Streaming illimitato
Ascolta subito questo album in alta qualità sulle nostre app
Inizia il mio periodo di prova e riproduci l'albumGoditi questo album sulle app Qobuz con il tuo abbonamento
AbbonatiGoditi questo album sulle app Qobuz con il tuo abbonamento
Download digitale
Acquista e scarica questo album in più formati, secondo le tue esigenze.
Jeremy Davenport has good credentials. Like Harry Connick, Jr., with whom he has been compared, he studied with Ellis Marsalis in New Orleans after receiving classical training in St. Louis, and also studied with Wynton Marsalis. Maybe in a Dream is made up of standards and his own compositions; there's also a short visit by Diana Krall as she joins Davenport on his "Let's Leave." Davenport has a pleasant enough voice which is much more effective on the standards, since his compositions do not compare well with the more familiar material on this disc. His originals can best be described as cute, without much substance and not likely destined to be covered by many other performers. Given the lightness of Davenport's voice, it is hard to discern any real feeling in his phrasing and interpretations. Everything is done with the same boyish charm, but there seems to be little effort to put his own imprimatur on the standards -- that is, to make the song his own for the four or five minutes he controls the music. Of the five pieces written by Davenport, "What Ever Happened" is the most entertaining. The lyrics are clever and the tune offers an opportunity for the members of the group to stretch out.
Davenport's trumpet, on which he uses a mute most of the time, is understated and reticent, much like Chet Baker's. The one song where Davenport shines is "Moonglow," linking jazz trumpet with a vocal. He gets excellent support here, and throughout, from Glenn Patscha on piano, who has worked with Davenport on previous recording sessions. "P.S. I Love You" is notable for the fine solo by eminent bassman Peter Washington. Gregory Hutchinson provides solid tempo support for the sessions with some good cymbal work. When the mood calls for it, this album can be turned to for some pleasant, low-density listening. A nice added attraction is that the lyrics to all the tunes are reprinted in the liner notes.
© Dave Nathan /TiVo
Al momento stai ascoltando degli estratti.
Ascolta oltre 100 milioni di brani con un abbonamento streaming illimitato.
Ascolta questa playlist e più di 100 milioni di brani con i nostri abbonamenti di streaming illimitato
A partire da 12,49€/mese
Glenn Patscha, Piano, AssociatedPerformer - Unknown, ComposerLyricist - Peter Washington, Upright Bass, AssociatedPerformer - Ryan Hewitt, Asst. Recording Engineer, StudioPersonnel - Gregory Hutchinson, Drums, AssociatedPerformer - Michael Bishop, Editor, Recording Engineer, StudioPersonnel - James Bonney, Editor, StudioPersonnel - Jeremy Davenport, Trumpet, Vocals, MainArtist, AssociatedPerformer - Elaine Martone, Producer, Recording Producer
℗ 1998 Telarc International Corp.
Glenn Patscha, Piano, AssociatedPerformer - Peter Washington, Upright Bass, AssociatedPerformer - Jimmy Van Heusen, ComposerLyricist - Ryan Hewitt, Asst. Recording Engineer, StudioPersonnel - Gregory Hutchinson, Drums, AssociatedPerformer - Michael Bishop, Editor, Recording Engineer, StudioPersonnel - John H Mercer, ComposerLyricist - James Bonney, Editor, StudioPersonnel - Jeremy Davenport, Trumpet, Vocals, MainArtist, AssociatedPerformer - Elaine Martone, Producer, Recording Producer
℗ 1998 Telarc International Corp.
Glenn Patscha, Piano, AssociatedPerformer - Unknown, ComposerLyricist - Peter Washington, Upright Bass, AssociatedPerformer - Ryan Hewitt, Asst. Recording Engineer, StudioPersonnel - Gregory Hutchinson, Drums, AssociatedPerformer - Michael Bishop, Editor, Recording Engineer, StudioPersonnel - James Bonney, Editor, StudioPersonnel - Jeremy Davenport, Trumpet, Vocals, MainArtist, AssociatedPerformer - Elaine Martone, Producer, Recording Producer
℗ 1998 Telarc International Corp.
