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John Wilson|Copland: Orchestral Works, Vol. 1 - Ballet Suites

Copland: Orchestral Works, Vol. 1 - Ballet Suites

John Wilson, BBC Philharmonic

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The British conductor John Wilson is a specialist in light music known for his renditions of, among other music, American film scores. You might think he'd be a natural for Copland, and so he may well be for non-American listeners. In fact, what you get here is a set of readings of Copland standards that are shorn of quite a few accretions of American tradition. It's in the syncopations that you notice the differences most: their zip is tamped down, and in general the broad popular gestures of the music are deemphasized. The result is angular, rather Stravinskian Copland that has been thought out anew. More broadly, there is an effort made not to settle into and luxuriate in the big tunes that for many listeners define the Copland experience. It all makes sense on its own terms, and Copland himself saw a unity among the various phases of his career rather than dividing it into accessible and stylistically progressive aspects. Sample El Salón México (track two) for a fair representation of Wilson's approach, and also for the generally strong orchestral work and the crackling MediaCityUK studio sound from Chandos, a major attraction in itself. This is offbeat rather than mainstream Copland, but (therefore) of considerable interest.

© TiVo

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Copland: Orchestral Works, Vol. 1 - Ballet Suites

John Wilson

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1
Fanfare for the Common Man
00:04:09

Aaron Copland, Composer - John Wilson, Conductor, MainArtist - BBC Philharmonic, Orchestra, MainArtist

2016 Chandos Records 2016 Chandos Records

2
El Sálon México
00:11:24

Aaron Copland, Composer - John Wilson, Conductor, MainArtist - BBC Philharmonic, Orchestra, MainArtist

2016 Chandos Records 2016 Chandos Records

Billy the Kid Suite (Aaron Copland)

3
I. Introduction. The Open Prairie
00:03:25

Aaron Copland, Composer - John Wilson, Conductor, MainArtist - BBC Philharmonic, Orchestra, MainArtist

2016 Chandos Records 2016 Chandos Records

4
II. Street in a Frontier Town
00:03:17

Aaron Copland, Composer - John Wilson, Conductor, MainArtist - BBC Philharmonic, Orchestra, MainArtist

2016 Chandos Records 2016 Chandos Records

5
III. Mexican Dance and Finale
00:03:14

Aaron Copland, Composer - John Wilson, Conductor, MainArtist - BBC Philharmonic, Orchestra, MainArtist

2016 Chandos Records 2016 Chandos Records

6
IV. Prairie Night (Card game at night)
00:03:13

Aaron Copland, Composer - John Wilson, Conductor, MainArtist - BBC Philharmonic, Orchestra, MainArtist

2016 Chandos Records 2016 Chandos Records

7
V. Gun Battle
00:01:57

Aaron Copland, Composer - John Wilson, Conductor, MainArtist - BBC Philharmonic, Orchestra, MainArtist

2016 Chandos Records 2016 Chandos Records

8
VI. Celebraton (after Billy's capture)
00:02:12

Aaron Copland, Composer - John Wilson, Conductor, MainArtist - BBC Philharmonic, Orchestra, MainArtist

2016 Chandos Records 2016 Chandos Records

9
VII. Billy's Death
00:01:17

Aaron Copland, Composer - John Wilson, Conductor, MainArtist - BBC Philharmonic, Orchestra, MainArtist

2016 Chandos Records 2016 Chandos Records

10
VIII. The Open Prairie again
00:01:45

Aaron Copland, Composer - John Wilson, Conductor, MainArtist - BBC Philharmonic, Orchestra, MainArtist

2016 Chandos Records 2016 Chandos Records

Appalachian Spring Suite (Aaron Copland)

11
I. Very Slowly
00:02:49

Aaron Copland, Composer - John Wilson, Conductor, MainArtist - BBC Philharmonic, Orchestra, MainArtist

2016 Chandos Records 2016 Chandos Records

12
II. Allegro
00:02:53

Aaron Copland, Composer - John Wilson, Conductor, MainArtist - BBC Philharmonic, Orchestra, MainArtist

2016 Chandos Records 2016 Chandos Records

13
III. Moderato
00:03:51

Aaron Copland, Composer - John Wilson, Conductor, MainArtist - BBC Philharmonic, Orchestra, MainArtist

2016 Chandos Records 2016 Chandos Records

14
IV. Fast
00:03:23

Aaron Copland, Composer - John Wilson, Conductor, MainArtist - BBC Philharmonic, Orchestra, MainArtist

2016 Chandos Records 2016 Chandos Records

15
V. Subito allegro
00:03:08

Aaron Copland, Composer - John Wilson, Conductor, MainArtist - BBC Philharmonic, Orchestra, MainArtist

2016 Chandos Records 2016 Chandos Records

16
VI. Meno mosso
00:00:55

Aaron Copland, Composer - John Wilson, Conductor, MainArtist - BBC Philharmonic, Orchestra, MainArtist

2016 Chandos Records 2016 Chandos Records

17
VII. As at first (slowly)
00:07:30

Aaron Copland, Composer - John Wilson, Conductor, MainArtist - BBC Philharmonic, Orchestra, MainArtist

2016 Chandos Records 2016 Chandos Records

Four Dance Episodes from Rodeo (Aaron Copland)

18
I. Buckaroo Holiday
00:07:21

Aaron Copland, Composer - John Wilson, Conductor, MainArtist - BBC Philharmonic, Orchestra, MainArtist

2016 Chandos Records 2016 Chandos Records

19
II. Corral Nocturne
00:03:48

Aaron Copland, Composer - John Wilson, Conductor, MainArtist - BBC Philharmonic, Orchestra, MainArtist

2016 Chandos Records 2016 Chandos Records

20
III. Saturday Night Waltz
00:04:07

Aaron Copland, Composer - John Wilson, Conductor, MainArtist - BBC Philharmonic, Orchestra, MainArtist

2016 Chandos Records 2016 Chandos Records

21
IV. Hoe-Down
00:03:36

Aaron Copland, Composer - John Wilson, Conductor, MainArtist - BBC Philharmonic, Orchestra, MainArtist

2016 Chandos Records 2016 Chandos Records

Approfondimenti

The British conductor John Wilson is a specialist in light music known for his renditions of, among other music, American film scores. You might think he'd be a natural for Copland, and so he may well be for non-American listeners. In fact, what you get here is a set of readings of Copland standards that are shorn of quite a few accretions of American tradition. It's in the syncopations that you notice the differences most: their zip is tamped down, and in general the broad popular gestures of the music are deemphasized. The result is angular, rather Stravinskian Copland that has been thought out anew. More broadly, there is an effort made not to settle into and luxuriate in the big tunes that for many listeners define the Copland experience. It all makes sense on its own terms, and Copland himself saw a unity among the various phases of his career rather than dividing it into accessible and stylistically progressive aspects. Sample El Salón México (track two) for a fair representation of Wilson's approach, and also for the generally strong orchestral work and the crackling MediaCityUK studio sound from Chandos, a major attraction in itself. This is offbeat rather than mainstream Copland, but (therefore) of considerable interest.

© TiVo

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