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Bartłomiej Pękiel|Bartlomiej Pekiel : Messes - Motets

Bartlomiej Pekiel : Messes - Motets

The Sixteen - Eamonn Dougan

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This is a distant excursion from home base for the British choir the Sixteen, for which familiarity of repertory is generally part of the plan. The music heard here, by composer Bartlomiej Pekiel (active 1633-1670), is little known outside Poland. Indeed, the Polish Baroque, which attracted plenty of Italian composers in its day, provides fertile ground for choirs looking to perform unknown masterpieces. The style of the music is in general what you would expect from a composer keeping close tabs on the latest music from Italy; Pekiel was the first native-born Polish composer to crack what had been a scene dominated by imports. There are several short motets in Renaissance stile antico, as well as masses in the newer concerted style, with solos and various contrasts of massed groups accompanied by a small continuo-based instrumental ensemble. Pekiel's realizations of these styles are unique. Most interesting is the torso of the Missa à 14, of which only the Kyrie and Gloria have survived. To hear the entire mass -- with no solo lines, only constantly shifting relationships among its 14 parts -- must have been a thrilling experience. In the other masses there are some striking dissonances. The motets are more conservative, but there is one unclassifiable piece, Audite morales, that somewhat resembles the Roman dialogue pieces, little quasi-dramas from which the oratorio emerged. The music is all in Latin. The Sixteen does not really specialize in the early Baroque, and the Missa à 14 might have worked better with a larger group, but the choir, conducted not by leader Harry Christophers but by associate conductor Eamonn Dougan, achieves its usual clarity and brightness, all to the good. The big picture: very few people, if any, have recorded this music, and Baroque enthusiasts will be glad to have the album.
© TiVo

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Bartlomiej Pekiel : Messes - Motets

Bartłomiej Pękiel

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1
Missa a14: Kyrie
The Sixteen
00:03:20

Caroline Trevor, MainArtist - Eamonn Dougan, Conductor - The Sixteen, Ensemble - Jeremy Budd, MainArtist - Stuart Young, MainArtist - Charlotte Mobbs, MainArtist - Matthew Long, MainArtist - Alice Gribbin, MainArtist - Jimmy Holliday, MainArtist - Zofia Dobrzańska-Fabiańska, MusicPublisher - Musica Iagellonica, MusicPublisher - Kim Porter, MainArtist - Bartłomiej Pękiel, Composer

(C) 2013 The Sixteen Productions Ltd (P) 2013 The Sixteen Productions Ltd

2
Missa a14: Gloria
The Sixteen
00:03:48

Caroline Trevor, MainArtist - Eamonn Dougan, Conductor - The Sixteen, Ensemble - Jeremy Budd, MainArtist - Stuart Young, MainArtist - Charlotte Mobbs, MainArtist - Matthew Long, MainArtist - Alice Gribbin, MainArtist - Jimmy Holliday, MainArtist - Zofia Dobrzańska-Fabiańska, MusicPublisher - Musica Iagellonica, MusicPublisher - Kim Porter, MainArtist - Bartłomiej Pękiel, Composer

(C) 2013 The Sixteen Productions Ltd (P) 2013 The Sixteen Productions Ltd

3
Resonet in Laudibus
The Sixteen
00:01:49

Eamonn Dougan, Conductor, MainArtist - The Sixteen, Ensemble, MainArtist - Zofia Dobrzańska-Fabiańska, MusicPublisher - Musica Iagellonica, MusicPublisher - Bartłomiej Pękiel, Composer

(C) 2013 The Sixteen Productions Ltd (P) 2013 The Sixteen Productions Ltd

4
Dulcis amor Jesu
The Sixteen
00:06:28

Eamonn Dougan, Conductor - The Sixteen, Ensemble - Jeremy Budd, MainArtist - Stuart Young, MainArtist - Charlotte Mobbs, MainArtist - Matthew Long, MainArtist - Alice Gribbin, MainArtist - Zofia Dobrzańska-Fabiańska, MusicPublisher - Musica Iagellonica, MusicPublisher - Bartłomiej Pękiel, Composer

