Qobuz Store wallpaper
Categorías:
Carrito 0

Su carrito está vacío

Death Cab For Cutie|We Have the Facts and We're Voting Yes

We Have the Facts and We're Voting Yes

Death Cab For Cutie

Disponible en
16-Bit/44.1 kHz Estéreo

Streaming ilimitado

Escuche este álbum ahora en alta calidad en nuestras apps

Comenzar mi periodo de prueba gratis y escuchar este álbum

Disfrute de este álbum en las apps Qobuz con sususcripción

Suscribir

Disfrute de este álbum en las apps Qobuz con sususcripción

Descarga digital

Compre y descargue este álbum en múltiples formatos, según sus necesidades.

Idioma disponible: inglés

Like the also-great Idaho or Wheat, to file Death Cab for Cutie under the mellow-pop umbrella that shelters tranquil chamber outfits such as Red House Painters, Low, or (post-dance-pop) Talk Talk would do them a gross, miscalculated service. While they're no strangers to the tickling knelling of guitars searching out the extra space found in laggard tempos, that predilection only encompasses a fourth of Death Cab for Cutie's output (like on "Title Track" and "Little Fury Bugs"). Heck, they're not even remotely quiet for half of We Have the Facts and We're Voting Yes -- the best and brightest LP of their three fine albums to date. Ben Gibbard has turned into a sublime composer, using melodies sparingly but with splendid tunefulness, as all four players marinate his writing with delicately plucked, picked, and pulled arpeggios, ringing chords, and non-obvious atmosphere building. Verily, the slow, broody stuff is but a change of pace; it's when the volume doubles (if only occasionally crashes), when the band shows potency, that We Have the Facts starts flying, soaring with exigency beyond even the threatening storm clouds from the last flight plan, 1998's Something About Airplanes. "Lowell, MA" and "Company Calls" are perfect examples: drummer Nathan Good actually gets to punish his snare and toms, the other three dig in with him, and the words "indie pop" suddenly sounds fresh and alive, with real aggressive, post-dream pop guitar popscapes. Loud and soft, or most of all both, and plenty of points in between, DCFC write and record finished songs that emote, that do more than merely fill a slot in a form in a preconceived genre. In short, they're superb. And getting greater.

© Jack Rabid /TiVo

Más información

We Have the Facts and We're Voting Yes

Death Cab For Cutie

launch qobuz app Ya he descargado Qobuz para Windows / MacOS Abrir

download qobuz app Todavía no he descargado Qobuz para Windows / MacOS Descargar la app Qobuz

Está escuchando muestras.

Escuche más de 100 millones de pistas con un plan de streaming ilimitado.

Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.

Desde 12,49€/mes

1
Title Track
00:03:29

Death Cab For Cutie, MainArtist - Benjamin Gibbard, Composer - Chris Walla, Producer - Where I'm Calling From Music (BMI), MusicPublisher

2000 Barsuk Records 2000 Barsuk Records

2
The Employment Pages
00:04:04

Death Cab For Cutie, MainArtist - Benjamin Gibbard, Composer - Chris Walla, Producer - Where I'm Calling From Music (BMI), MusicPublisher

2000 Barsuk Records 2000 Barsuk Records

3
For What Reason
00:02:52

Death Cab For Cutie, MainArtist - Benjamin Gibbard, Composer - Chris Walla, Producer - Where I'm Calling From Music (BMI), MusicPublisher

2000 Barsuk Records 2000 Barsuk Records

4
Lowell, MA
00:03:28

Death Cab For Cutie, MainArtist - Benjamin Gibbard, Composer - Chris Walla, Composer, Producer - Please Pass The Songs (BMI), MusicPublisher - Where I'm Calling From Music (BMI), MusicPublisher

2000 Barsuk Records 2000 Barsuk Records

5
405
00:03:37

Death Cab For Cutie, MainArtist - Benjamin Gibbard, Composer - Chris Walla, Producer - Where I'm Calling From Music (BMI), MusicPublisher

2000 Barsuk Records 2000 Barsuk Records

6
Little Fury Bugs
00:03:48

Death Cab For Cutie, MainArtist - Benjamin Gibbard, Composer - Chris Walla, Producer - Where I'm Calling From Music (BMI), MusicPublisher

