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Napalm Death|From Enslavement to Obliteration (Full Dynamic Range 2012 Edition)

From Enslavement to Obliteration (Full Dynamic Range 2012 Edition)

Napalm Death

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Napalm Death's second full effort, From Enslavement to Obliteration in ways put the seal on what the band had done, with most of its members going off to pursue their own individual efforts soon thereafter, and as such is the perfect complement to Scum, showing the quartet both straining at the bit and honing its original approach to a T. Like Scum, it starts on a more deliberate pace, with "Evolved as One" hitting a slow, careful trudge -- everything is quite discernible, even Lee Dorrian's sore-throat roar style of singing -- which is all the better to build up the listener for whatever happens next. That combination of just enough variety with nuclear-strength ultimate velocity feedback, clatter, and barking once again does the trick; if it wasn't quite as thrillingly new as before, it's still unquestionably grand, making this album the Leave Home to the original's Ramones, if one likes. The song titles once again make it clear that fluffy bunnies aren't the band's subject du jour: "Unchallenged Hate," "Mentally Murdered," "Retreat to Nowhere," "Make Way!" There's a little bit of wry humor starting to surface at points, though -- thus "Cock-Rock Alienation," which somehow manages to be a critique of the modern music business' interest in sheep-like consumers even while blurring along in the expected fashion. Those moments where the band finds a more straightforward thrash-stomp once again show that the quartet could nail that when they desired, but as always it's when the group completely goes beyond the conventions that things just completely hit a new hit. Crazy high point: the four-second solo on "Uncertainty Blurs the Vision," which compacts a feedback shriek of ecstasy into the smallest possible space. [Early CD versions of the album included Scum and other extra tracks, though the two are now usually found separately.]

© Ned Raggett /TiVo

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From Enslavement to Obliteration (Full Dynamic Range 2012 Edition)

Napalm Death

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1
Evolved As One
00:03:14

Napalm Death, Performer - Dorrian, Composer - Embury, Composer

2012 Earache Records Ltd 2012 Earache Records Ltd

2
Its a M.a.n.s. World!
00:00:55

Napalm Death, Performer - Dorrian, Composer - Harris, Composer

2012 Earache Records Ltd 2012 Earache Records Ltd

3
Lucid Fairytale
00:01:04

Napalm Death, Performer - Dorrian, Composer - Embury, Composer

2012 Earache Records Ltd 2012 Earache Records Ltd

4
Private Death
00:00:35

Napalm Death, Performer - Dorrian, Composer - Embury, Composer - Harris, Composer - Steer, Composer

