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Dorothee Mields|Henry Purcell: Love Songs

Henry Purcell: Love Songs

Dorothee Mields, Lautten Compagney Berlin, Wolfgang Katschner

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The songs and instrumental dance pieces on this German release come from a genre that has probably suffered historically from being saddled with the clunky name of semi-opera. The semi-opera was a spoken play with song-and-dance extravaganzas related to the masque genre. Henry Purcell was closely associated with the semi-opera, and there are various gems scattered around his output in the genre even though it's hard to bring an entire work to life. (It would be worth reconstructing one of these evening's entertainments in full.) Here, the Lautten Compagney Berlin and its director Wolfgang Katschner take some chances in an attempt to restore to the music what necessarily excerpted performances leave out. The music comes from four semi-operas, Timon of Athens, The History of Dioclesian, King Arthur, and The Fairy Queen, mixed slightly together but no more so than might have been done in a theater of the time. The recording is well worth hearing even if not to everybody's taste. Basically, Katschner juices up the music rhythmically, substituting plucked strings for recorders in some of the upper parts, calling forth some curious sounds from the plucked contrabass of Annette Rheinfurth and adding percussion. The results might not set a new standard for performing Purcell, but they work well here thanks to the presence of soprano Dorothee Mields, whose English diction renders the enclosed texts barely necessary for native speakers (they're also given in German, and the notes but not the song texts appear in French). Her approach (and it seems to be her contribution rather than part of the overall plan) is a dramatic style that takes plenty of time at the beginning of slow songs and generally seizes the stage effectively. The dance mood of the instrumental pieces emerges clearly, and the recording is evocative enough to make you mostly forget the fact that the music has been tampered with a little bit. The sound, from Berlin's Pfingskirche, is clear but not really in keeping with the theatrical atmosphere.
© TiVo

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Henry Purcell: Love Songs

Dorothee Mields

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Timon Of Athens, Z. 632 (Henry Purcell)

1
Curtain Tune on a Ground
Lautten Compagney Berlin
00:04:00

Henry Purcell, Composer - Thomas Shadwell, Author - Wolfgang Katschner, Conductor, MainArtist - Lautten Compagney Berlin, Ensemble, MainArtist

℗ 2010 Carus

Dioclesian, Z. 627 (Henry Purcell)

2
Dance
Lautten Compagney Berlin
00:01:05

Henry Purcell, Composer - Wolfgang Katschner, Conductor, MainArtist - Thomas Betterton, Author - Lautten Compagney Berlin, Ensemble, MainArtist

℗ 2010 Carus

3
If Music Be The Food of Love, Z. 379
Dorothee Mields
00:03:37

Henry Purcell, Composer - Dorothee Mields, Soprano, MainArtist, AssociatedPerformer - Wolfgang Katschner, Conductor, MainArtist - Lautten Compagney Berlin, Ensemble, MainArtist

℗ 2010 Carus

King Arthur, or The British Worthy, Z. 628 / Act IV (Henry Purcell)

4
For Love Ev'ry Creature
Dorothee Mields
00:03:44

Henry Purcell, Composer - John Dryden, Author - Dorothee Mields, Soprano, MainArtist, AssociatedPerformer - Wolfgang Katschner, Conductor, MainArtist - Lautten Compagney Berlin, Ensemble, MainArtist

℗ 2010 Carus

5
Hornpipe
Lautten Compagney Berlin
00:00:50

Henry Purcell, Composer - Wolfgang Katschner, Conductor, MainArtist - Lautten Compagney Berlin, Ensemble, MainArtist

℗ 2010 Carus

6
I Love and I Must, Z. 382
Dorothee Mields
00:02:45

Henry Purcell, ComposerLyricist - Dorothee Mields, Soprano, MainArtist, AssociatedPerformer - Wolfgang Katschner, Conductor, MainArtist - Lautten Compagney Berlin, Ensemble, MainArtist

℗ 2010 Carus

Pausanius, Z. 585 (Henry Purcell)

7
Sweeter Than Roses
Dorothee Mields
00:03:07

Henry Purcell, Composer - Dorothee Mields, Soprano, MainArtist, AssociatedPerformer - Wolfgang Katschner, Conductor, MainArtist - Richard Norton, Author - Lautten Compagney Berlin, Ensemble, MainArtist

℗ 2010 Carus

Timon Of Athens, Z. 632 (Henry Purcell)

8
Overture
Lautten Compagney Berlin
00:03:19

Henry Purcell, Composer - Thomas Shadwell, Author - Wolfgang Katschner, Conductor, MainArtist - Lautten Compagney Berlin, Ensemble, MainArtist

℗ 2010 Carus

9
Hark! How the Songsters of the Grove
Dorothee Mields
00:01:50

Henry Purcell, Composer - Dorothee Mields, Soprano, MainArtist, AssociatedPerformer - Thomas Shadwell, Author - Wolfgang Katschner, Conductor, MainArtist - Lautten Compagney Berlin, Ensemble, MainArtist

