Richard Wagner
Richard Wagner was one of the most revolutionary figures in the history of music, a composer who made pivotal contributions to the development of harmony and musical drama that reverberate even today. Indeed, though Wagner occasionally produced successful music written on a relatively modest scale, opera -- the bigger, the better -- was clearly his milieu, and his aesthetic is perhaps the most grandiose that Western music has ever known.
Early in his career, Wagner learned both the elements and the practical, political realities of his craft by writing a handful of operas which were unenthusiastically, even angrily, received. Beginning with Rienzi (1838-40) and The Flying Dutchman (1841), however, he enjoyed a string of successes that propelled him to immortality and changed the face of music. His monumental Ring cycle of four operas -- Das Rheingold (1853-54), Die Walküre (1854-56), Siegfried (1856-71) and Götterdämmerung (1869-74) -- remains the most ambitious and influential contribution by any composer to the opera literature. Tristan and Isolde (1857-59) is perhaps the most representative example of Wagner's musical style, which is characterized by a high degree of chromaticism, a restless, searching tonal instability, lush harmonies, and the association of specific musical elements (known as leitmotifs, the flexible manipulation of which is one of the hallmarks of Wagner's music) with certain characters and plot points. Wagner wrote text as well as music for all his operas, which he preferred to call "music dramas."
Wagner's life matched his music for sheer drama. Born in Leipzig on May 22, 1813, he began in the early 1830s to write prolifically on music and the arts in general; over his whole career, his music would to some degree serve to demonstrate his aesthetic theories. He often worked as a conductor in his early years; a conducting engagement took him to Riga, Latvia, in 1837, but he fled the country in the middle of the night two years later to elude creditors. Wagner as a young man had some sympathy with the revolutionary movements of the middle 19th century (and even the Ring cycle contains a distinct anti-materialist and vaguely socialist drift); in the Dresden uprisings of 1849 he apparently took up arms, and he had to leave Germany when the police restored order. Settling in Zurich, Switzerland, he wrote little for some years, but evolved the intellectual framework for his towering, mature masterpieces. Wagner returned to Germany in 1864 under the protection and patronage of King Ludwig II of Bavaria; it was in Bayreuth, near Munich, that he undertook the construction of an opera house (completed in 1876) built to his personal specifications and suited to the massive fusion of music, staging, text, and scene design that his later operas entailed. Bayreuth became something of a shrine for the fanatical Wagnerites who carried the torch after his death; it remains the goal of many a pilgrimage today. His attitude toward Jews was deeply ambivalent (he believed, mistakenly, that his stepfather was Jewish), but some of his writings contain anti-Semitic elements that have aroused considerable controversy among opera lovers, especially in view of Adolf Hitler's apparent predilection for the composer's music.
© Rovi Staff /TiVo
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Sagitariana
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Jetzt kommt die Feuerwehr
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Richard Wagner: Parsifal - Werkschau Bayreuth 2004
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Mutant
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Der Ring Des Nibelungen
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Ópera - Editado por Unchained Melodie el 4 nov. 2010
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Wagner - Lohengrin: Act III, Prelude
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Clásica - Editado por Violet Hill Records el 8 jun. 2012
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Electro Trip (Electronic Version)
Electrónica - Editado por Electro Roma el 29 ago. 2022
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Wagner: 'Das Rheingold' Highlights
Rudolf Kempe, The German State Opera, Orchestra of the German State Opera
Ópera - Editado por Sunday Club Records el 13 ene. 2014
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Joyas de la Música, Vol. 19
Berliner Symphoniker, José Carreras
Clásica - Editado por Star Evens Digital el 21 mar. 1996
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Wagner: Prelude and Liebestod from "Tristan und Isolde"
Pierre Dervaux, Paris Opera Orchestra
Ópera - Editado por Sunday Club Records el 24 ene. 2014
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Wagner: Overture, "Die Meistersinger von Nürnberg"
Royal Philharmonic Orchestra, Malcolm Sargent
Clásica - Editado por Violet Hill Records el 18 may. 2012
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Die Walküre
Clemens Krauss & The Bayreuth Festival Orchestra
Ópera - Editado por Unchained Melodie el 4 nov. 2010
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I Temi Fondamentali Nel Teatro Wagnenario
Clásica - Editado por JB Production CH el 22 mar. 2021
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Wagner Through the Ages
Clásica - Editado por Unchained Melodie el 28 feb. 2011
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Joyas de la Música, Vol. 7
Clásica - Editado por Star Evens Digital el 21 mar. 1996
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Wagner: Parsifal
Clemens Krauss, The Chorus Of Bayreuther Festspiele, The Orchestra Of Bayreuther Festspiele
Ópera - Editado por Unchained Melodie el 1 ene. 2011
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Wagner - Die Götterdämmerung: Siegfried's Rhine Journey
Orchestra Filarmonica di Roma, Massimo Freccia
Clásica - Editado por Violet Hill Records el 11 jun. 2012
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Wagner - Die Walküre: Ride of the Valkyries
The New Symphony Orchestra of London, Alexander Gibson
Clásica - Editado por Violet Hill Records el 6 jun. 2012
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