Qobuz Store wallpaper
Categorías:
Carrito 0

Su carrito está vacío

Billie Eilish - WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

Billie Eilish

Disponible en
logo Hi-Res
24-Bit 44.1 kHz - Stereo

Streaming ilimitado

Escuche este álbum ahora en alta calidad en nuestras apps

Comenzar mi periodo de prueba gratis y escuchar este álbum

Disfrute de este álbum en las apps Qobuz con sususcripción

Suscribir

Disfrute de este álbum en las apps Qobuz con sususcripción

Descarga digital

Compre y descargue este álbum en múltiples formatos, según sus necesidades.

Idioma disponible: inglés

“We are not serious when we are 17.” But Billie Eilish has all the marks of a serious young lady and someone who we should indeed take seriously. At the age of sixteen she released the noteworthy Don’t Smile at Me, an EP created with the help of her older brother, Finneas O’Connell. The EP is comprised of the singles Copycat, Bellyache and Ocean Eyes and was posted two years earlier on Soundcloud when Eilish was just 14 years old. Critics hailed her music due to its depiction of a lost adolescent with bleached hair, dressed in oversized sweaters. With the album When We All Fall Asleep, Where Do We Go? and its strange title and shocking cover, Eilish and her dark hair flaunt their more obscure side. One is immediately struck with how well polished Finneas O’Connell’s production is after an intro in which Eilish jokingly mocks her brother for his Invisalign (a kind of invisible dental brace). The first track Bad Guy features an EDM beat which contrasts with the dreaminess of the subsequent Xanny. The rest of the album follows this trend, weaving together both harsh and soft songs combined with the mature lyrics of a girl who was diagnosed with Tourette’s at the age of 11 and speaks of Xanax and young girls descent into a hellish existence. In this mix of gloomy pop and creepy trap beats, Eilish excels. A real eye-opener. © Charlotte Saintoin/Qobuz

Más información

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

Billie Eilish

launch qobuz app Ya he descargado Qobuz para Windows / MacOS Abrir

download qobuz app Todavía no he descargado Qobuz para Windows / MacOS Descargar la app Qobuz

Copie el enlace siguiente para compartirlo

Está escuchando muestras.

Escuche más de 70 millones de pistas con un plan de streaming ilimitado.

Escuche este álbum y más de 70 millones de pistas con los planes de streaming ilimitado.

1
!!!!!!!
00:00:13

Rob Kinelski, Mixer, StudioPersonnel - Casey Cuayo, Assistant Mixer, StudioPersonnel - John Greenham, Mastering Engineer, StudioPersonnel - Billie Eilish, MainArtist - Finneas O'Connell, Producer, ComposerLyricist - Billie Eilish O'Connell, ComposerLyricist

℗ 2019 Darkroom/Interscope Records

2
bad guy
00:03:14

Rob Kinelski, Mixer, StudioPersonnel - Casey Cuayo, Assistant Mixer, StudioPersonnel - John Greenham, Mastering Engineer, StudioPersonnel - Billie Eilish, MainArtist - Finneas O'Connell, Producer, ComposerLyricist - Billie Eilish O'Connell, ComposerLyricist

℗ 2019 Darkroom/Interscope Records, Mit freundlicher Genehmigung: Universal Music Group, Inc.

3
xanny
00:04:03

Rob Kinelski, Mixer, StudioPersonnel - Casey Cuayo, Assistant Mixer, StudioPersonnel - John Greenham, Mastering Engineer, StudioPersonnel - Billie Eilish, MainArtist - Finneas O'Connell, Producer, ComposerLyricist - Billie Eilish O'Connell, ComposerLyricist

℗ 2019 Darkroom/Interscope Records

4
you should see me in a crown
00:03:00

Rob Kinelski, Mixer, StudioPersonnel - Casey Cuayo, Assistant Mixer, StudioPersonnel - John Greenham, Mastering Engineer, StudioPersonnel - Billie Eilish, MainArtist - Finneas O'Connell, Producer, ComposerLyricist - Billie Eilish O'Connell, ComposerLyricist