2000 Barsuk Records 2000 Barsuk Records

7
Company Calls
00:03:19

Death Cab For Cutie, MainArtist - Benjamin Gibbard, Composer - Chris Walla, Producer - Where I'm Calling From Music (BMI), MusicPublisher

2000 Barsuk Records 2000 Barsuk Records

8
Company Calls Epilogue
00:05:16

Death Cab For Cutie, MainArtist - Benjamin Gibbard, Composer - Nick Harmer, Composer - Chris Walla, Composer, Producer - Please Pass The Songs (BMI), MusicPublisher - Shove It Up Your Songs (BMI), MusicPublisher - Where I'm Calling From Music (BMI), MusicPublisher

2000 Barsuk Records 2000 Barsuk Records

9
No Joy in Mudville
00:06:03

Death Cab For Cutie, MainArtist - Benjamin Gibbard, Composer - Nick Harmer, Composer - Chris Walla, Composer, Producer - Please Pass The Songs (BMI), MusicPublisher - Shove It Up Your Songs (BMI), MusicPublisher - Where I'm Calling From Music (BMI), MusicPublisher

2000 Barsuk Records 2000 Barsuk Records

10
Scientist Studies
00:05:56

Death Cab For Cutie, MainArtist - Benjamin Gibbard, Composer - Chris Walla, Producer - Where I'm Calling From Music (BMI), MusicPublisher

2000 Barsuk Records 2000 Barsuk Records

Presentación del Álbum

Like the also-great Idaho or Wheat, to file Death Cab for Cutie under the mellow-pop umbrella that shelters tranquil chamber outfits such as Red House Painters, Low, or (post-dance-pop) Talk Talk would do them a gross, miscalculated service. While they're no strangers to the tickling knelling of guitars searching out the extra space found in laggard tempos, that predilection only encompasses a fourth of Death Cab for Cutie's output (like on "Title Track" and "Little Fury Bugs"). Heck, they're not even remotely quiet for half of We Have the Facts and We're Voting Yes -- the best and brightest LP of their three fine albums to date. Ben Gibbard has turned into a sublime composer, using melodies sparingly but with splendid tunefulness, as all four players marinate his writing with delicately plucked, picked, and pulled arpeggios, ringing chords, and non-obvious atmosphere building. Verily, the slow, broody stuff is but a change of pace; it's when the volume doubles (if only occasionally crashes), when the band shows potency, that We Have the Facts starts flying, soaring with exigency beyond even the threatening storm clouds from the last flight plan, 1998's Something About Airplanes. "Lowell, MA" and "Company Calls" are perfect examples: drummer Nathan Good actually gets to punish his snare and toms, the other three dig in with him, and the words "indie pop" suddenly sounds fresh and alive, with real aggressive, post-dream pop guitar popscapes. Loud and soft, or most of all both, and plenty of points in between, DCFC write and record finished songs that emote, that do more than merely fill a slot in a form in a preconceived genre. In short, they're superb. And getting greater.

© Jack Rabid /TiVo

Acerca del álbum

Mejorar la información del álbum

Qobuz logo Por qué comprar en Qobuz...

De oferta actualmente...

The Studio Albums 2009 – 2018

Mark Knopfler

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

Brothers In Arms

Dire Straits

Brothers In Arms Dire Straits

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits
Más en Qobuz
Por Death Cab For Cutie

An Arrow In The Wall

Death Cab For Cutie

An Arrow In The Wall Death Cab For Cutie

Asphalt Meadows (Acoustic)

Death Cab For Cutie

Asphalt Meadows (Acoustic) Death Cab For Cutie

Asphalt Meadows

Death Cab For Cutie

Asphalt Meadows Death Cab For Cutie

Plans

Death Cab For Cutie

Plans Death Cab For Cutie

Transatlanticism

Death Cab For Cutie

Transatlanticism Death Cab For Cutie

Playlists

Quizás también le guste...

Wall Of Eyes

The Smile

Wall Of Eyes The Smile

First Two Pages of Frankenstein

The National

Born To Die

Lana Del Rey

Born To Die Lana Del Rey

Ohio Players

The Black Keys

Ohio Players The Black Keys

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

Billie Eilish