℗ 2010 Carus

10
Love in Their Little Veins Inspires
Dorothee Mields
00:01:34

Henry Purcell, Composer - Dorothee Mields, Soprano, MainArtist, AssociatedPerformer - Thomas Shadwell, Author - Wolfgang Katschner, Conductor, MainArtist - Lautten Compagney Berlin, Ensemble, MainArtist

℗ 2010 Carus

11
But Ah!
Dorothee Mields
00:01:29

Henry Purcell, Composer - Dorothee Mields, Soprano, MainArtist, AssociatedPerformer - Thomas Shadwell, Author - Wolfgang Katschner, Conductor, MainArtist - Lautten Compagney Berlin, Ensemble, MainArtist

℗ 2010 Carus

12
Come All to Me
Dorothee Mields
00:01:29

Henry Purcell, Composer - Dorothee Mields, Soprano, MainArtist, AssociatedPerformer - Thomas Shadwell, Author - Wolfgang Katschner, Conductor, MainArtist - Lautten Compagney Berlin, Ensemble, MainArtist

℗ 2010 Carus

Dioclesian, Z. 627 (Henry Purcell)

13
First Music
Lautten Compagney Berlin
00:02:16

Henry Purcell, Composer - Wolfgang Katschner, Conductor, MainArtist - Thomas Betterton, Author - Lautten Compagney Berlin, Ensemble, MainArtist

℗ 2010 Carus

The Fairy Queen, Z. 629 / Act II (Henry Purcell)

14
Entrance of Night
Dorothee Mields
00:03:58

William Shakespeare , Author, Original Text Author - Henry Purcell, Composer - Elkanah Settle, Author - Dorothee Mields, Soprano, MainArtist, AssociatedPerformer - Wolfgang Katschner, Conductor, MainArtist - Lautten Compagney Berlin, Ensemble, MainArtist

℗ 2010 Carus

15
One Charming Night
Dorothee Mields
00:02:51

Imogen Holst, Contributor, Work Editor - William Shakespeare , Author, Original Text Author - Benjamin Britten, Contributor, Work Editor - Henry Purcell, Composer - Peter Pears, Contributor, Work Editor - Elkanah Settle, Author - Dorothee Mields, Soprano, MainArtist, AssociatedPerformer - Wolfgang Katschner, Conductor, MainArtist - Lautten Compagney Berlin, Ensemble, MainArtist

℗ 2010 Carus

16
Hush, No More
Dorothee Mields
00:01:54

Imogen Holst, Contributor, Work Editor - William Shakespeare , Author, Original Text Author - Benjamin Britten, Contributor, Work Editor - Henry Purcell, Composer - Peter Pears, Contributor, Work Editor - Elkanah Settle, Author - Dorothee Mields, Soprano, MainArtist, AssociatedPerformer - Wolfgang Katschner, Conductor, MainArtist - Lautten Compagney Berlin, Ensemble, MainArtist

℗ 2010 Carus

Dioclesian, Z. 627 (Henry Purcell)

17
Chaconne
Lautten Compagney
00:03:21

Henry Purcell, Composer - Lautten Compagney, Ensemble, MainArtist - Thomas Betterton, Author

℗ 2010 Carus

The Fairy Queen, Z. 629 / Act III (Henry Purcell)

18
Ye Gentle Spirits of the Air, Appear
Dorothee Mields
00:04:36

William Shakespeare , Author, Original Text Author - Henry Purcell, Composer - Elkanah Settle, Author - Dorothee Mields, Soprano, MainArtist, AssociatedPerformer - Wolfgang Katschner, Conductor, MainArtist - Lautten Compagney Berlin, Ensemble, MainArtist

℗ 2010 Carus

Dioclesian, Z. 627 (Henry Purcell)

19
Prelude
Lautten Compagney Berlin
00:01:37

Henry Purcell, Composer - Wolfgang Katschner, Conductor, MainArtist - Thomas Betterton, Author - Lautten Compagney Berlin, Ensemble, MainArtist

℗ 2010 Carus

20
Since From My Dear Astraea's Sight
Dorothee Mields
00:02:37

Henry Purcell, Composer - Dorothee Mields, Soprano, MainArtist, AssociatedPerformer - Wolfgang Katschner, Conductor, MainArtist - Thomas Betterton, Author - Lautten Compagney Berlin, Ensemble, MainArtist

℗ 2010 Carus

The Fairy Queen, Z. 629 / Act III (Henry Purcell)

21
O Let Me Weep
Dorothee Mields
00:06:18

William Shakespeare , Author, Original Text Author - Henry Purcell, Composer - Elkanah Settle, Author - Dorothee Mields, Soprano, MainArtist, AssociatedPerformer - Wolfgang Katschner, Conductor, MainArtist - Lautten Compagney Berlin, Ensemble, MainArtist