2012 Earache Records Ltd 2012 Earache Records Ltd

5
Impressions
00:00:35

Napalm Death, Performer - Dorrian, Composer - Embury, Composer

2012 Earache Records Ltd 2012 Earache Records Ltd

6
Unchallenged Hate
00:02:07

Napalm Death, Performer - Dorrian, Composer - Embury, Composer

2012 Earache Records Ltd 2012 Earache Records Ltd

7
Uncertainty Blurs the Vision
00:00:39

Napalm Death, Performer - Dorrian, Composer - Harris, Composer

2012 Earache Records Ltd 2012 Earache Records Ltd

8
Cock-Rock Alienation
00:01:21

Napalm Death, Performer - Dorrian, Composer - Harris, Composer

2012 Earache Records Ltd 2012 Earache Records Ltd

9
Retreat to Nowhere
00:00:30

Napalm Death, Performer - Dorrian, Composer - Embury, Composer

2012 Earache Records Ltd 2012 Earache Records Ltd

10
Think for a Minute
00:01:44

Napalm Death, Performer - Dorrian, Composer - Harris, Composer

2012 Earache Records Ltd 2012 Earache Records Ltd

11
Display to Me...
00:02:43

Napalm Death, Performer - Dorrian, Composer - Harris, Composer

2012 Earache Records Ltd 2012 Earache Records Ltd

12
From Enslavement to Obliteration
00:01:37

Napalm Death, Performer - Dorrian, Composer - Harris, Composer

2012 Earache Records Ltd 2012 Earache Records Ltd

13
Blind to the Truth
00:00:22

Napalm Death, Performer - Embury, Composer

2012 Earache Records Ltd 2012 Earache Records Ltd

14
Social Sterility
00:01:03

Napalm Death, Performer - Dorrian, Composer - Harris, Composer

2012 Earache Records Ltd 2012 Earache Records Ltd

15
Emotional Suffocation
00:01:07

Napalm Death, Performer - Dorrian, Composer - Harris, Composer

2012 Earache Records Ltd 2012 Earache Records Ltd

16
Practice What You Preach
00:01:24

Napalm Death, Performer - Dorrian, Composer - Embury, Composer

2012 Earache Records Ltd 2012 Earache Records Ltd

17
Inconceivable?
00:01:06

Napalm Death, Performer - Dorrian, Composer - Harris, Composer

2012 Earache Records Ltd 2012 Earache Records Ltd

18
Worlds Apart
00:01:25

Napalm Death, Performer - Dorrian, Composer - Embury, Composer

2012 Earache Records Ltd 2012 Earache Records Ltd

19
Obstinate Direction
00:01:03

Napalm Death, Performer - Dorrian, Composer - Embury, Composer

2012 Earache Records Ltd 2012 Earache Records Ltd

20
Mentally Murdered
00:02:15

Napalm Death, Performer - Embury, Composer - Harris, Composer

2012 Earache Records Ltd 2012 Earache Records Ltd

21
Sometimes
00:01:08

Napalm Death, Performer - Dorrian, Composer - Embury, Composer

2012 Earache Records Ltd 2012 Earache Records Ltd

22
Make Way!
00:01:37

Napalm Death, Performer - Dorrian, Composer - Harris, Composer

2012 Earache Records Ltd 2012 Earache Records Ltd

23
Musclehead
00:00:51

Napalm Death, Performer - Dorrian, Composer - Embury, Composer

2012 Earache Records Ltd 2012 Earache Records Ltd

24
Your Achievement
00:00:06

Napalm Death, Performer - Dorrian, Composer - Embury, Composer

2012 Earache Records Ltd 2012 Earache Records Ltd

25
Dead
00:00:04

Napalm Death, Performer - Dorrian, Composer - Embury, Composer

2012 Earache Records Ltd 2012 Earache Records Ltd

26
Morbid Deceiver
00:00:45

Napalm Death, Performer - Dorrian, Composer - Harris, Composer

2012 Earache Records Ltd 2012 Earache Records Ltd

27
The Curse (Bonus Track)
00:03:18

Napalm Death, Performer - Dorrian, Composer - Harris, Composer

2012 Earache Records Ltd 2012 Earache Records Ltd

28
Scum (Bonus Track)
00:02:20

Napalm Death, Performer - Broadrick, Composer - Bullen, Composer - Harris, Composer

2012 Earache Records Ltd 2012 Earache Records Ltd

29
Life? (Bonus Track)
00:00:37

Napalm Death, Performer - Harris, Composer - Whiteley, Composer

2012 Earache Records Ltd 2012 Earache Records Ltd

30
Retreat to Nowhere (Bonus Track)
00:00:28

Napalm Death, Performer - Dorrian, Composer - Embury, Composer

2012 Earache Records Ltd 2012 Earache Records Ltd

31
Internal Animosity (Bonus Track)
00:05:19

Napalm Death, Performer - Embury, Composer

2012 Earache Records Ltd 2012 Earache Records Ltd

Approfondimenti

Napalm Death's second full effort, From Enslavement to Obliteration in ways put the seal on what the band had done, with most of its members going off to pursue their own individual efforts soon thereafter, and as such is the perfect complement to Scum, showing the quartet both straining at the bit and honing its original approach to a T. Like Scum, it starts on a more deliberate pace, with "Evolved as One" hitting a slow, careful trudge -- everything is quite discernible, even Lee Dorrian's sore-throat roar style of singing -- which is all the better to build up the listener for whatever happens next. That combination of just enough variety with nuclear-strength ultimate velocity feedback, clatter, and barking once again does the trick; if it wasn't quite as thrillingly new as before, it's still unquestionably grand, making this album the Leave Home to the original's Ramones, if one likes. The song titles once again make it clear that fluffy bunnies aren't the band's subject du jour: "Unchallenged Hate," "Mentally Murdered," "Retreat to Nowhere," "Make Way!" There's a little bit of wry humor starting to surface at points, though -- thus "Cock-Rock Alienation," which somehow manages to be a critique of the modern music business' interest in sheep-like consumers even while blurring along in the expected fashion. Those moments where the band finds a more straightforward thrash-stomp once again show that the quartet could nail that when they desired, but as always it's when the group completely goes beyond the conventions that things just completely hit a new hit. Crazy high point: the four-second solo on "Uncertainty Blurs the Vision," which compacts a feedback shriek of ecstasy into the smallest possible space. [Early CD versions of the album included Scum and other extra tracks, though the two are now usually found separately.]

© Ned Raggett /TiVo

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