Diana Krall, Vocals, FeaturedArtist, AssociatedPerformer - Glenn Patscha, Piano, AssociatedPerformer - Unknown, ComposerLyricist - Peter Washington, Upright Bass, AssociatedPerformer - Ryan Hewitt, Asst. Recording Engineer, StudioPersonnel - Gregory Hutchinson, Drums, AssociatedPerformer - Michael Bishop, Editor, Recording Engineer, StudioPersonnel - James Bonney, Editor, StudioPersonnel - Jeremy Davenport, Trumpet, Vocals, MainArtist, AssociatedPerformer - Elaine Martone, Producer, Recording Producer
℗ 1998 Telarc International Corp.
Glenn Patscha, Piano, AssociatedPerformer - Unknown, ComposerLyricist - Peter Washington, Upright Bass, AssociatedPerformer - Ryan Hewitt, Asst. Recording Engineer, StudioPersonnel - Gregory Hutchinson, Drums, AssociatedPerformer - Michael Bishop, Editor, Recording Engineer, StudioPersonnel - James Bonney, Editor, StudioPersonnel - Jeremy Davenport, Trumpet, Vocals, MainArtist, AssociatedPerformer - Elaine Martone, Producer, Recording Producer
℗ 1998 Telarc International Corp.
Glenn Patscha, Piano, AssociatedPerformer - Unknown, ComposerLyricist - Peter Washington, Upright Bass, AssociatedPerformer - Ryan Hewitt, Asst. Recording Engineer, StudioPersonnel - Gregory Hutchinson, Drums, AssociatedPerformer - Michael Bishop, Editor, Recording Engineer, StudioPersonnel - James Bonney, Editor, StudioPersonnel - Jeremy Davenport, Trumpet, Vocals, MainArtist, AssociatedPerformer - Elaine Martone, Producer, Recording Producer
℗ 1998 Telarc International Corp.
Glenn Patscha, Piano, AssociatedPerformer - Unknown, ComposerLyricist - Peter Washington, Upright Bass, AssociatedPerformer - Ryan Hewitt, Asst. Recording Engineer, StudioPersonnel - Gregory Hutchinson, Drums, AssociatedPerformer - Michael Bishop, Editor, Recording Engineer, StudioPersonnel - James Bonney, Editor, StudioPersonnel - Jeremy Davenport, Trumpet, Vocals, MainArtist, AssociatedPerformer - Elaine Martone, Producer, Recording Producer
℗ 1998 Telarc International Corp.
Glenn Patscha, Piano, AssociatedPerformer - Unknown, ComposerLyricist - Peter Washington, Upright Bass, AssociatedPerformer - Ryan Hewitt, Asst. Recording Engineer, StudioPersonnel - Gregory Hutchinson, Drums, AssociatedPerformer - Michael Bishop, Editor, Recording Engineer, StudioPersonnel - James Bonney, Editor, StudioPersonnel - Jeremy Davenport, Trumpet, MainArtist, AssociatedPerformer - Elaine Martone, Producer, Recording Producer
℗ 1998 Telarc International Corp.
Glenn Patscha, Piano, AssociatedPerformer - Unknown, ComposerLyricist - Peter Washington, Upright Bass, AssociatedPerformer - Ryan Hewitt, Asst. Recording Engineer, StudioPersonnel - Gregory Hutchinson, Drums, AssociatedPerformer - Michael Bishop, Editor, Recording Engineer, StudioPersonnel - James Bonney, Editor, StudioPersonnel - Jeremy Davenport, Trumpet, Vocals, MainArtist, AssociatedPerformer - Elaine Martone, Producer, Recording Producer
℗ 1998 Telarc International Corp.