℗ 2010 Carus

22
If Love's a Sweet Passion
Dorothee Mields
00:02:57

William Shakespeare , Author, Original Text Author - Henry Purcell, Composer - Elkanah Settle, Author - Dorothee Mields, Soprano, MainArtist, AssociatedPerformer - Wolfgang Katschner, Conductor, MainArtist - Lautten Compagney Berlin, Ensemble, MainArtist

℗ 2010 Carus

Timon Of Athens, Z. 632 (Henry Purcell)

23
The Cares Of Lovers
Dorothee Mields
00:01:49

Henry Purcell, Composer - Dorothee Mields, Soprano, MainArtist, AssociatedPerformer - Thomas Shadwell, Author - Wolfgang Katschner, Conductor, MainArtist - Lautten Compagney Berlin, Ensemble, MainArtist

℗ 2010 Carus

Dioclesian, Z. 627 (Henry Purcell)

24
Let Us Dance
Dorothee Mields
00:01:38

Henry Purcell, Composer - Dorothee Mields, Soprano, MainArtist, AssociatedPerformer - Wolfgang Katschner, Conductor, MainArtist - Thomas Betterton, Author - Lautten Compagney Berlin, Ensemble, MainArtist

℗ 2010 Carus

King Arthur, or The British Worthy, Z. 628 / Act III (Henry Purcell)

25
Borée
Lautten Compagney Berlin
00:01:13

Henry Purcell, Composer - John Dryden, Author - Wolfgang Katschner, Conductor, MainArtist - Lautten Compagney Berlin, Ensemble, MainArtist

℗ 2010 Carus

Dioclesian, Z. 627 (Henry Purcell)

26
Butterfly Dance
Lautten Compagney Berlin
00:02:11

Henry Purcell, Composer - Wolfgang Katschner, Conductor, MainArtist - Thomas Betterton, Author - Lautten Compagney Berlin, Ensemble, MainArtist

℗ 2010 Carus

The Mock Marriage, Z. 605 (Henry Purcell)

27
Man Is For The Woman Made
Dorothee Mields
00:01:28

Henry Purcell, Composer - Thomas Scott, Author - Dorothee Mields, Soprano, MainArtist, AssociatedPerformer - Wolfgang Katschner, Conductor, MainArtist - Lautten Compagney Berlin, Ensemble, MainArtist

℗ 2010 Carus

The Fairy Queen, Z. 629 / Act IV (Henry Purcell)

28
Hark! Hark the Echoing Air
Dorothee Mields
00:02:51

William Shakespeare , Author, Original Text Author - Henry Purcell, Composer - Elkanah Settle, Author - Dorothee Mields, Soprano, MainArtist, AssociatedPerformer - Wolfgang Katschner, Conductor, MainArtist - Lautten Compagney Berlin, Ensemble, MainArtist

℗ 2010 Carus

29
Chaconne
Lautten Compagney Berlin
00:03:32

William Shakespeare , Author, Original Text Author - Henry Purcell, Composer - Elkanah Settle, Author - Wolfgang Katschner, Conductor, MainArtist - Lautten Compagney Berlin, Ensemble, MainArtist

℗ 2010 Carus

Approfondimenti

The songs and instrumental dance pieces on this German release come from a genre that has probably suffered historically from being saddled with the clunky name of semi-opera. The semi-opera was a spoken play with song-and-dance extravaganzas related to the masque genre. Henry Purcell was closely associated with the semi-opera, and there are various gems scattered around his output in the genre even though it's hard to bring an entire work to life. (It would be worth reconstructing one of these evening's entertainments in full.) Here, the Lautten Compagney Berlin and its director Wolfgang Katschner take some chances in an attempt to restore to the music what necessarily excerpted performances leave out. The music comes from four semi-operas, Timon of Athens, The History of Dioclesian, King Arthur, and The Fairy Queen, mixed slightly together but no more so than might have been done in a theater of the time. The recording is well worth hearing even if not to everybody's taste. Basically, Katschner juices up the music rhythmically, substituting plucked strings for recorders in some of the upper parts, calling forth some curious sounds from the plucked contrabass of Annette Rheinfurth and adding percussion. The results might not set a new standard for performing Purcell, but they work well here thanks to the presence of soprano Dorothee Mields, whose English diction renders the enclosed texts barely necessary for native speakers (they're also given in German, and the notes but not the song texts appear in French). Her approach (and it seems to be her contribution rather than part of the overall plan) is a dramatic style that takes plenty of time at the beginning of slow songs and generally seizes the stage effectively. The dance mood of the instrumental pieces emerges clearly, and the recording is evocative enough to make you mostly forget the fact that the music has been tampered with a little bit. The sound, from Berlin's Pfingskirche, is clear but not really in keeping with the theatrical atmosphere.
© TiVo

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