Robert Owens
Though electronica has always been a producer's medium (and the few vocalists keeping their head above water are usually woman), Robert Owens became one of the figures most associated with the late-'80s golden era of Chicago house. Born in Ohio in 1961, he grew up singing in church, but was working as a DJ when he met pioneering Chicago producer Larry Heard in 1985. The pair formed Fingers Inc. with Ron Wilson, and released a few excellent singles ("You're Mine," "It's Over") and the 1988 full-length Another Side. The group dissolved soon after, though, as Heard's burgeoning solo production career (as Mr. Fingers) took over. Owens had already released tracks on his own -- "Bring Down the Walls" and "I'm Strong" for Alleviated, with production from Heard -- and he signed a solo contract with 4th & Broadway. His 1990 LP Rhythms in Me was a solid effort, though it soon disappeared within the quickly disintegrating Chicago house scene. (One of his best-known features of the late '80s, the epic house moment "Tears," appeared under the names of Frankie Knuckles and producer Satoshi Tomiie.)
Following a move to London in 1993, Owens set up a personal studio and started his own label, Musical Directions, initiating it with the 1994 six-track EP The Statement and concluding it with 1997's "Love Will Find Its Way." He teamed up with Tomiie and Cevin Fisher for a track from Tomiie's Full Lick LP in 1999, and one year later he appeared on the Photek smash "Mine to Give," which topped the Billboard U.S. club chart. While the 2002 double-disc anthology Love Will Find Its Way: The Best of Robert Owens neatly capped 18 years of house classics, Owens continued to collaborate and release the occasional solo 12" throughout the decade. The full-length Night-Time Stories, released on Germany's Compost label in 2008, was a pleasant surprise, with Owens' typically impassioned vocals featured over a stylistically broad range of productions from indebted artists like Kirk Degiorgio, Ian Pooley, Charles Webster, and Wahoo. Two years later, he issued the double-disc album Art. Another Compost release, it featured productions from Larry Heard, Atjazz, and Beanfield.
© John Bush /TiVo
-
-
Good Enough
House - Editado por Major Underground el 23 sept. 2022
16-Bit CD Quality 44.1 kHz - Stereo -
Don't Stop Remixes
Electrónica - Editado por Background Label el 12 abr. 2024
24-Bit 44.1 kHz - Stereo -
-
-
Love Will Keep Us Alive
Rock - Editado por Bobby D el 26 feb. 2024
16-Bit CD Quality 44.1 kHz - Stereo -
-
-
Keep the Faith
Drum & Bass - Editado por Spearhead Records el 12 sept. 2012
16-Bit CD Quality 44.1 kHz - Stereo -
I'll Take You In
House - Editado por Lazy Days Recordings el 4 dic. 2020
16-Bit CD Quality 44.1 kHz - Stereo -
-
-
What Love Sees EP
Techno - Editado por Kismet Records Limited el 5 ago. 2013
16-Bit CD Quality 44.1 kHz - Stereo -
I'll Take You In (BDTW Acid Mixes)
House - Editado por Lazy Days Recordings el 26 mar. 2021
16-Bit CD Quality 44.1 kHz - Stereo -
-
Happy / Never Give up (Remixes)
House - Editado por Compost Records el 7 nov. 2008
16-Bit CD Quality 44.1 kHz - Stereo -
I Need (The Remixes)
Electrónica - Editado por Systematic el 3 may. 2006
16-Bit CD Quality 44.1 kHz - Stereo -
Watching Over Me/What Love Sees (feat. Rui Da Silva)
House - Editado por Invader Music el 5 ago. 2013
16-Bit CD Quality 44.1 kHz - Stereo -
-
Naked, Pt. 1
House - Editado por Musical Directions el 30 sept. 2022
16-Bit CD Quality 44.1 kHz - Stereo -