℗ 2018 Darkroom/Interscope Records

5
all the good girls go to hell
00:02:48

Rob Kinelski, Mixer, StudioPersonnel - Casey Cuayo, Assistant Mixer, StudioPersonnel - John Greenham, Mastering Engineer, StudioPersonnel - Billie Eilish, MainArtist - Finneas O'Connell, Producer, ComposerLyricist - Billie Eilish O'Connell, ComposerLyricist

℗ 2019 Darkroom/Interscope Records

6
wish you were gay
00:03:41

Rob Kinelski, Mixer, StudioPersonnel - Casey Cuayo, Assistant Mixer, StudioPersonnel - John Greenham, Mastering Engineer, StudioPersonnel - Billie Eilish, MainArtist - Finneas O'Connell, Producer, ComposerLyricist - Billie Eilish O'Connell, ComposerLyricist

℗ 2019 Darkroom/Interscope Records

7
when the party's over
00:03:16

Rob Kinelski, Mixer, StudioPersonnel - Casey Cuayo, Assistant Mixer, StudioPersonnel - John Greenham, Mastering Engineer, StudioPersonnel - Billie Eilish, Vocals, MainArtist, AssociatedPerformer - Finneas O'Connell, Producer, Percussion, Piano, Background Vocalist, AssociatedPerformer, ComposerLyricist, Bass (Vocal)

℗ 2018 Darkroom/Interscope Records

8
8
00:02:53

Rob Kinelski, Mixer, StudioPersonnel - Casey Cuayo, Assistant Mixer, StudioPersonnel - John Greenham, Mastering Engineer, StudioPersonnel - Billie Eilish, MainArtist - Finneas O'Connell, Producer, ComposerLyricist - Billie Eilish O'Connell, ComposerLyricist

℗ 2019 Darkroom/Interscope Records

9
my strange addiction
00:02:59

Rob Kinelski, Mixer, StudioPersonnel - Casey Cuayo, Assistant Mixer, StudioPersonnel - John Greenham, Mastering Engineer, StudioPersonnel - Billie Eilish, MainArtist - Finneas O'Connell, Producer, ComposerLyricist

℗ 2019 Darkroom/Interscope Records

10
bury a friend
00:03:13

Rob Kinelski, Mixer, StudioPersonnel - Casey Cuayo, Assistant Mixer, StudioPersonnel - John Greenham, Mastering Engineer, StudioPersonnel - Billie Eilish, MainArtist - Finneas O'Connell, Producer, ComposerLyricist - Billie Eilish O'Connell, ComposerLyricist

℗ 2019 Darkroom/Interscope Records

11
ilomilo
00:02:36

Rob Kinelski, Mixer, StudioPersonnel - Casey Cuayo, Assistant Mixer, StudioPersonnel - John Greenham, Mastering Engineer, StudioPersonnel - Billie Eilish, MainArtist - Finneas O'Connell, Producer, ComposerLyricist - Billie Eilish O'Connell, ComposerLyricist

℗ 2019 Darkroom/Interscope Records

12
listen before i go
00:04:02

Rob Kinelski, Mixer, StudioPersonnel - Casey Cuayo, Assistant Mixer, StudioPersonnel - John Greenham, Mastering Engineer, StudioPersonnel - Billie Eilish, MainArtist - Finneas O'Connell, Producer, ComposerLyricist - Billie Eilish O'Connell, ComposerLyricist

℗ 2019 Darkroom/Interscope Records

13
i love you
00:04:51

Rob Kinelski, Mixer, StudioPersonnel - Casey Cuayo, Assistant Mixer, StudioPersonnel - John Greenham, Mastering Engineer, StudioPersonnel - Billie Eilish, MainArtist - Finneas O'Connell, Producer, ComposerLyricist - Billie Eilish O'Connell, ComposerLyricist

℗ 2019 Darkroom/Interscope Records

14
goodbye
00:01:59

Rob Kinelski, Mixer, StudioPersonnel - Casey Cuayo, Assistant Mixer, StudioPersonnel - John Greenham, Mastering Engineer, StudioPersonnel - Billie Eilish, MainArtist - Finneas O'Connell, Producer, ComposerLyricist - Billie Eilish O'Connell, ComposerLyricist