(C) 2013 The Sixteen Productions Ltd (P) 2013 The Sixteen Productions Ltd

5
Magnum nomen Domini
The Sixteen
00:01:49

Caroline Trevor, MainArtist - Eamonn Dougan, Conductor - The Sixteen, Ensemble - Charlotte Mobbs, MainArtist - Alice Gribbin, MainArtist - Zofia Dobrzańska-Fabiańska, MusicPublisher - Musica Iagellonica, MusicPublisher - Kim Porter, MainArtist - Bartłomiej Pękiel, Composer

(C) 2013 The Sixteen Productions Ltd (P) 2013 The Sixteen Productions Ltd

6
Audite mortales
The Sixteen
00:12:55

Eamonn Dougan, Conductor - The Sixteen, Ensemble - Jeremy Budd, MainArtist - Stuart Young, MainArtist - Charlotte Mobbs, MainArtist - Matthew Long, MainArtist - Alice Gribbin, MainArtist - Zofia Dobrzańska-Fabiańska, MusicPublisher - Musica Iagellonica, MusicPublisher - Nicholas Mulroy, MainArtist - Bartłomiej Pękiel, Composer

(C) 2013 The Sixteen Productions Ltd (P) 2013 The Sixteen Productions Ltd

7
O adoranda Trinitas
The Sixteen
00:02:53

Eamonn Dougan, Conductor, MainArtist - The Sixteen, Ensemble, MainArtist - Zofia Dobrzańska-Fabiańska, MusicPublisher - Musica Iagellonica, MusicPublisher - Bartłomiej Pękiel, Composer

(C) 2013 The Sixteen Productions Ltd (P) 2013 The Sixteen Productions Ltd

8
Nativitas tua
The Sixteen
00:04:04

Eamonn Dougan, Conductor, MainArtist - The Sixteen, Ensemble, MainArtist - Zofia Dobrzańska-Fabiańska, MusicPublisher - Musica Iagellonica, MusicPublisher - Bartłomiej Pękiel, Composer

(C) 2013 The Sixteen Productions Ltd (P) 2013 The Sixteen Productions Ltd

9
Missa Concertata La Lombardesca: Kyrie
The Sixteen
00:03:10

Caroline Trevor, MainArtist - Eamonn Dougan, Conductor - The Sixteen, Ensemble - Jeremy Budd, MainArtist - Stuart Young, MainArtist - Charlotte Mobbs, MainArtist - Matthew Long, MainArtist - Alice Gribbin, MainArtist - Jimmy Holliday, MainArtist - Zofia Dobrzańska-Fabiańska, MusicPublisher - Musica Iagellonica, MusicPublisher - Kim Porter, MainArtist - Bartłomiej Pękiel, Composer

(C) 2013 The Sixteen Productions Ltd (P) 2013 The Sixteen Productions Ltd

10
Missa Concertata La Lombardesca: Gloria
The Sixteen
00:05:01

Caroline Trevor, MainArtist - Eamonn Dougan, Conductor - The Sixteen, Ensemble - Jeremy Budd, MainArtist - Stuart Young, MainArtist - Charlotte Mobbs, MainArtist - Matthew Long, MainArtist - Alice Gribbin, MainArtist - Jimmy Holliday, MainArtist - Zofia Dobrzańska-Fabiańska, MusicPublisher - Musica Iagellonica, MusicPublisher - Kim Porter, MainArtist - Bartłomiej Pękiel, Composer

(C) 2013 The Sixteen Productions Ltd (P) 2013 The Sixteen Productions Ltd

11
Assumpta est Maria
The Sixteen
00:02:39

Eamonn Dougan, Conductor, MainArtist - The Sixteen, Ensemble, MainArtist - Zofia Dobrzańska-Fabiańska, MusicPublisher - Musica Iagellonica, MusicPublisher - Bartłomiej Pękiel, Composer

(C) 2013 The Sixteen Productions Ltd (P) 2013 The Sixteen Productions Ltd

12
Missa Concertata La Lombardesca: Credo
The Sixteen
00:09:23

Caroline Trevor, MainArtist - Eamonn Dougan, Conductor - The Sixteen, Ensemble - Jeremy Budd, MainArtist - Stuart Young, MainArtist - Charlotte Mobbs, MainArtist - Matthew Long, MainArtist - Alice Gribbin, MainArtist - Jimmy Holliday, MainArtist - Zofia Dobrzańska-Fabiańska, MusicPublisher - Musica Iagellonica, MusicPublisher - Kim Porter, MainArtist - Bartłomiej Pękiel, Composer

