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Tony Malaby|Adobe

Adobe

Tony Malaby

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Tenor saxophonist Tony Malaby's trio record with bassist Drew Gress and drummer Paul Motian falls somewhere between the pianoless groups of Sonny Rollins and Ornette Coleman, starting off with Ornette's "Humpty Dumpty." The music is sparse much of the time, but tied at least loosely to chordal improvisation. Malaby is usually the lead voice and sets the direction of the music, although Gress and Motian are important if subtle contributors. Malaby varies the emotions and tempos, with the searching and mournful "Dorotea la Cautiva," the adventurous "No Brainer," "What Is This Thing Called Love," and "Cosas" (which is based on "All The Things You Are") being among the highlights. Malaby gives the impression that he could improvise endlessly without running out of interesting ideas.
© Scott Yanow /TiVo

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Tony Malaby

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1
Humpty Dumpty
00:05:28

Tony Malaby, MainArtist

2004 Sunnyside Communications 2004 Sunnyside Communications

2
Maine
00:06:12

Tony Malaby, MainArtist

2004 Sunnyside Communications 2004 Sunnyside Communications

3
Adobe Blues
00:04:41

Tony Malaby, MainArtist

2004 Sunnyside Communications 2004 Sunnyside Communications

4
Dorotea La Cautiva
00:09:28

Tony Malaby, MainArtist

2004 Sunnyside Communications 2004 Sunnyside Communications

5
No Brainer
00:05:41

Tony Malaby, MainArtist

2004 Sunnyside Communications 2004 Sunnyside Communications

6
Mia
00:05:46

Tony Malaby, MainArtist

2004 Sunnyside Communications 2004 Sunnyside Communications

7
What Is This Thing Called Love
00:04:49

Tony Malaby, MainArtist

2004 Sunnyside Communications 2004 Sunnyside Communications

8
Cosas
00:06:28

Tony Malaby, MainArtist

2004 Sunnyside Communications 2004 Sunnyside Communications

9
Gone
00:03:56

Tony Malaby, MainArtist

2004 Sunnyside Communications 2004 Sunnyside Communications

Approfondimenti

Tenor saxophonist Tony Malaby's trio record with bassist Drew Gress and drummer Paul Motian falls somewhere between the pianoless groups of Sonny Rollins and Ornette Coleman, starting off with Ornette's "Humpty Dumpty." The music is sparse much of the time, but tied at least loosely to chordal improvisation. Malaby is usually the lead voice and sets the direction of the music, although Gress and Motian are important if subtle contributors. Malaby varies the emotions and tempos, with the searching and mournful "Dorotea la Cautiva," the adventurous "No Brainer," "What Is This Thing Called Love," and "Cosas" (which is based on "All The Things You Are") being among the highlights. Malaby gives the impression that he could improvise endlessly without running out of interesting ideas.
© Scott Yanow /TiVo

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