℗ 2019 Darkroom/Interscope Records

Descripción del álbum

“We are not serious when we are 17.” But Billie Eilish has all the marks of a serious young lady and someone who we should indeed take seriously. At the age of sixteen she released the noteworthy Don’t Smile at Me, an EP created with the help of her older brother, Finneas O’Connell. The EP is comprised of the singles Copycat, Bellyache and Ocean Eyes and was posted two years earlier on Soundcloud when Eilish was just 14 years old. Critics hailed her music due to its depiction of a lost adolescent with bleached hair, dressed in oversized sweaters. With the album When We All Fall Asleep, Where Do We Go? and its strange title and shocking cover, Eilish and her dark hair flaunt their more obscure side. One is immediately struck with how well polished Finneas O’Connell’s production is after an intro in which Eilish jokingly mocks her brother for his Invisalign (a kind of invisible dental brace). The first track Bad Guy features an EDM beat which contrasts with the dreaminess of the subsequent Xanny. The rest of the album follows this trend, weaving together both harsh and soft songs combined with the mature lyrics of a girl who was diagnosed with Tourette’s at the age of 11 and speaks of Xanax and young girls descent into a hellish existence. In this mix of gloomy pop and creepy trap beats, Eilish excels. A real eye-opener. © Charlotte Saintoin/Qobuz

Acerca del álbum

Mejorar esta página

Qobuz logo Por qué comprar en Qobuz...

De oferta actualmente...

Debussy – Rameau

Víkingur Ólafsson

Debussy – Rameau Víkingur Ólafsson

The Köln Concert (Live at the Opera, Köln, 1975)

Keith Jarrett

Sticky Fingers (Deluxe)

The Rolling Stones

Sticky Fingers (Deluxe) The Rolling Stones

Philip Glass: Piano Works

Víkingur Ólafsson

Philip Glass: Piano Works Víkingur Ólafsson
Más en Qobuz
Por Billie Eilish

ilomilo

Billie Eilish

ilomilo Billie Eilish

No Time To Die

Billie Eilish

No Time To Die Billie Eilish

When We All Fall Asleep, Where Do We Go?

Billie Eilish

dont smile at me

Billie Eilish

dont smile at me Billie Eilish

ilomilo

Billie Eilish

ilomilo Billie Eilish
Quizás también le guste...

When You See Yourself

Kings Of Leon

When You See Yourself Kings Of Leon

Folklore (Explicit)

Taylor Swift

Folklore (Explicit) Taylor Swift

Fetch The Bolt Cutters

Fiona Apple

What Kinda Music

Tom Misch

What Kinda Music Tom Misch

CARNAGE

Nick Cave

CARNAGE Nick Cave
Los Grandes Angulares...
Kraftwerk, 50 años por delante de su época

Kraftwerk, el grupo de música electrónica más influyente de la historia, fundado por Ralf Hütter y Florian Schneider, fallecido el 6 de mayo de 2020 de cáncer, siempre ha estado por delante de su tiempo. Por delante en términos de tecnología, de composición, de presencia en escena. A la vez, los alemanes no han dejado de demostrarle al gran público que las máquinas son capaces de despertar emociones, abriendo camino al techno, la new wave e incluso al hip-hop.

Neoclásico: un nuevo mundo en la frontera entre el electro y el clásico

Ólafur Arnalds, Nils Frahm, Max Richter, Poppy Ackroyd, Peter Broderick, Joana Gama... En los últimos años, todos estos nombres tan de moda se han agrupado bajo la vasta e imprecisa etiqueta de «neoclásico». Pero, a decir verdad, este «escenario» se parece más a una banda heterogénea de inquietos artistas que mezclan instrumentos clásicos y producción electrónica –desde una supuesta conexión con los pioneros del minimalismo estadounidense… que deleitan los sentidos, y que abren perspectivas a ambos lados de su espectro musical.

Marc Ribot, el anti guitar-hero

Durante 35 años, el nombre de Marc Ribot ha aparecido en las portadas de los álbumes de Tom Waits, Alain Bashung, Diana Krall, John Zorn, Robert Plant, Caetano Veloso y otros 9758 músicos. Y cuando no presta su guitarra atípica a alguno de los grandes, el «Neoyorquino» se divierte, en su propio nombre, desmontando el rock, el jazz, el funk, la música cubana y todo lo que caiga en sus manos.

De actualidad...