(C) 2013 The Sixteen Productions Ltd (P) 2013 The Sixteen Productions Ltd

13
Ave Maria
The Sixteen
00:03:19

Eamonn Dougan, Conductor, MainArtist - The Sixteen, Ensemble, MainArtist - Zofia Dobrzańska-Fabiańska, MusicPublisher - Musica Iagellonica, MusicPublisher - Bartłomiej Pękiel, Composer

(C) 2013 The Sixteen Productions Ltd (P) 2013 The Sixteen Productions Ltd

14
Missa Concertata La Lombardesca: Sanctus
The Sixteen
00:01:36

Caroline Trevor, MainArtist - Eamonn Dougan, Conductor - The Sixteen, Ensemble - Jeremy Budd, MainArtist - Stuart Young, MainArtist - Charlotte Mobbs, MainArtist - Matthew Long, MainArtist - Alice Gribbin, MainArtist - Jimmy Holliday, MainArtist - Zofia Dobrzańska-Fabiańska, MusicPublisher - Musica Iagellonica, MusicPublisher - Kim Porter, MainArtist - Bartłomiej Pękiel, Composer

(C) 2013 The Sixteen Productions Ltd (P) 2013 The Sixteen Productions Ltd

15
Missa Concertata La Lombardesca: Benedictus
The Sixteen
00:01:35

Caroline Trevor, MainArtist - Eamonn Dougan, Conductor - The Sixteen, Ensemble - Jeremy Budd, MainArtist - Stuart Young, MainArtist - Charlotte Mobbs, MainArtist - Matthew Long, MainArtist - Alice Gribbin, MainArtist - Jimmy Holliday, MainArtist - Zofia Dobrzańska-Fabiańska, MusicPublisher - Musica Iagellonica, MusicPublisher - Kim Porter, MainArtist - Bartłomiej Pękiel, Composer

(C) 2013 The Sixteen Productions Ltd (P) 2013 The Sixteen Productions Ltd

16
Missa Concertata La Lombardesca: Agnus Dei
The Sixteen
00:01:51

Caroline Trevor, MainArtist - Eamonn Dougan, Conductor - The Sixteen, Ensemble - Jeremy Budd, MainArtist - Stuart Young, MainArtist - Charlotte Mobbs, MainArtist - Matthew Long, MainArtist - Alice Gribbin, MainArtist - Jimmy Holliday, MainArtist - Zofia Dobrzańska-Fabiańska, MusicPublisher - Musica Iagellonica, MusicPublisher - Kim Porter, MainArtist - Bartłomiej Pękiel, Composer

(C) 2013 The Sixteen Productions Ltd (P) 2013 The Sixteen Productions Ltd

Presentación del Álbum

This is a distant excursion from home base for the British choir the Sixteen, for which familiarity of repertory is generally part of the plan. The music heard here, by composer Bartlomiej Pekiel (active 1633-1670), is little known outside Poland. Indeed, the Polish Baroque, which attracted plenty of Italian composers in its day, provides fertile ground for choirs looking to perform unknown masterpieces. The style of the music is in general what you would expect from a composer keeping close tabs on the latest music from Italy; Pekiel was the first native-born Polish composer to crack what had been a scene dominated by imports. There are several short motets in Renaissance stile antico, as well as masses in the newer concerted style, with solos and various contrasts of massed groups accompanied by a small continuo-based instrumental ensemble. Pekiel's realizations of these styles are unique. Most interesting is the torso of the Missa à 14, of which only the Kyrie and Gloria have survived. To hear the entire mass -- with no solo lines, only constantly shifting relationships among its 14 parts -- must have been a thrilling experience. In the other masses there are some striking dissonances. The motets are more conservative, but there is one unclassifiable piece, Audite morales, that somewhat resembles the Roman dialogue pieces, little quasi-dramas from which the oratorio emerged. The music is all in Latin. The Sixteen does not really specialize in the early Baroque, and the Missa à 14 might have worked better with a larger group, but the choir, conducted not by leader Harry Christophers but by associate conductor Eamonn Dougan, achieves its usual clarity and brightness, all to the good. The big picture: very few people, if any, have recorded this music, and Baroque enthusiasts will be glad to have the album.
© TiVo

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