro
00:02:24

Wolfgang Amadeus Mozart, Composer - Armida Quartett, String Quartet, MainArtist, AssociatedPerformer

℗ 2022 Armida Quartet

11
String Quartet No. 16 in E-Flat Major, K. 428: I. Allegro non troppo
00:07:20

Wolfgang Amadeus Mozart, Composer - Armida Quartett, String Quartet, MainArtist, AssociatedPerformer

℗ 2022 Armida Quartet

12
String Quartet No. 16 in E-Flat Major, K. 428: II. Andante con moto
00:08:35

Wolfgang Amadeus Mozart, Composer - Armida Quartett, String Quartet, MainArtist, AssociatedPerformer

℗ 2022 Armida Quartet

13
String Quartet No. 16 in E-Flat Major, K. 428: III. Menuetto. Allegretto
00:07:24

Wolfgang Amadeus Mozart, Composer - Armida Quartett, String Quartet, MainArtist, AssociatedPerformer

℗ 2022 Armida Quartet

14
String Quartet No. 16 in E-Flat Major, K. 428: IV. Allegro vivace
00:05:34

Wolfgang Amadeus Mozart, Composer - Armida Quartett, String Quartet, MainArtist, AssociatedPerformer

℗ 2022 Armida Quartet

Approfondimenti

Boredom (in German: “long whiling”) is apparently what drove Wolfgang to compose one of his string quartets at the inn at Bolzano. And yes, he was doing well, as father Leopold assured Mozart’s mother in a letter dated 28 October 1772.

How can we even imagine what boredom must have felt like for a 16-year-old genius? Was he sitting lackadaisically at the table with his father, scribbling counterpoint on paper and casually inventing the genre of Classical string quartet in passing? Or was Wolfgang just solving musical-logical Sudokus, as we all tend to do in such cases?

At any rate, it would be too Romantic to imagine that Mozart was writing an emotional diary with these string quartets, a sort of journal intime of his Italian journey. Still, by observing his son’s state of “boredom,” Leopold was indeed noting that Wolfgang was involved in a personal moment of forced leisure. Sitting at the table in the inn, he was processing and digesting the myriad of cultural, social, and musical impressions he had gathered in his travels, creating music that he could soon try out with friends or colleagues, or that might be performed at an upcoming reception in high society.

Apparently it was not even worth mentioning that Leopold never managed to sell these string quartets to a publisher. Could Wolfgang have written this music on his own initiative and for its own sake, without the rigorous control he would otherwise have imposed on works intended for practical purposes? Strangely enough, the genesis of most of Mozart’s string quartets is associated with his travels.

The first authentic quartet and the first group of six were all written in Italy; the second set emerged in the context of a trip to Vienna; finally, the late, “Prussian” quartets are associated the last journey in Mozart’s life. In the midst of these, the six “Classical” quartets show the manner in which Mozart chose to position himself in Vienna – also in relation to Joseph Haydn, who, in Vienna and elsewhere, was regarded as the undisputed master of the string quartet genre.

If we remain open to this idea of “whiling away the hours,” we can perceive the result of Mozart’s boredom in the meter and rhythm proportions of the Italian quartets. The music tends to jump with incredible speed from one idea to the next. © CAvi-Music

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