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Matthias Goerne|Bach: Cantatas for Bass

Bach: Cantatas for Bass

Matthias Goerne, Freiburger Barockorchester and Gottfried von der Goltz

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Lingua disponibile: inglese

Here’s a repertoire that everybody knows about yet is completely neglected: the Bach cantatas. Granted a few have gained some importance, mostly thanks to the vocal qualities of singers who have seized it for a few decades – Fischer-Dieskau and Elly Ameling to name a few – while some complete works adorn aficionados’ collections. There is however enough content in these cantatas to “make up” about a dozen Passions or Oratorios on par with some of those we already know. Bach himself didn’t refrain from drawing from them to recycle arias, ensembles, choirs and sinfonias. Among some of the most famous, honoured in the 1950s by Fischer-Dieskau, are two cantatas for baritone: Ich will den Kreuzstab gerne tragen (1726) and Ich habe genug (1727), both written with oboe and string accompaniment. It’s precisely with this roster in mind that the Freiburger Barockorchester serves Matthias Goerne, a disciple of Elisabeth Schwarzkopf and… Dietrich Fischer-Dieskau, him again! The German baritone, a regular on the world’s most prestigious scenes, doesn’t refrain from lending his immense voice to this almost-chamber music by giving it a character far removed from the lyrical style required by Berg, Wagner or Strauss. In addition, still with the oboe in mind, the recording includes the Concerto in A Major for Oboe d'amore BWV1055R, a modern reconstruction from a keyboard concerto in A major, which there is every reason to believe was itself recycled by Bach from an older concerto for oboe d'amore. The remarkable Katharina Arfken plays the oboe for the cantatas and the oboe d’amore for the concerto. © SM/Qobuz

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Bach: Cantatas for Bass

Matthias Goerne

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1
Ich hatte viel Bekümmernis, BWV 21: I. Sinfonia
Freiburger Barockorchester
00:03:06

Freiburger Barockorchester, Primary - Gottfried von der Goltz, Conductor, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

2
Ich will den Kreuzstab gerne tragen, BWV 56: I. Aria. Ich will den Kreuzstab gerne tragen
Matthias Goerne
00:07:24

Matthias Goerne, Performer, Primary - Freiburger Barockorchester, Primary - Gottfried von der Goltz, Conductor, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

3
Ich will den Kreuzstab gerne tragen, BWV 56: II. Recitativo. Mein Wandel auf der Welt
Matthias Goerne
00:01:43

Matthias Goerne, Performer, Primary - Freiburger Barockorchester, Primary - Gottfried von der Goltz, Conductor, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

4
Ich will den Kreuzstab gerne tragen, BWV 56: III. Aria. Endlich, endlich will mein Joch
Matthias Goerne
00:06:30

Matthias Goerne, Performer, Primary - Freiburger Barockorchester, Primary - Gottfried von der Goltz, Conductor, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

5
Ich will den Kreuzstab gerne tragen, BWV 56: IV. Recitativo & Aria. Ich stehe fertig
Matthias Goerne
00:01:32

Matthias Goerne, Performer, Primary - Freiburger Barockorchester, Primary - Gottfried von der Goltz, Conductor, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

6
Ich will den Kreuzstab gerne tragen, BWV 56: V. Choral. Komm, o Tod, du Schlafes Bruder
Matthias Goerne
00:01:21

Matthias Goerne, Performer, Primary - Freiburger Barockorchester, Primary - Gottfried von der Goltz, Conductor, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

7
Oboe d'amore Concerto in A major, BWV 1055R: I. Allegro
Katharina Arfken
00:04:23

Katharina Arfken, Performer, Primary - Freiburger Barockorchester, Primary - Gottfried von der Goltz, Conductor, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

8
Oboe d'amore Concerto in A major, BWV 1055R: II. Larghetto
Katharina Arfken
00:05:19

Katharina Arfken, Performer, Primary - Freiburger Barockorchester, Primary - Gottfried von der Goltz, Conductor, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

9
Oboe d'amore Concerto in A major, BWV 1055R: III. Allegro ma non tanto
Katharina Arfken
00:04:27

Katharina Arfken, Performer, Primary - Freiburger Barockorchester, Primary - Gottfried von der Goltz, Conductor, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

10
Ich habe genug, BWV 82: I. Aria. Ich habe genug
Matthias Goerne
00:07:16

Matthias Goerne, Performer, Primary - Freiburger Barockorchester, Primary - Gottfried von der Goltz, Conductor, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

11
Ich habe genug, BWV 82: II. Recitativo. Ich habe genug!
Matthias Goerne
00:01:10

Matthias Goerne, Performer, Primary - Freiburger Barockorchester, Primary - Gottfried von der Goltz, Conductor, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

12
Ich habe genug, BWV 82: III. Aria. Schlummert ein, ihr matten Augen
Matthias Goerne
00:08:23

Matthias Goerne, Performer, Primary - Freiburger Barockorchester, Primary - Gottfried von der Goltz, Conductor, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

13
Ich habe genug, BWV 82: IV. Recitativo. Mein Gott! wenn kömmt das schöne: Nun!
Matthias Goerne
00:00:46

Matthias Goerne, Performer, Primary - Freiburger Barockorchester, Primary - Gottfried von der Goltz, Conductor, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

14
Ich habe genug, BWV 82: V. Aria. Ich freue mich auf meinen Tod
Matthias Goerne
00:03:21

Matthias Goerne, Performer, Primary - Freiburger Barockorchester, Primary - Gottfried von der Goltz, Conductor, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

Approfondimenti

Here’s a repertoire that everybody knows about yet is completely neglected: the Bach cantatas. Granted a few have gained some importance, mostly thanks to the vocal qualities of singers who have seized it for a few decades – Fischer-Dieskau and Elly Ameling to name a few – while some complete works adorn aficionados’ collections. There is however enough content in these cantatas to “make up” about a dozen Passions or Oratorios on par with some of those we already know. Bach himself didn’t refrain from drawing from them to recycle arias, ensembles, choirs and sinfonias. Among some of the most famous, honoured in the 1950s by Fischer-Dieskau, are two cantatas for baritone: Ich will den Kreuzstab gerne tragen (1726) and Ich habe genug (1727), both written with oboe and string accompaniment. It’s precisely with this roster in mind that the Freiburger Barockorchester serves Matthias Goerne, a disciple of Elisabeth Schwarzkopf and… Dietrich Fischer-Dieskau, him again! The German baritone, a regular on the world’s most prestigious scenes, doesn’t refrain from lending his immense voice to this almost-chamber music by giving it a character far removed from the lyrical style required by Berg, Wagner or Strauss. In addition, still with the oboe in mind, the recording includes the Concerto in A Major for Oboe d'amore BWV1055R, a modern reconstruction from a keyboard concerto in A major, which there is every reason to believe was itself recycled by Bach from an older concerto for oboe d'amore. The remarkable Katharina Arfken plays the oboe for the cantatas and the oboe d’amore for the concerto. © SM/Qobuz

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