Glenn Patscha, Piano, AssociatedPerformer - Unknown, ComposerLyricist - Peter Washington, Upright Bass, AssociatedPerformer - Ryan Hewitt, Asst. Recording Engineer, StudioPersonnel - Gregory Hutchinson, Drums, AssociatedPerformer - Michael Bishop, Editor, Recording Engineer, StudioPersonnel - James Bonney, Editor, StudioPersonnel - Jeremy Davenport, Trumpet, Vocals, MainArtist, AssociatedPerformer - Elaine Martone, Producer, Recording Producer
℗ 1998 Telarc International Corp.
Glenn Patscha, Piano, AssociatedPerformer - Unknown, ComposerLyricist - Peter Washington, Upright Bass, AssociatedPerformer - Ryan Hewitt, Asst. Recording Engineer, StudioPersonnel - Gregory Hutchinson, Drums, AssociatedPerformer - Michael Bishop, Editor, Recording Engineer, StudioPersonnel - James Bonney, Editor, StudioPersonnel - Jeremy Davenport, Trumpet, Vocals, MainArtist, AssociatedPerformer - Elaine Martone, Producer, Recording Producer
℗ 1998 Telarc International Corp.
Approfondimenti
Jeremy Davenport has good credentials. Like Harry Connick, Jr., with whom he has been compared, he studied with Ellis Marsalis in New Orleans after receiving classical training in St. Louis, and also studied with Wynton Marsalis. Maybe in a Dream is made up of standards and his own compositions; there's also a short visit by Diana Krall as she joins Davenport on his "Let's Leave." Davenport has a pleasant enough voice which is much more effective on the standards, since his compositions do not compare well with the more familiar material on this disc. His originals can best be described as cute, without much substance and not likely destined to be covered by many other performers. Given the lightness of Davenport's voice, it is hard to discern any real feeling in his phrasing and interpretations. Everything is done with the same boyish charm, but there seems to be little effort to put his own imprimatur on the standards -- that is, to make the song his own for the four or five minutes he controls the music. Of the five pieces written by Davenport, "What Ever Happened" is the most entertaining. The lyrics are clever and the tune offers an opportunity for the members of the group to stretch out.
Davenport's trumpet, on which he uses a mute most of the time, is understated and reticent, much like Chet Baker's. The one song where Davenport shines is "Moonglow," linking jazz trumpet with a vocal. He gets excellent support here, and throughout, from Glenn Patscha on piano, who has worked with Davenport on previous recording sessions. "P.S. I Love You" is notable for the fine solo by eminent bassman Peter Washington. Gregory Hutchinson provides solid tempo support for the sessions with some good cymbal work. When the mood calls for it, this album can be turned to for some pleasant, low-density listening. A nice added attraction is that the lyrics to all the tunes are reprinted in the liner notes.
© Dave Nathan /TiVo
A proposito dell'album
- 1 disco(i) - 11 traccia(e)
- Durata totale: 00:56:22
- Artisti principali: Jeremy Davenport
- Compositore: Various Composers
- Etichetta: Telarc
- Genere: Jazz
© 1998 Telarc International Corp. ℗ 1998 Telarc International Corp.
Migliorare le informazioni sugli albumPerché acquistare su Qobuz
-
Ascolta la tua musica in streaming o download
Acquista un album o una singola traccia. Oppure ascolta il nostro intero catalogo con i nostri abbonamenti streaming illimitati di alta qualità.
-
Zero DRM
I file scaricati ti appartengono, senza limiti d’uso. Puoi scaricarli tutte le volte che vuoi.
-
Scegli il formato più adatto a te
Scarica i tuoi acquisti in un'ampia varietà di formati (FLAC, ALAC, WAV, AIF ...) a seconda delle tue esigenze.
-
Ascolta i tuoi acquisti sulle nostre app
Scarica le app Qobuz per smartphone, tablet e computer e ascolta i tuoi acquisti dappertutto.