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Lutosławski's Cello Concerto and Dutilleux’s Tout un monde lointain (also a cello concerto) are linked by their unique destinies. Both were led by Rostropovitch; both were started in 1967 and both were created by the patron in 1970. Both were performed "in the West": one in London, the other in Aix-en-Provence; and that's when things started to unravel for Rostropovich, who fell out of favour with Brezhnev's regime in the USSR. When the soloist left the USSR for good in 1974, Lutosławski's Concerto suffered the same fate in the East and was hardly played there for a long time. While the two works are perfectly contemporary, and the two composers as well, the difference between them couldn't be greater. Whilst Lutosławski's Concerto seems to describe chaos, with a soloist part that resembles a Don Quixote battling against an orchestra, Tout un monde lointain bathes in a fantastical light, where the cello is primus inter pares with the orchestra. Two visions, both so different, defended here with the same ardour by cellist Johannes Moser, who has worked on them and played them many times over, and his experience has produced a recording where every inflection is carefully chosen. © SM/Qobuz
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Cello Concerto (Witold Lutosławski)
Thomas Søndergård, Conductor - Rundfunk-Sinfonieorchester Berlin, Orchestra - Johannes Moser, Artist, MainArtist - Witold Lutosławski, Composer
(C) 2018 PENTATONE (P) 2018 PENTATONE
Thomas Søndergård, Conductor - Rundfunk-Sinfonieorchester Berlin, Orchestra - Johannes Moser, Artist, MainArtist - Witold Lutosławski, Composer
(C) 2018 PENTATONE (P) 2018 PENTATONE
Thomas Søndergård, Conductor - Rundfunk-Sinfonieorchester Berlin, Orchestra - Johannes Moser, Artist, MainArtist - Witold Lutosławski, Composer
(C) 2018 PENTATONE (P) 2018 PENTATONE
Thomas Søndergård, Conductor - Rundfunk-Sinfonieorchester Berlin, Orchestra - Johannes Moser, Artist, MainArtist - Witold Lutosławski, Composer
(C) 2018 PENTATONE (P) 2018 PENTATONE
Cello Concerto "Tout un monde lointain" (Henri Dutilleux)
Henri Dutilleux, Composer - Thomas Søndergård, Conductor - Rundfunk-Sinfonieorchester Berlin, Orchestra - Johannes Moser, Artist, MainArtist
(C) 2018 PENTATONE (P) 2018 PENTATONE
Henri Dutilleux, Composer - Thomas Søndergård, Conductor - Rundfunk-Sinfonieorchester Berlin, Orchestra - Johannes Moser, Artist, MainArtist
(C) 2018 PENTATONE (P) 2018 PENTATONE
Henri Dutilleux, Composer - Thomas Søndergård, Conductor - Rundfunk-Sinfonieorchester Berlin, Orchestra - Johannes Moser, Artist, MainArtist
(C) 2018 PENTATONE (P) 2018 PENTATONE
Henri Dutilleux, Composer - Thomas Søndergård, Conductor - Rundfunk-Sinfonieorchester Berlin, Orchestra - Johannes Moser, Artist, MainArtist
(C) 2018 PENTATONE (P) 2018 PENTATONE
Henri Dutilleux, Composer - Thomas Søndergård, Conductor - Rundfunk-Sinfonieorchester Berlin, Orchestra - Johannes Moser, Artist, MainArtist
(C) 2018 PENTATONE (P) 2018 PENTATONE
Approfondimenti
Lutosławski's Cello Concerto and Dutilleux’s Tout un monde lointain (also a cello concerto) are linked by their unique destinies. Both were led by Rostropovitch; both were started in 1967 and both were created by the patron in 1970. Both were performed "in the West": one in London, the other in Aix-en-Provence; and that's when things started to unravel for Rostropovich, who fell out of favour with Brezhnev's regime in the USSR. When the soloist left the USSR for good in 1974, Lutosławski's Concerto suffered the same fate in the East and was hardly played there for a long time. While the two works are perfectly contemporary, and the two composers as well, the difference between them couldn't be greater. Whilst Lutosławski's Concerto seems to describe chaos, with a soloist part that resembles a Don Quixote battling against an orchestra, Tout un monde lointain bathes in a fantastical light, where the cello is primus inter pares with the orchestra. Two visions, both so different, defended here with the same ardour by cellist Johannes Moser, who has worked on them and played them many times over, and his experience has produced a recording where every inflection is carefully chosen. © SM/Qobuz
A proposito dell'album
- 1 disco(i) - 9 traccia(e)
- Durata totale: 00:53:47
- 1 Libretto digitale
- Artisti principali: Johannes Moser Rundfunk Sinfonieorchester Berlin Thomas Søndergård
- Compositore: Various Composers
- Etichetta: Pentatone
- Genere: Classica Musica concertante Concerti per violoncello
- Periodo: Musica contemporanea
(C) 2018 PENTATONE (P) 2018 PENTATONE
Distinzioni:
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